|
John F. Seitz (Cinematographer)
|
Appointment with Danger
|
1951
|
|
Edith Head (Costume Designer)
|
A Place in the Sun
|
1951
|
|
George Stevens (Producer)
|
A Place in the Sun
|
1951
|
|
George Stevens (Director)
|
A Place in the Sun
|
1951
|
|
Doane Harrison (Editor)
|
Branded
|
1950
|
|
Rudolph Maté (Director)
|
Branded
|
1950
|
|
Mitchell Leisen (Director)
|
Captain Carey, U.S.A
|
1950
|
|
John F. Seitz (Cinematographer)
|
Captain Carey, U.S.A
|
1950
|
|
Edith Head (Costume Designer)
|
Copper Canyon
|
1950
|
|
John Farrow (Director)
|
Copper Canyon
|
1950
|
|
Hal B. Wallis (Producer)
|
Dark City
|
1950
|
|
Warren Low (Editor)
|
Dark City
|
1950
|
|
Edith Head (Costume Designer)
|
Dark City
|
1950
|
|
William Dieterle (Director)
|
Dark City
|
1950
|
|
George Marshall (Director)
|
Fancy Pants
|
1950
|
|
Hal B. Wallis (Producer)
|
The Furies
|
1950
|
|
Anthony Mann (Director)
|
The Furies
|
1950
|
|
Edith Head (Costume Designer)
|
The Furies
|
1950
|
|
Hermes Pan (Choreography)
|
Let's Dance
|
1950
|
|
George Barnes (Cinematographer)
|
Let's Dance
|
1950
|
|
Norman Z. McLeod (Director)
|
Let's Dance
|
1950
|
|
Edith Head (Costume Designer)
|
Let's Dance
|
1950
|
|
Edith Head (Costume Designer)
|
Mr. Music
|
1950
|
|
Doane Harrison (Editor)
|
Mr. Music
|
1950
|
|
Richard Haydn (Director)
|
Mr. Music
|
1950
|
|
George Barnes (Cinematographer)
|
Mr. Music
|
1950
|
|
Hal B. Wallis (Producer)
|
My Friend Irma Goes West
|
1950
|
|
Henry Bumstead (Art Director)
|
My Friend Irma Goes West
|
1950
|
|
Warren Low (Editor)
|
My Friend Irma Goes West
|
1950
|
|
Edith Head (Costume Designer)
|
No Man of Her Own
|
1950
|
|
Mitchell Leisen (Director)
|
No Man of Her Own
|
1950
|
|
Henry Bumstead (Art Director)
|
No Man of Her Own
|
1950
|
|
Daniel L. Fapp (Cinematographer)
|
No Man of Her Own
|
1950
|
|
Hal B. Wallis (Producer)
|
Paid in Full
|
1950
|
|
William Dieterle (Director)
|
Paid in Full
|
1950
|
|
Warren Low (Editor)
|
Paid in Full
|
1950
|
|
Frank Capra (Director)
|
Riding High
|
1950
|
|
George Barnes (Cinematographer)
|
Riding High
|
1950
|
|
Frank Capra (Producer)
|
Riding High
|
1950
|
|
Edith Head (Costume Designer)
|
Riding High
|
1950
|
|
William Dieterle (Director)
|
September Affair
|
1950
|
|
Warren Low (Editor)
|
September Affair
|
1950
|
|
Hal B. Wallis (Producer)
|
September Affair
|
1950
|
|
Billy Wilder (Director)
|
Sunset Boulevard
|
1950
|
|
Edith Head (Costume Designer)
|
Sunset Boulevard
|
1950
|
|
Charles Brackett (Producer)
|
Sunset Boulevard
|
1950
|
|
Doane Harrison (Editor)
|
Sunset Boulevard
|
1950
|
|
John F. Seitz (Cinematographer)
|
Sunset Boulevard
|
1950
|
|
Daniel L. Fapp (Cinematographer)
|
Union Station
|
1950
|
|
Rudolph Maté (Director)
|
Union Station
|
1950
|
|
Daniel L. Fapp (Cinematographer)
|
Bride of Vengeance
|
1949
|
|
Mitchell Leisen (Director)
|
Bride of Vengeance
|
1949
|
|
Mitchell Leisen (Costume Designer)
|
Bride of Vengeance
|
1949
|
|
John F. Seitz (Cinematographer)
|
Chicago Deadline
|
1949
|
|
Victor Young (Editor)
|
Chicago Deadline
|
1949
|
|
Tay Garnett (Director)
|
A Connecticut Yankee in King Arthur's Court
|
1949
|
|
Edith Head (Costume Designer)
|
A Connecticut Yankee in King Arthur's Court
|
1949
|
|
Ray Rennahan (Cinematographer)
|
A Connecticut Yankee in King Arthur's Court
|
1949
|
|
John Farrow (Producer)
|
Contact Man
|
1949
|
|
John Farrow (Director)
|
Contact Man
|
1949
|
|
Lionel Lindon (Cinematographer)
|
Contact Man
|
1949
|
|
Doane Harrison (Editor)
|
Dear Wife
|
1949
|
|
Richard Haydn (Director)
|
Dear Wife
|
1949
|
|
Hal B. Wallis (Producer)
|
The File on Thelma Jordon
|
1949
|
|
George Barnes (Cinematographer)
|
The File on Thelma Jordon
|
1949
|
|
Warren Low (Editor)
|
The File on Thelma Jordon
|
1949
|
|
Robert Siodmak (Director)
|
The File on Thelma Jordon
|
1949
|
|
Edith Head (Costume Designer)
|
The File on Thelma Jordon
|
1949
|
|
John F. Seitz (Cinematographer)
|
The Great Gatsby
|
1949
|
|
Edith Head (Costume Designer)
|
The Great Gatsby
|
1949
|
|
Elliott Nugent (Director)
|
The Great Gatsby
|
1949
|
|
Edith Head (Costume Designer)
|
The Great Lover
|
1949
|
|
Edith Head (Costume Designer)
|
My Friend Irma
|
1949
|
|
George Marshall (Director)
|
My Friend Irma
|
1949
|
|
Hal B. Wallis (Executive Producer)
|
My Friend Irma
|
1949
|
|
Henry Bumstead (Art Director)
|
My Friend Irma
|
1949
|
|
Daniel L. Fapp (Cinematographer)
|
Red, Hot and Blue
|
1949
|
|
John Farrow (Director)
|
Red, Hot and Blue
|
1949
|
|
Edith Head (Costume Designer)
|
Red, Hot and Blue
|
1949
|
|
William Dieterle (Director)
|
Rope of Sand
|
1949
|
|
Warren Low (Editor)
|
Rope of Sand
|
1949
|
|
Edith Head (Costume Designer)
|
Rope of Sand
|
1949
|
|
Hal B. Wallis (Producer)
|
Rope of Sand
|
1949
|
|
Victor Young (Cinematographer)
|
Samson and Delilah
|
1949
|
|
Edith Head (Costume Designer)
|
Samson and Delilah
|
1949
|
|
Cecil B. DeMille (Director)
|
Samson and Delilah
|
1949
|
|
Cecil B. DeMille (Producer)
|
Samson and Delilah
|
1949
|
|
George Barnes (Cinematographer)
|
Samson and Delilah
|
1949
|
|
Daniel L. Fapp (Cinematographer)
|
Song of Surrender
|
1949
|
|
Mitchell Leisen (Director)
|
Song of Surrender
|
1949
|
|
Henry Bumstead (Art Director)
|
Song of Surrender
|
1949
|
|
Daniel L. Fapp (Cinematographer)
|
Sorrowful Jones
|
1949
|
|
Sidney Lanfield (Director)
|
Sorrowful Jones
|
1949
|
|
Ray Rennahan (Cinematographer)
|
Streets of Laredo
|
1949
|
|
Henry Bumstead (Art Director)
|
Streets of Laredo
|
1949
|
|
Henry Bumstead (Art Director)
|
Top o' the Morning
|
1949
|
|
Lionel Lindon (Cinematographer)
|
Top o' the Morning
|
1949
|
|
William Dieterle (Director)
|
The Accused
|
1948
|
|
Hal B. Wallis (Producer)
|
The Accused
|
1948
|
|
Warren Low (Editor)
|
The Accused
|
1948
|
|
Edith Head (Costume Designer)
|
The Accused
|
1948
|
|
Daniel L. Fapp (Cinematographer)
|
The Big Clock
|
1948
|
|
John Farrow (Producer)
|
The Big Clock
|
1948
|
|
