80

Film Threat

The motorcycle film genre is one that has all but been forgotten, but if any film could start the resurrection of this cinema genre's corpse, it's Larry Bishop's Hell Ride.
Full Review
63

New York Post

If you enjoy foulmouth dialogue mixed with sex, violence, bikes, badass bikers, boobs, babes, booze, brawling, broken noses and broken promises - then the Quentin Tarantino-produced Hell Ride should make you one happy guy.
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50

The Hollywood Reporter

Lacks sufficient substance to be of more than quickly passing interest for all but the most devoted fans.
Full Review
50

Boston Globe

By Wesley Morris
It's a self-amused, self-conscious, seriously limp throwback to motorcycle westerns of the 1970s.
Full Review
50

ReelViews

By James Berardinelli
The film has energy but isn't well paced. Nothing about it quite gels.
Full Review
38

TV Guide

By Maitland McDonagh
Larry Bishop's painfully self-conscious homage to biker films of yesteryear is a carefully crafted pastiche that doesn't miss a wild-deadly-angels-devils-sadists-revenge cliché and can't hold a candle to the down-and-dirty likes of "The Glory Stompers."
Full Review
25

San Francisco Chronicle

By Ruthe Stein
A pile of junk.
Full Review
25

Chicago Tribune

By Michael Phillips
A whopper this isn't. It's not even a Whopper Junior. It's the paper the Whopper Junior came in.
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25

Chicago Sun-Times

By Roger Ebert
The movie was executive produced by Quentin Tarantino. Shame on him. He intends it no doubt as another homage to grindhouse pictures, but I've seen a lot of them, and they were nowhere near this bad. "Hell's Angels on Wheels," for example: pretty good.
Full Review
20

Austin Chronicle

By Marc Savlov
The story is a shambles, incoherent throughout, veined with tirelessly wearying flashbacks, hallucinations, and just plain old lousy storytelling.
Full Review
25 out of 100
Generally unfavorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.