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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
In a summer of clones, Harvard Man is something rare and riveting: a wild ride that relies on more than special effects. Read full review
Adams sparkles with quick-mindedness and verbal agility. This is a worthy and underused talent. Read full review
How can one man juggle two women, possible expulsion, Mafia baseball bats and the meaning of life, while on acid? This is the kind of question only a Toback film thinks to ask, let alone answer. Read full review
Wildly uneven yet perversely coherent ode to the lure of sexual and chemical experimentation, the precariousness of sanity and the sheer suggestible power of paranoia. Read full review
Mr. Toback uses his improbable, conventional story as the trelliswork for a series of wild and florid riffs about sex, ethics and the delirium of renegade moviemaking. Read full review
A fast and clever con-gone-wrong comedy that reflects the writer-director's characteristic blend of the intellectual and the criminal. But it lacks anyone to care about--even the repellent characters are less than fascinating--and the result is a crisply made movie that is no more than mildly amusing. Read full review
Sillier than it is clever, and Toback's self-indulgence is tiresome. He's a genuine auteur, all right, but his life and the funky tastes that inspire him are just not as interesting as he thinks they are. Read full review
A characteristically engorged and sloppy coming-of-age movie from the filmmaker (''Harvard '66'') who, in his body of work, indulges his fantasies as fetishistically as other men finger their cigars. Read full review
Sure, sex and drugs can take you to a higher plane. But not if a movie crushes your will to live first. Read full review
There's no transcending a prosaic plot and several flat performances. Read full review