John F. Seitz (Cinematographer)
|
The Big Clock
|
1948
|
|
Edith Head (Costume Designer)
|
The Big Clock
|
1948
|
|
John Farrow (Director)
|
The Big Clock
|
1948
|
|
Mitchell Leisen (Director)
|
Dream Girl
|
1948
|
|
Edith Head (Costume Designer)
|
Dream Girl
|
1948
|
|
Daniel L. Fapp (Cinematographer)
|
Dream Girl
|
1948
|
|
George Barnes (Cinematographer)
|
The Emperor Waltz
|
1948
|
|
Billy Wilder (Director)
|
The Emperor Waltz
|
1948
|
|
Charles Brackett (Producer)
|
The Emperor Waltz
|
1948
|
|
Doane Harrison (Editor)
|
The Emperor Waltz
|
1948
|
|
Edith Head (Costume Designer)
|
The Emperor Waltz
|
1948
|
|
Billy Wilder (Director)
|
A Foreign Affair
|
1948
|
|
Edith Head (Costume Designer)
|
A Foreign Affair
|
1948
|
|
Doane Harrison (Editor)
|
A Foreign Affair
|
1948
|
|
Charles Brackett (Producer)
|
A Foreign Affair
|
1948
|
|
Daniel L. Fapp (Cinematographer)
|
Hazard
|
1948
|
|
George Marshall (Director)
|
Hazard
|
1948
|
|
Hal B. Wallis (Producer)
|
I Walk Alone
|
1948
|
|
Edith Head (Costume Designer)
|
I Walk Alone
|
1948
|
|
Byron Haskin (Director)
|
I Walk Alone
|
1948
|
|
Lionel Lindon (Cinematographer)
|
Isn't It Romantic?
|
1948
|
|
Norman Z. McLeod (Director)
|
Isn't It Romantic?
|
1948
|
|
Richard Haydn (Director)
|
Miss Tatlock's Millions
|
1948
|
|
Charles Brackett (Producer)
|
Miss Tatlock's Millions
|
1948
|
|
Edith Head (Costume Designer)
|
Miss Tatlock's Millions
|
1948
|
|
Henry Bumstead (Art Director)
|
My Own True Love
|
1948
|
|
Val Lewton (Producer)
|
My Own True Love
|
1948
|
|
Edith Head (Costume Designer)
|
My Own True Love
|
1948
|
|
John F. Seitz (Cinematographer)
|
Night Has a Thousand Eyes
|
1948
|
|
Edith Head (Costume Designer)
|
Night Has a Thousand Eyes
|
1948
|
|
John Farrow (Director)
|
Night Has a Thousand Eyes
|
1948
|
|
Ray Rennahan (Cinematographer)
|
The Paleface
|
1948
|
|
Norman Z. McLeod (Director)
|
The Paleface
|
1948
|
|
Henry Bumstead (Art Director)
|
Saigon
|
1948
|
|
Edith Head (Costume Designer)
|
Saigon
|
1948
|
|
John F. Seitz (Cinematographer)
|
Saigon
|
1948
|
|
Henry Bumstead (Art Director)
|
The Sainted Sisters
|
1948
|
|
Lionel Lindon (Cinematographer)
|
The Sainted Sisters
|
1948
|
|
Warren Low (Editor)
|
Sorry, Wrong Number
|
1948
|
|
Anatole Litvak (Producer)
|
Sorry, Wrong Number
|
1948
|
|
Hal B. Wallis (Producer)
|
Sorry, Wrong Number
|
1948
|
|
Edith Head (Costume Designer)
|
Sorry, Wrong Number
|
1948
|
|
Sol Polito (Cinematographer)
|
Sorry, Wrong Number
|
1948
|
|
Anatole Litvak (Director)
|
Sorry, Wrong Number
|
1948
|
|
Ray Rennahan (Cinematographer)
|
Whispering Smith
|
1948
|
|
John Farrow (Director)
|
Blaze of Noon
|
1947
|
|
Edith Head (Costume Designer)
|
Blaze of Noon
|
1947
|
|
John F. Seitz (Cinematographer)
|
Calcutta
|
1947
|
|
John Farrow (Director)
|
Calcutta
|
1947
|
|
Edith Head (Costume Designer)
|
Dear Ruth
|
1947
|
|
Daniel L. Fapp (Cinematographer)
|
Easy Come, Easy Go
|
1947
|
|
John Farrow (Director)
|
Easy Come, Easy Go
|
1947
|
|
Harry Tugend (Producer)
|
Golden Earrings
|
1947
|
|
Mitchell Leisen (Director)
|
Golden Earrings
|
1947
|
|
Daniel L. Fapp (Cinematographer)
|
Golden Earrings
|
1947
|
|
John F. Seitz (Cinematographer)
|
The Imperfect Lady
|
1947
|
|
Karl Tunberg (Producer)
|
The Imperfect Lady
|
1947
|
|
Lionel Lindon (Cinematographer)
|
My Favorite Brunette
|
1947
|
|
Edith Head (Costume Designer)
|
My Favorite Brunette
|
1947
|
|
Elliott Nugent (Director)
|
My Favorite Brunette
|
1947
|
|
Edith Head (Costume Designer)
|
The Perils of Pauline
|
1947
|
|
Ray Rennahan (Cinematographer)
|
The Perils of Pauline
|
1947
|
|
Sol C. Siegel (Producer)
|
The Perils of Pauline
|
1947
|
|
George Marshall (Director)
|
The Perils of Pauline
|
1947
|
|
Edith Head (Costume Designer)
|
Road to Rio
|
1947
|
|
Norman Z. McLeod (Director)
|
Road to Rio
|
1947
|
|
Mitchell Leisen (Director)
|
Suddenly It's Spring
|
1947
|
|
Daniel L. Fapp (Cinematographer)
|
Suddenly It's Spring
|
1947
|
|
Harry Tugend (Producer)
|
The Trouble with Women
|
1947
|
|
Sidney Lanfield (Director)
|
The Trouble with Women
|
1947
|
|
Edith Head (Costume Designer)
|
The Trouble with Women
|
1947
|
|
Lionel Lindon (Cinematographer)
|
The Trouble with Women
|
1947
|
|
Cecil B. DeMille (Producer)
|
Unconquered
|
1947
|
|
Ray Rennahan (Cinematographer)
|
Unconquered
|
1947
|
|
Cecil B. DeMille (Director)
|
Unconquered
|
1947
|
|
George Marshall (Director)
|
Variety Girl
|
1947
|
|
Edith Head (Costume Designer)
|
Variety Girl
|
1947
|
|
Lionel Lindon (Cinematographer)
|
Variety Girl
|
1947
|
|
Sol C. Siegel (Producer)
|
Welcome Stranger
|
1947
|
|
Elliott Nugent (Director)
|
Welcome Stranger
|
1947
|
|
Edith Head (Costume Designer)
|
Welcome Stranger
|
1947
|
|
Lionel Lindon (Cinematographer)
|
Welcome Stranger
|
1947
|
|
Edith Head (Costume Designer)
|
Where There's Life
|
1947
|
|
Sidney Lanfield (Director)
|
Where There's Life
|
1947
|
|
George Tomasini (Editor)
|
Wild Harvest
|
1947
|
|
Tay Garnett (Director)
|
Wild Harvest
|
1947
|
|
John F. Seitz (Cinematographer)
|
Wild Harvest
|
1947
|
|
George Marshall (Producer)
|
The Blue Dahlia
|
1946
|
|
Edith Head (Costume Designer)
|
The Blue Dahlia
|
1946
|
|
George Marshall (Director)
|
The Blue Dahlia
|
1946
|
|
Lionel Lindon (Cinematographer)
|
The Blue Dahlia
|
1946
|
|
John Houseman (Producer)
|
The Blue Dahlia
|
1946
|
|
Edith Head (Costume Designer)
|
Blue Skies
|
1946
|
|
Hermes Pan (Choreography)
|
Blue Skies
|
1946
|
|
Sol C. Siegel (Producer)
|
Blue Skies
|
1946
|
|
Stuart Heisler (Director)
|
Blue Skies
|
1946
|
|
Edith Head (Costume Designer)
|
The Bride Wore Boots
|
1946
|
|
Ray Rennahan (Cinematographer)
|
California
|
1946
|
|
Edith Head (Costume Designer)
|
California
|
1946
|
|
John Farrow (Director)
|
California
|
1946
|
|
Lionel Lindon (Cinematographer)
|
Monsieur Beaucaire
|
1946
|
|
George Marshall (Director)
|
Monsieur Beaucaire
|
1946
|
|
Lionel Lindon (Cinematographer)
|
O.S.S.
