He Got GameMovie Reviews

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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 90
    New York Magazine |

    The movie is a volatile combination of ambitious mythmaking and nasty reality, and like most of Spike Lee’s work, it is also an inextricable combination of good and bad. Read full review

  • 88
    Chicago Sun-Times | Roger Ebert

    Lee uses visual imagination to lift his material into the realms of hopes and dreams. Read full review

  • 83
    Entertainment Weekly | Owen Gleiberman

    As is often the case with Lee, though, the film left me wishing for even more scenes of casual intimacy, still the most powerful way to carry any message. Read full review

  • 80
    The New York Times | Elvis Mitchell

    Basketball, bold urban landscapes, larger-than-life characters and red-hot visual pyrotechnics are the strong points of Mr. Lee's biggest three-ring circus, not to mention the central presence of Denzel Washington. Read full review

  • 75
    San Francisco Chronicle | Peter Stack

    He Got Game seems to cheer for integrity, honesty and hard work while playing up its own cheap thrills. Read full review

  • 70
    Salon.com |

    Awkward and often downright silly, He Got Game is nonetheless heartfelt, a moving portrayal of a man who finds his long-lost son through faith, hope and basketball. Read full review

  • 67
    Austin Chronicle | Russell Smith

    For all his superfan's intimacy with b-ball culture, he focuses less on the sport's fascinating mystique than on generic recapitulation of how celebrity culture seduces and devours young minority athletes. Read full review

  • 60
    Washington Post | Stephen Hunter

    He got too much movie. That's the scoring total on Spike Lee's He Got Game, which ultimately must be judged a mild disappointment. Read full review

  • 60
    Variety | Emanuel Levy

    Lacking the moral indignation, outrage and militant politics that marked Lee's earlier work, this vibrantly colorful film is a tad too soft at the center, and arguably the director's most mainstream movie. Read full review

  • 50
    Washington Post | Michael O'Sullivan

    The problem, sadly, is that the whole amounts to less than the sum of its parts. Read full review

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