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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 50
    San Francisco Chronicle | Mick LaSalle

    A stupid movie -- but a deliriously stupid movie, which gives it a certain grandeur. Read full review

  • 50
    Variety | Todd McCarthy

    A waterlogged would-be thriller deep-sixed by its misguided notion of high concept. [12 January 1998, p. 63] Read full review

  • 50
    The New York Times | Lawrence Van Gelder

    A well-cast disaster movie more notable for special effects and stunts than for credible drama. Read full review

  • 42
    Entertainment Weekly | Owen Gleiberman

    The film suggests Titanic in a giant wading pool. Read full review

  • 30
    Los Angeles Times | Kevin Thomas

    This documentary-like realism, alas, only underlines the preposterousness of its plot with its torrent of contrived, credibility-defying cliffhangers. Read full review

  • 30
    L.A. Weekly | Manohla Dargis

    A nearly affectless Christian Slater, who carries a co-producing credit and seems to have lost his charisma along with his sneer, plays Tom, an armored-car guard who plays hide-and-seek with a gang of thieves, all of whom, outside of ringleader Jim (Morgan Freeman), are instantly forgettable. Read full review

  • 30
    Washington Post | Stephen Hunter

    The movie's chief crime against the planet, other than the sheer wastage of time, is the trivializing of the great Freeman. This actor has such dignity and depth and humanity, he almost makes the film watchable. Read full review

  • 25
    Chicago Sun-Times | Roger Ebert

    One of those movies that never convince you its stories are really happening. Read full review

  • 25
    USA Today | Susan Wloszczyna

    Washed away by drippy plot. [16 January 1998, p. 4D] Read full review

  • 20
    Austin Chronicle | Marc Savlov

    Tired and formulaic. Read full review

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