|
1946
|
|
Doane Harrison (Editor)
|
Our Hearts Were Growing Up
|
1946
|
|
Edith Head (Costume Designer)
|
Road to Utopia
|
1946
|
|
Lionel Lindon (Cinematographer)
|
Road to Utopia
|
1946
|
|
Hal B. Wallis (Producer)
|
The Searching Wind
|
1946
|
|
Warren Low (Editor)
|
The Searching Wind
|
1946
|
|
William Dieterle (Director)
|
The Searching Wind
|
1946
|
|
Hal B. Wallis (Producer)
|
The Strange Love of Martha Ivers
|
1946
|
|
Lewis Milestone (Director)
|
The Strange Love of Martha Ivers
|
1946
|
|
Edith Head (Costume Designer)
|
The Strange Love of Martha Ivers
|
1946
|
|
Daniel L. Fapp (Cinematographer)
|
To Each His Own
|
1946
|
|
Edith Head (Costume Designer)
|
To Each His Own
|
1946
|
|
Mitchell Leisen (Director)
|
To Each His Own
|
1946
|
|
Charles Brackett (Producer)
|
To Each His Own
|
1946
|
|
John Farrow (Director)
|
Two Years Before the Mast
|
1946
|
|
Edith Head (Costume Designer)
|
The Virginian
|
1946
|
|
Sidney Lanfield (Director)
|
The Well-Groomed Bride
|
1946
|
|
John F. Seitz (Cinematographer)
|
The Well-Groomed Bride
|
1946
|
|
Fred Kohlmar (Producer)
|
The Well-Groomed Bride
|
1946
|
|
Karl Struss (Cinematographer)
|
Bring on the Girls
|
1945
|
|
Sidney Lanfield (Director)
|
Bring on the Girls
|
1945
|
|
Lionel Lindon (Cinematographer)
|
Duffy's Tavern
|
1945
|
|
Daniel L. Fapp (Cinematographer)
|
Hold That Blonde
|
1945
|
|
George Marshall (Director)
|
Hold That Blonde
|
1945
|
|
Ray Rennahan (Cinematographer)
|
Incendiary Blonde
|
1945
|
|
George Marshall (Director)
|
Incendiary Blonde
|
1945
|
|
Mitchell Leisen (Producer)
|
Kitty
|
1945
|
|
Daniel L. Fapp (Cinematographer)
|
Kitty
|
1945
|
|
Mitchell Leisen (Director)
|
Kitty
|
1945
|
|
Charles Brackett (Producer)
|
The Lost Weekend
|
1945
|
|
John F. Seitz (Cinematographer)
|
The Lost Weekend
|
1945
|
|
Edith Head (Costume Designer)
|
The Lost Weekend
|
1945
|
|
Billy Wilder (Director)
|
The Lost Weekend
|
1945
|
|
Doane Harrison (Editor)
|
The Lost Weekend
|
1945
|
|
William Dieterle (Director)
|
Love Letters
|
1945
|
|
Edith Head (Costume Designer)
|
Love Letters
|
1945
|
|
Hal B. Wallis (Producer)
|
Love Letters
|
1945
|
|
Lionel Lindon (Cinematographer)
|
Masquerade in Mexico
|
1945
|
|
Karl Tunberg (Producer)
|
Masquerade in Mexico
|
1945
|
|
Mitchell Leisen (Director)
|
Masquerade in Mexico
|
1945
|
|
Edith Head (Costume Designer)
|
Masquerade in Mexico
|
1945
|
|
Lionel Lindon (Cinematographer)
|
A Medal for Benny
|
1945
|
|
John Berry (Director)
|
Miss Susie Slagle's
|
1945
|
|
George Marshall (Director)
|
Murder, He Says
|
1945
|
|
Edith Head (Costume Designer)
|
Out of This World
|
1945
|
|
Raoul Walsh (Director)
|
Salty O'Rourke
|
1945
|
|
Buddy G. DeSylva (Producer)
|
The Stork Club
|
1945
|
|
Edith Head (Costume Designer)
|
The Stork Club
|
1945
|
|
John Houseman (Producer)
|
The Unseen
|
1945
|
|
John F. Seitz (Cinematographer)
|
The Unseen
|
1945
|
|
Doane Harrison (Editor)
|
The Unseen
|
1945
|
|
Hal B. Wallis (Producer)
|
You Came Along
|
1945
|
|
John Farrow (Director)
|
You Came Along
|
1945
|
|
Edith Head (Costume Designer)
|
You Came Along
|
1945
|
|
Daniel L. Fapp (Cinematographer)
|
You Came Along
|
1945
|
|
Fred Kohlmar (Producer)
|
And Now Tomorrow
|
1944
|
|
Daniel L. Fapp (Cinematographer)
|
And Now Tomorrow
|
1944
|
|
Edith Head (Costume Designer)
|
And Now Tomorrow
|
1944
|
|
George Marshall (Director)
|
And the Angels Sing
|
1944
|
|
Edith Head (Costume Designer)
|
And the Angels Sing
|
1944
|
|
Karl Struss (Cinematographer)
|
And the Angels Sing
|
1944
|
|
Edith Head (Costume Designer)
|
Double Indemnity
|
1944
|
|
John F. Seitz (Cinematographer)
|
Double Indemnity
|
1944
|
|
Billy Wilder (Director)
|
Double Indemnity
|
1944
|
|
Doane Harrison (Editor)
|
Double Indemnity
|
1944
|
|
Buddy G. DeSylva (Producer)
|
Frenchman's Creek
|
1944
|
|
Mitchell Leisen (Director)
|
Frenchman's Creek
|
1944
|
|
George Barnes (Cinematographer)
|
Frenchman's Creek
|
1944
|
|
Leo McCarey (Producer)
|
Going My Way
|
1944
|
|
Edith Head (Costume Designer)
|
Going My Way
|
1944
|
|
Lionel Lindon (Cinematographer)
|
Going My Way
|
1944
|
|
Leo McCarey (Director)
|
Going My Way
|
1944
|
|
Preston Sturges (Director)
|
The Great Moment
