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Metascore®84 out of 100 | Universal acclaim

Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 100
    Chicago Sun-Times | Roger Ebert

    This is Mike Leigh's funniest film since "Life Is Sweet" (1991). Of course he hasn't ever made a completely funny film, and Happy-Go-Lucky has scenes that are not funny, not at all. Read full review

  • 91
    Entertainment Weekly | Lisa Schwarzbaum

    The London universe Leigh creates (employing his trademark improv techniques to unite his ensemble, many of whom make their film debuts) isn't so much a reality as a hope, and an invitation to find joy and grace in everyday moments. Read full review

  • 90
    The New York Times | Manohla Dargis

    Mr. Leigh has never been an artist for whom happy (word or idea) has been an easy fit. Life is sweet, as the title of another of his films puts it with a heart-swelling yes, but it’s also an eternal fight against doom and gloom, the soul-crushing no. Read full review

  • 88
    USA Today | Claudia Puig

    It is that rare film that is equal parts entertaining, life-affirming and thought-provoking. Read full review

  • 83
    The Onion (A.V. Club) | Noel Murray

    Typically, Leigh withholds his own judgment as to whether Hawkins is a delight or a terror. But he does create a noticeable tension between the audience's expectations and the way the story plays out. Read full review

  • 80
    Los Angeles Times | Kenneth Turan

    As is always the case with Leigh's protagonists, Poppy does not fit into a schematic log line, she simply is. She exists with an intensity that few other filmmakers' characters can manage because of the singular way Leigh creates his people. Read full review

  • 75
    ReelViews | James Berardinelli

    While any or all of the events related during the course of the film might seem to form the backbone of an unendurably boring motion picture, everything comes alive because of Poppy. Read full review

  • 70
    Time | Richard Schickel

    The results are unique in the contemporary cinema -- behavioral honesty and intensity raised to a flash point. If this be comedy, it is so only in the nominal sense that no one dies at the end of the picture. Read full review

  • 70
    Village Voice | J. Hoberman

    At the very least, the spectacle of Poppy's devotion and desire, not to mention her all-around sunny disposish, left this viewer feeling unaccountably happy--at least for the moment. Read full review

  • 70
    Variety | Alissa Simon

    Mike Leigh's mellowest work yet, and his most purely entertaining. Read full review

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