|
1944
|
|
Preston Sturges (Producer)
|
The Great Moment
|
1944
|
|
Preston Sturges (Director)
|
Hail the Conquering Hero
|
1944
|
|
Edith Head (Costume Designer)
|
Hail the Conquering Hero
|
1944
|
|
John F. Seitz (Cinematographer)
|
Hail the Conquering Hero
|
1944
|
|
Preston Sturges (Producer)
|
Hail the Conquering Hero
|
1944
|
|
Daniel L. Fapp (Cinematographer)
|
Henry Aldrich Plays Cupid
|
1944
|
|
Daniel L. Fapp (Cinematographer)
|
Henry Aldrich, Boy Scout
|
1944
|
|
Daniel L. Fapp (Cinematographer)
|
Henry Aldrich's Little Secret
|
1944
|
|
Mark Sandrich (Director)
|
Here Come the Waves
|
1944
|
|
Mark Sandrich (Producer)
|
Here Come the Waves
|
1944
|
|
Buddy G. DeSylva (Producer)
|
The Hitler Gang
|
1944
|
|
John Farrow (Director)
|
The Hitler Gang
|
1944
|
|
John F. Seitz (Cinematographer)
|
The Hour Before the Dawn
|
1944
|
|
Mark Sandrich (Producer)
|
I Love a Soldier
|
1944
|
|
Mark Sandrich (Director)
|
I Love a Soldier
|
1944
|
|
Mitchell Leisen (Costume Designer)
|
The Lady in the Dark
|
1944
|
|
Mitchell Leisen (Producer)
|
The Lady in the Dark
|
1944
|
|
Mitchell Leisen (Director)
|
The Lady in the Dark
|
1944
|
|
Edith Head (Costume Designer)
|
The Lady in the Dark
|
1944
|
|
Ray Rennahan (Cinematographer)
|
The Lady in the Dark
|
1944
|
|
Ralph Murphy (Director)
|
The Man in Half-Moon Street
|
1944
|
|
Edith Head (Costume Designer)
|
Ministry of Fear
|
1944
|
|
Fritz Lang (Director)
|
Ministry of Fear
|
1944
|
|
John F. Seitz (Cinematographer)
|
The Miracle of Morgan's Creek
|
1944
|
|
Preston Sturges (Producer)
|
The Miracle of Morgan's Creek
|
1944
|
|
Edith Head (Costume Designer)
|
The Miracle of Morgan's Creek
|
1944
|
|
Preston Sturges (Director)
|
The Miracle of Morgan's Creek
|
1944
|
|
Paul Weatherwax (Editor)
|
Our Hearts Were Young and Gay
|
1944
|
|
Edith Head (Costume Designer)
|
Our Hearts Were Young and Gay
|
1944
|
|
Sheridan Gibney (Producer)
|
Our Hearts Were Young and Gay
|
1944
|
|
Doane Harrison (Editor)
|
Practically Yours
|
1944
|
|
Mitchell Leisen (Producer)
|
Practically Yours
|
1944
|
|
Mitchell Leisen (Director)
|
Practically Yours
|
1944
|
|
Ralph Murphy (Director)
|
Rainbow Island
|
1944
|
|
Edith Head (Costume Designer)
|
Rainbow Island
|
1944
|
|
Karl Struss (Cinematographer)
|
Rainbow Island
|
1944
|
|
Sidney Lanfield (Director)
|
Standing Room Only
|
1944
|
|
Cecil B. DeMille (Producer)
|
The Story of Dr. Wassell
|
1944
|
|
Cecil B. DeMille (Director)
|
The Story of Dr. Wassell
|
1944
|
|
Frank Borzage (Director)
|
Till We Meet Again
|
1944
|
|
Edith Head (Costume Designer)
|
The Uninvited
|
1944
|
|
Charles Brackett (Producer)
|
The Uninvited
|
1944
|
|
Doane Harrison (Editor)
|
The Uninvited
|
1944
|
|
Doane Harrison (Editor)
|
The Crystal Ball
|
1943
|
|
Elliott Nugent (Director)
|
The Crystal Ball
|
1943
|
|
Edith Head (Costume Designer)
|
Five Graves to Cairo
|
1943
|
|
John F. Seitz (Cinematographer)
|
Five Graves to Cairo
|
1943
|
|
Billy Wilder (Director)
|
Five Graves to Cairo
|
1943
|
|
Doane Harrison (Editor)
|
Five Graves to Cairo
|
1943
|
|
Sam Wood (Director)
|
For Whom the Bell Tolls
|
1943
|
|
Ray Rennahan (Cinematographer)
|
For Whom the Bell Tolls
|
1943
|
|
Sam Wood (Producer)
|
For Whom the Bell Tolls
|
1943
|
|
Daniel L. Fapp (Cinematographer)
|
Henry Aldrich Haunts a House
|
1943
|
|
Daniel L. Fapp (Cinematographer)
|
Henry Aldrich Swings It
|
1943
|
|
Sol C. Siegel (Producer)
|
Hostages
|
1943
|
|
Sidney Lanfield (Director)
|
Let's Face It
|
1943
|
|
Lionel Lindon (Cinematographer)
|
Let's Face It
|
1943
|
|
Fred Kohlmar (Producer)
|
Let's Face It
|
1943
|
|
Paul Weatherwax (Editor)
|
Let's Face It
|
1943
|
|
Mitchell Leisen (Director)
|
No Time for Love
|
1943
|
|
Edith Head (Costume Designer)
|
No Time for Love
|
1943
|
|
Mitchell Leisen (Producer)
|
No Time for Love
|
1943
|
|
Irene (Costume Designer)
|
No Time for Love
|
1943
|
|
Fred Kohlmar (Producer)
|
Riding High
|
1943
|
|
Karl Struss (Cinematographer)
|
Riding High
|
1943
|
|
George Marshall (Director)
|
Riding High
|
1943
|
|
Ralph Murphy (Director)
|
Salute for Three
|
1943
|
|
Mark Sandrich (Director)
|
So Proudly We Hail!
|
1943
|
|
Mark Sandrich (Producer)
|
So Proudly We Hail!
|
1943
|
|
George Marshall (Director)
|
True to Life
|
1943
|
|
Lewis Seiler (Director)
|
True to Life
|
1943
|
|
Monta Bell (Producer)
|
Beyond the Blue Horizon
|
1942
|
|
Doane Harrison (Editor)
|
Beyond the Blue Horizon
|
1942
|
|
Sol C. Siegel (Producer)
|
Dr. Broadway
|
1942
|
|
Anthony Mann (Director)
|
Dr. Broadway
|
1942
|
|
Paul Weatherwax (Editor)
|
The Fleet's In
|
1942
|
|
Victor Schertzinger (Director)
|
The Fleet's In
|
1942
|
|
Edith Head (Costume Designer)
|
The Fleet's In
|
1942
|
|
Paul Weatherwax (Editor)
|
The Forest Rangers
|
1942
|
|
George Marshall (Director)
|
The Forest Rangers
|
1942
|
|
Stuart Heisler (Director)
|
The Glass Key
|
1942
|
|
Fred Kohlmar (Producer)
|
The Glass Key
|
1942
|
|
Edith Head (Costume Designer)
|
The Great Man's Lady
|
1942
|
|
William Wellman (Producer)
|
The Great Man's Lady
|
1942
|
|
William Wellman (Director)
|
The Great Man's Lady
|
1942
|
|
Karl Struss (Cinematographer)
|
Happy Go Lucky
|
1942
|
|
Daniel L. Fapp (Cinematographer)
|
Henry Aldrich Gets Glamour
|
1942
|
|
Sol C. Siegel (Producer)
|
Henry Aldrich, Editor
|
1942
|
|
Daniel L. Fapp (Cinematographer)
|
Henry and Dizzy
|
1942
|
|
Sol C. Siegel (Producer)
|
Henry and Dizzy
|
1942
|
|
Mark Sandrich (Director)
|
Holiday Inn
|
1942
|
|
Mark Sandrich (Producer)
|
Holiday Inn
|
1942
|
|
Edith Head (Costume Designer)
|
Holiday Inn
|
1942
|
|
René Clair (Director)
|
I Married a Witch
|
1942
|
|
Edith Head (Costume Designer)
|
I Married a Witch
|
1942
|
|
Preston Sturges (Producer)
|
I Married a Witch
|
1942
|
|
Ted Tetzlaff (Cinematographer)
|
I Married a Witch
|
1942
|
|
René Clair (Producer)
|
I Married a Witch
|
1942
|
|
Daniel L. Fapp (Cinematographer)
|
Lady Bodyguard
|
1942
|
|
Sol C. Siegel (Producer)
|
Lady Bodyguard
|
1942
|
|
Edith Head (Costume Designer)
|
Lucky Jordan
|
1942
|
|
John F. Seitz (Cinematographer)
|
Lucky Jordan
|
1942
|
|
Fred Kohlmar (Producer)
|
Lucky Jordan
|
1942
|
|
Doane Harrison (Editor)
|
The Major and the Minor
|
1942
|
|
Edith Head (Costume Designer)
|
The Major and the Minor
|
1942
|
|
Arthur Hornblow, Jr. (Producer)
|
The Major and the Minor
|
1942
|
|
Billy Wilder (Director)
|
The Major and the Minor
|
1942
|
|
Ralph Murphy (Director)
|
Mrs. Wiggs of the Cabbage Patch
|
1942
|
|
Sol C. Siegel (Producer)
|
Mrs. Wiggs of the Cabbage Patch
|
1942
|
|
Ralph Murphy (Producer)
|
Mrs. Wiggs of the Cabbage Patch
|
1942
|
|
Sidney Lanfield (Director)
|
My Favorite Blonde
|
1942
|
|
Robert Siodmak (Director)
|
My Heart Belongs to Daddy
|
1942
|
|
Sol C. Siegel (Producer)
|
My Heart Belongs to Daddy
|
1942
|
|
Daniel L. Fapp (Cinematographer)
|
My Heart Belongs to Daddy
|
1942
|
|
Sol C. Siegel (Producer)
|
A Night in New Orleans
|
1942
|
|
Ralph Murphy (Director)
|
Night Plane from Chungking
|
1942
|
|
Preston Sturges (Director)
|
The Palm Beach Story
|
1942
|
|
Irene (Costume Designer)
|
The Palm Beach Story
|
1942
|
|
Sol C. Siegel (Producer)
|
Priorities on Parade
|
1942
|
|
Daniel L. Fapp (Cinematographer)
|
Priorities on Parade
|
1942
|
|
Buddy G. DeSylva (Executive Producer)
|
Reap the Wild Wind
|
1942
|
|
Cecil B. DeMille (Producer)
|
Reap the Wild Wind
|
1942
|
|
Cecil B. DeMille (Director)
|
Reap the Wild Wind
|
1942
|
|
Edith Head (Costume Designer)
|
The Remarkable Andrew
|
1942
|
|
Stuart Heisler (Director)
|
The Remarkable Andrew
|
1942
|
|
David Butler (Director)
|
The Road to Morocco
|
1942
|
|
Edith Head (Costume Designer)
|
The Road to Morocco
|
1942
|
|
George Marshall (Director)
|
Star Spangled Rhythm
|
1942
|
|
Edith Head (Costume Designer)
|
Star Spangled Rhythm
|
1942
|
|
Paul Weatherwax (Editor)
|
Star Spangled Rhythm
|
1942
|
|
Sol C. Siegel (Producer)
|
Street of Chance
|
1942
|
|
Mitchell Leisen (Director)
|
Take a Letter, Darling
|
1942
|
|
Mitchell Leisen (Producer)
|
Take a Letter, Darling
|
1942
|
|
Mitchell Leisen (Costume Designer)
|
Take a Letter, Darling
|
1942
|
|
Irene (Costume Designer)
|
Take a Letter, Darling
|
1942
|
|
Doane Harrison (Editor)
|
Take a Letter, Darling
|
1942
|
|
John F. Seitz (Cinematographer)
|
This Gun for Hire
|
1942
|
|
Sol C. Siegel (Producer)
|
True to the Army
|
1942
|
|
Daniel L. Fapp (Cinematographer)
|
True to the Army
|
1942
|
|
John Farrow (Director)
|
Wake Island
|
1942
|
|
Edith Head (Costume Designer)
|
Young and Willing
|
1942
|
|
Charles Lamont (Director)
|
You're Telling Me
|
1942
|
|
Buddy G. DeSylva (Producer)
|
Aloma of the South Seas
|
1941
|
|
Karl Struss (Cinematographer)
|
Aloma of the South Seas
|
1941
|
|
Buddy G. DeSylva (Producer)
|
Birth of the Blues
|
1941
|
|
Paul Weatherwax (Editor)
|
Birth of the Blues
|
1941
|
|
Edith Head (Costume Designer)
|
Birth of the Blues
|
1941
|
|
Victor Schertzinger (Director)
|
Birth of the Blues
|
1941
|
|
Sol C. Siegel (Producer)
|
Buy Me That Town
|
1941
|
|
Buddy G. DeSylva (Producer)
|
Caught in the Draft
|
1941
|
|
David Butler (Director)
|
Caught in the Draft
|
1941
|
|
Edith Head (Costume Designer)
|
Caught in the Draft
|
1941
|
|
Karl Struss (Cinematographer)
|
Caught in the Draft
|
1941
|
|
Sol C. Siegel (Producer)
|
Henry Aldrich for President
|
1941
|
|
Doane Harrison (Editor)
|
Hold Back the Dawn
|
1941
|
|
Arthur Hornblow, Jr. (Producer)
|
Hold Back the Dawn
|
1941
|
|
Mitchell Leisen (Director)
|
Hold Back the Dawn
|
1941
|
|
Edith Head (Costume Designer)
|
Hold Back the Dawn
|
1941
|
|
Arthur Hornblow, Jr. (Producer)
|
I Wanted Wings
|
1941
|
|
Mitchell Leisen (Director)
|
I Wanted Wings
|
1941
|
|
Preston Sturges (Director)
|
The Lady Eve
|
1941
|
|
Edith Head (Costume Designer)
|
The Lady Eve
|
1941
|
|
William Le Baron (Producer)
|
Las Vegas Nights
|
1941
|
|
Ralph Murphy (Director)
|
Las Vegas Nights
|
1941
|
|
Ray Rennahan (Cinematographer)
|
Louisiana Purchase
|
1941
|
|
Irving Cummings (Director)
|
Louisiana Purchase
|
1941
|
|
Buddy G. DeSylva (Producer)
|
Louisiana Purchase
|
1941
|
|
Charles Vidor (Director)
|
New York Town
|
1941
|
|
Doane Harrison (Editor)
|
New York Town
|
1941
|
|
Anthony Veiller (Producer)
|
New York Town
|
1941
|
|
Edith Head (Costume Designer)
|
New York Town
|
1941
|
|
Sol C. Siegel (Producer)
|
The Night of January 16th
|
1941
|
|
Elliott Nugent (Director)
|
Nothing But the Truth
|
1941
|
|
Edith Head (Costume Designer)
|
Nothing But the Truth
|
1941
|
|
Arthur Hornblow, Jr. (Producer)
|
Nothing But the Truth
|
1941
|
|
Ralph Murphy (Director)
|
Pacific Blackout
|
1941
|
|
Sol C. Siegel (Producer)
|
Pacific Blackout
|
1941
|
|
Edith Head (Costume Designer)
|
Road to Zanzibar
|
1941
|
|
LeRoy J. Prinz (Choreography)
|
Road to Zanzibar
|
1941
|
|
Victor Schertzinger (Director)
|
Road to Zanzibar
|
1941
|
|
Ted Tetzlaff (Cinematographer)
|
Road to Zanzibar
|
1941
|
|
Henry Hathaway (Director)
|
The Shepherd of the Hills
|
1941
|
|
Mark Sandrich (Producer)
|
Skylark
|
1941
|
|
Mark Sandrich (Director)
|
Skylark
|
1941
|
|
Edith Head (Costume Designer)
|
Sullivan's Travels
|
1941
|
|
John F. Seitz (Cinematographer)
|
Sullivan's Travels
|
1941
|
|
Preston Sturges (Director)
|
Sullivan's Travels
|
1941
|
|
Preston Sturges (Producer)
|
Sullivan's Travels
|
1941
|
|
Andrew L. Stone (Producer)
|
There's Magic in Music
|
1941
|
|
Andrew L. Stone (Director)
|
There's Magic in Music
|
1941
|
|
Sol C. Siegel (Producer)
|
West Point Widow
|
1941
|
|
Robert Siodmak (Director)
|
West Point Widow
|
1941
|
|
Arthur Hornblow, Jr. (Producer)
|
Arise, My Love
|
1940
|
|
Doane Harrison (Editor)
|
Arise, My Love
|
1940
|
|
Mitchell Leisen (Director)
|
Arise, My Love
|
1940
|
|
Mark Sandrich (Producer)
|
Buck Benny Rides Again
|
1940
|
|
LeRoy J. Prinz (Choreography)
|
Buck Benny Rides Again
|
1940
|
|
Edith Head (Costume Designer)
|
Buck Benny Rides Again
|
1940
|
|
Mark Sandrich (Director)
|
Buck Benny Rides Again
|
1940
|
|
Preston Sturges (Editor)
|
Christmas in July
|
1940
|
|
Preston Sturges (Director)
|
Christmas in July
|
1940
|
|
Merian C. Cooper (Producer)
|
Dr. Cyclops
|
1940
|
|
Ernest B. Schoedsack (Director)
|
Dr. Cyclops
|
1940
|
|
Edward Dmytryk (Director)
|
Emergency Squad
|
1940
|
|
Arthur Hornblow, Jr. (Producer)
|
The Ghost Breakers
|
1940
|
|
George Marshall (Director)
|
The Ghost Breakers
|
1940
|
|
Edith Head (Costume Designer)
|
The Ghost Breakers
|
1940
|
|
Ralph Murphy (Director)
|
Glamour Boy
|
1940
|
|
Sol C. Siegel (Producer)
|
Glamour Boy
|
1940
|
|
Daniel L. Fapp (Cinematographer)
|
Glamour Boy
|
1940
|
|
Felix E. Feist (Director)
|
Golden Gloves
|
1940
|
|
Edward Dmytryk (Director)
|
Golden Gloves
|
1940
|
|
William Le Baron (Executive Producer)
|
Golden Gloves
|
1940
|
|
Doane Harrison (Editor)
|
Golden Gloves
|
1940
|
|
William F. Claxton (Editor)
|
Golden Gloves
|
1940
|
|
Edith Head (Costume Designer)
|
The Great McGinty
|
1940
|
|
Preston Sturges (Director)
|
The Great McGinty
|
1940
|
|
Ted Tetzlaff (Cinematographer)
|
I Want a Divorce
|
1940
|
|
Ralph Murphy (Director)
|
I Want a Divorce
|
1940
|
|
Edward Dmytryk (Director)
|
Mystery Sea Raider
|
1940
|
|
William Le Baron (Executive Producer)
|
Northwest Mounted Police
|
1940
|
|
Cecil B. DeMille (Producer)
|
Northwest Mounted Police
|
1940
|
|
Cecil B. DeMille (Director)
|
Northwest Mounted Police
|
1940
|
|
Robert Florey (Director)
|
Parole Fixer
|
1940
|
|
Sam Wood (Director)
|
Rangers of Fortune
|
1940
|
|
Mitchell Leisen (Producer)
|
Remember the Night
|
1940
|
|
Doane Harrison (Editor)
|
Remember the Night
|
1940
|
|
Edith Head (Costume Designer)
|
Remember the Night
|
1940
|
|
Mitchell Leisen (Director)
|
Remember the Night
|
1940
|
|
Ted Tetzlaff (Cinematographer)
|
Remember the Night
|
1940
|
|
Ted Tetzlaff (Cinematographer)
|
Rhythm on the River
|
1940
|
|
Victor Schertzinger (Director)
|
Rhythm on the River
|
1940
|
|
William Le Baron (Producer)
|
Rhythm on the River
|
1940
|
|
Edith Head (Costume Designer)
|
Rhythm on the River
|
1940
|
|
Victor Schertzinger (Director)
|
Road to Singapore
|
1940
|
|
Paul Weatherwax (Editor)
|
Road to Singapore
|
1940
|
|
LeRoy J. Prinz (Choreography)
|
Road to Singapore
|
1940
|
|
Ted Tetzlaff (Cinematographer)
|
Safari
|
1940
|
|
Anthony Veiller (Producer)
|
Safari
|
1940
|
|
Louis King (Director)
|
Seventeen
|
1940
|
|
Archie J. Stout (Cinematographer)
|
Texas Rangers Ride Again
|
1940
|
|
Anthony Veiller (Producer)
|
Typhoon
|
1940
|
|
Louis King (Director)
|
Typhoon
|
1940
|
|
Anthony Veiller (Producer)
|
Victory
|
1940
|
|
John Cromwell (Director)
|
Victory
|
1940
|
|
Robert Florey (Director)
|
Women Without Names
|
1940
|
|
William C. Thomas (Producer)
|
$1,000 a Touchdown
|
1939
|
|
William Wellman (Producer)
|
Beau Geste
|
1939
|
|
Archie J. Stout (Cinematographer)
|
Beau Geste
|
1939
|
|
William Wellman (Director)
|
Beau Geste
|
1939
|
|
Ted Tetzlaff (Cinematographer)
|
Cafe Society
|
1939
|
|
Paul Weatherwax (Editor)
|
Cafe Society
|
1939
|
|
Elliott Nugent (Director)
|
The Cat and the Canary
|
1939
|
|
Arthur Hornblow, Jr. (Producer)
|
The Cat and the Canary
|
1939
|
|
Robert Florey (Director)
|
Disbarred
|
1939
|
|
Frank Borzage (Director)
|
Disputed Passage
|
1939
|
|
Paul H. Sloan (Producer)
|
Geronimo
|
1939
|
|
Paul H. Sloan (Director)
|
Geronimo
|
1939
|
|
Paul Weatherwax (Editor)
|
The Gracie Allen Murder Case
|
1939
|
|
LeRoy J. Prinz (Choreography)
|
The Great Victor Herbert
|
1939
|
|
Andrew L. Stone (Director)
|
The Great Victor Herbert
|
1939
|
|
Andrew L. Stone (Producer)
|
The Great Victor Herbert
|
1939
|
|
Ted Tetzlaff (Cinematographer)
|
Honeymoon in Bali
|
1939
|
|
Edith Head (Costume Designer)
|
Honeymoon in Bali
|
1939
|
|
Robert Florey (Director)
|
Hotel Imperial
|
1939
|
|
Edith Head (Costume Designer)
|
Invitation to Happiness
|
1939
|
|
Wesley Ruggles (Director)
|
Invitation to Happiness
|
1939
|
|
Wesley Ruggles (Producer)
|
Invitation to Happiness
|
1939
|
|
Karl Struss (Cinematographer)
|
Island of Lost Men
|
1939
|
|
William Wellman (Producer)
|
The Light That Failed
|
1939
|
|
William Wellman (Director)
|
The Light That Failed
|
1939
|
|
Edith Head (Costume Designer)
|
Man About Town
|
1939
|
|
Ted Tetzlaff (Cinematographer)
|
Man About Town
|
1939
|
|
LeRoy J. Prinz (Choreography)
|
Man About Town
|
1939
|
|
Arthur Hornblow, Jr. (Producer)
|
Man About Town
|
1939
|
|
Mark Sandrich (Director)
|
Man About Town
|
1939
|
|
Irene (Costume Designer)
|
Midnight
|
1939
|
|
Mitchell Leisen (Director)
|
Midnight
|
1939
|
|
Arthur Hornblow, Jr. (Producer)
|
Midnight
|
1939
|
|
Doane Harrison (Editor)
|
Midnight
|
1939
|
|
William C. Thomas (Producer)
|
Million Dollar Legs
|
1939
|
|
Edward Dmytryk (Director)
|
Million Dollar Legs
|
1939
|
|
Elliott Nugent (Director)
|
Never Say Die
|
1939
|
|
Edith Head (Costume Designer)
|
Never Say Die
|
1939
|
|
George Barnes (Cinematographer)
|
Our Neighbors the Carters
|
1939
|
|
Charles R. Rogers (Producer)
|
Our Neighbors the Carters
|
1939
|
|
Ralph Murphy (Director)
|
Our Neighbors the Carters
|
1939
|
|
Louis King (Director)
|
Persons in Hiding
|
1939
|
|
Frank Lloyd (Director)
|
Rulers of the Sea
|
1939
|
|
Frank Lloyd (Producer)
|
Rulers of the Sea
|
1939
|
|
Paul Weatherwax (Editor)
|
Rulers of the Sea
|
1939
|
|
LeRoy J. Prinz (Choreography)
|
St. Louis Blues
|
1939
|
|
Raoul Walsh (Director)
|
St. Louis Blues
|
1939
|
|
Charles R. Rogers (Producer)
|
The Star Maker
|
1939
|
|
Roy Del Ruth (Director)
|
The Star Maker
|
1939
|
|
Karl Struss (Cinematographer)
|
The Star Maker
|
1939
|
|
Edith Head (Costume Designer)
|
The Star Maker
|
1939
|
|
William Le Baron (Producer)
|
Television Spy
|
1939
|
|
Edward Dmytryk (Director)
|
Television Spy
|
1939
|
|
Cecil B. DeMille (Producer)
|
Union Pacific
|
1939
|
|
William Le Baron (Executive Producer)
|
Union Pacific
|
1939
|
|
Cecil B. DeMille (Director)
|
Union Pacific
|
1939
|
|
Albert Lewin (Producer)
|
Zaza
|
1939
|
|
Edward Dmytryk (Editor)
|
Zaza
|
1939
|
|
LeRoy J. Prinz (Choreography)
|
Zaza
|
1939
|
|
George Cukor (Director)
|
Zaza
|
1939
|
|
Paul Weatherwax (Editor)
|
The Arkansas Traveler
|
1938
|
|
Doane Harrison (Editor)
|
Artists and Models Abroad
|
1938
|
|
Mitchell Leisen (Director)
|
Artists and Models Abroad
|
1938
|
|
Edith Head (Costume Designer)
|
Artists and Models Abroad
|
1938
|
|
LeRoy J. Prinz (Choreography)
|
Artists and Models Abroad
|
1938
|
|
Ted Tetzlaff (Cinematographer)
|
Artists and Models Abroad
|
1938
|
|
Arthur Hornblow, Jr. (Producer)
|
Artists and Models Abroad
|
1938
|
|
Ernst Lubitsch (Director)
|
Bluebeard's Eighth Wife
|
1938
|
|
Ernst Lubitsch (Producer)
|
Bluebeard's Eighth Wife
|
1938
|
|
Travis Banton (Costume Designer)
|
Bluebeard's Eighth Wife
|
1938
|
|
Louis King (Director)
|
Bulldog Drummond in Africa
|
1938
|
|
Edith Head (Costume Designer)
|
College Swing
|
1938
|
|
Raoul Walsh (Director)
|
College Swing
|
1938
|
|
LeRoy J. Prinz (Choreography)
|
College Swing
|
1938
|
|
Robert Florey (Director)
|
Dangerous to Know
|
1938
|
|
Elliott Nugent (Director)
|
Give Me a Sailor
|
1938
|
|
LeRoy J. Prinz (Choreography)
|
Give Me a Sailor
|
1938
|
|
Ray Rennahan (Cinematographer)
|
Her Jungle Love
|
1938
|
|
Edith Head (Costume Designer)
|
Her Jungle Love
|
1938
|
|
Louis King (Director)
|
Hunted Men
|
1938
|
|
Frank Lloyd (Director)
|
If I Were King
|
1938
|
|
Edith Head (Costume Designer)
|
If I Were King
|
1938
|
|
Frank Lloyd (Producer)
|
If I Were King
|
1938
|
|
William C. Thomas (Producer)
|
Illegal Traffic
|
1938
|
|
Louis King (Director)
|
Illegal Traffic
|
1938
|
|
Robert Florey (Director)
|
King of Alcatraz
|
1938
|
|
William C. Thomas (Producer)
|
King of Alcatraz
|
1938
|
|
Karl Struss (Cinematographer)
|
Paris Honeymoon
|
1938
|
|
Edward Dmytryk (Editor)
|
Prison Farm
|
1938
|
|
Louis King (Director)
|
Prison Farm
|
1938
|
|
Andrew L. Stone (Producer)
|
Say It in French
|
1938
|
|
Andrew L. Stone (Director)
|
Say It in French
|
1938
|
|
Wesley Ruggles (Director)
|
Sing You Sinners
|
1938
|
|
Karl Struss (Cinematographer)
|
Sing You Sinners
|
1938
|
|
Wesley Ruggles (Producer)
|
Sing You Sinners
|
1938
|
|
Henry Hathaway (Director)
|
Spawn of the North
|
1938
|
|
Albert Lewin (Producer)
|
Spawn of the North
|
1938
|
|
Andrew L. Stone (Director)
|
Stolen Heaven
|
1938
|
|
Doane Harrison (Editor)
|
Stolen Heaven
|
1938
|
|
Karl Struss (Cinematographer)
|
Thanks for the Memory
|
1938
|
|
Dave Fleischer (Director)
|
Thanks for the Memory
|
1938
|
|
Louis King (Director)
|
Tip-Off Girls
|
1938
|
|
Paul Weatherwax (Editor)
|
You and Me
|
1938
|
|
Fritz Lang (Producer)
|
You and Me
|
1938
|
|
Fritz Lang (Director)
|
You and Me
|
1938
|
|
Ernst Lubitsch (Producer)
|
Angel
|
1937
|
|
Ernst Lubitsch (Director)
|
Angel
|
1937
|
|
Travis Banton (Costume Designer)
|
Angel
|
1937
|
|
Mitchell Leisen (Director)
|
The Big Broadcast of 1938
|
1937
|
|
LeRoy J. Prinz (Choreography)
|
The Big Broadcast of 1938
|
1937
|
|
Edith Head (Costume Designer)
|
The Big Broadcast of 1938
|
1937
|
|
Robert Florey (Director)
|
Daughter of Shanghai
|
1937
|
|
Edith Head (Costume Designer)
|
Double or Nothing
|
1937
|
|
Karl Struss (Cinematographer)
|
Double or Nothing
|
1937
|
|
LeRoy J. Prinz (Choreography)
|
Double or Nothing
|
1937
|
|
Edward Dmytryk (Editor)
|
Double or Nothing
|
1937
|
|
Doane Harrison (Editor)
|
Easy Living
|
1937
|
|
Travis Banton (Costume Designer)
|
Easy Living
|
1937
|
|
Arthur Hornblow, Jr. (Producer)
|
Easy Living
|
1937
|
|
Ted Tetzlaff (Cinematographer)
|
Easy Living
|
1937
|
|
Mitchell Leisen (Director)
|
Easy Living
|
1937
|
|
Rouben Mamoulian (Director)
|
High, Wide and Handsome
|
1937
|
|
LeRoy J. Prinz (Choreography)
|
High, Wide and Handsome
|
1937
|
|
Travis Banton (Costume Designer)
|
High, Wide and Handsome
|
1937
|
|
Arthur Hornblow, Jr. (Producer)
|
High, Wide and Handsome
|
1937
|
|
Edward Dmytryk (Editor)
|
Hold'em Navy!
|
1937
|
|
Wesley Ruggles (Director)
|
I Met Him in Paris
|
1937
|
|
Travis Banton (Costume Designer)
|
I Met Him in Paris
|
1937
|
|
Wesley Ruggles (Producer)
|
I Met Him in Paris
|
1937
|
|
Travis Banton (Costume Designer)
|
Internes Can't Take Money
|
1937
|
|
Doane Harrison (Editor)
|
Internes Can't Take Money
|
1937
|
|
Robert Florey (Director)
|
King of Gamblers
|
1937
|
|
Travis Banton (Costume Designer)
|
Maid of Salem
|
1937
|
|
Frank Lloyd (Director)
|
Maid of Salem
|
1937
|
|
Frank Lloyd (Producer)
|
Maid of Salem
|
1937
|
|
Bernard Herzbrun (Art Director)
|
Make Way for Tomorrow
|
1937
|
|
Leo McCarey (Director)
|
Make Way for Tomorrow
|
1937
|
|
Adolph Zukor (Producer)
|
Make Way for Tomorrow
|
1937
|
|
Leo McCarey (Producer)
|
Make Way for Tomorrow
|
1937
|
|
LeRoy J. Prinz (Choreography)
|
Mountain Music
|
1937
|
|
Karl Struss (Cinematographer)
|
Mountain Music
|
1937
|
|
Robert Florey (Director)
|
Mountain Music
|
1937
|
|
Ralph Murphy (Director)
|
Night Club Scandal
|
1937
|
|
Ralph Murphy (Director)
|
Partners in Crime
|
1937
|
|
Cecil B. DeMille (Producer)
|
The Plainsman
|
1937
|
|
Cecil B. DeMille (Director)
|
The Plainsman
|
1937
|
|
George Robinson (Cinematographer)
|
The Plainsman
|
1937
|
|
William Pine (Producer)
|
The Plainsman
|
1937
|
|
Henry Hathaway (Producer)
|
Souls at Sea
|
1937
|
|
Henry Hathaway (Director)
|
Souls at Sea
|
1937
|
|
Edith Head (Costume Designer)
|
Souls at Sea
|
1937
|
|
Mitchell Leisen (Director)
|
Swing High, Swing Low
|
1937
|
|
Arthur Hornblow, Jr. (Producer)
|
Swing High, Swing Low
|
1937
|
|
Ted Tetzlaff (Cinematographer)
|
Swing High, Swing Low
|
1937
|
|
Travis Banton (Costume Designer)
|
Swing High, Swing Low
|
1937
|
|
Edith Head (Costume Designer)
|
This Way Please
|
1937
|
|
Robert Florey (Director)
|
This Way Please
|
1937
|
|
LeRoy J. Prinz (Choreography)
|
This Way Please
|
1937
|
|
Doane Harrison (Editor)
|
Thrill of a Lifetime
|
1937
|
|
LeRoy J. Prinz (Choreography)
|
Thrill of a Lifetime
|
1937
|
|
Albert Lewin (Producer)
|
True Confession
|
1937
|
|
Travis Banton (Costume Designer)
|
True Confession
|
1937
|
|
Ted Tetzlaff (Cinematographer)
|
True Confession
|
1937
|
|
Paul Weatherwax (Editor)
|
True Confession
|
1937
|
|
Wesley Ruggles (Director)
|
True Confession
|
1937
|
|
Edward Dmytryk (Editor)
|
Turn off the Moon
|
1937
|
|
LeRoy J. Prinz (Choreography)
|
Turn off the Moon
|
1937
|
|
Ted Tetzlaff (Cinematographer)
|
Turn off the Moon
|
1937
|
|
Lewis Seiler (Director)
|
Turn off the Moon
|
1937
|
|
Frank Lloyd (Producer)
|
Wells Fargo
|
1937
|
|
Edith Head (Costume Designer)
|
Wells Fargo
|
1937
|
|
Frank Lloyd (Director)
|
Wells Fargo
|
1937
|
|
Lewis Milestone (Director)
|
Anything Goes
|
1936
|
|
Karl Struss (Cinematographer)
|
Anything Goes
|
1936
|
|
LeRoy J. Prinz (Choreography)
|
Anything Goes
|
1936
|
|
Travis Banton (Costume Designer)
|
Anything Goes
|
1936
|
|
LeRoy J. Prinz (Choreography)
|
The Big Broadcast of 1937
|
1936
|
|
Mitchell Leisen (Director)
|
The Big Broadcast of 1937
|
1936
|
|
Stuart Heisler (Editor)
|
The Big Broadcast of 1937
|
1936
|
|
Wesley Ruggles (Producer)
|
The Bride Comes Home
|
1936
|
|
Wesley Ruggles (Director)
|
The Bride Comes Home
|
1936
|
|
Charles Barton (Director)
|
Desert Gold
|
1936
|
|
Frank Borzage (Director)
|
Desire
|
1936
|
|
Travis Banton (Costume Designer)
|
Desire
|
1936
|
|
Ernst Lubitsch (Producer)
|
Desire
|
1936
|
|
Edith Head (Costume Designer)
|
Early to Bed
|
1936
|
|
Norman Z. McLeod (Director)
|
Early to Bed
|
1936
|
|
Paul Weatherwax (Editor)
|
F-Man
|
1936
|
|
Edward F. Cline (Director)
|
F-Man
|
1936
|
|
Travis Banton (Costume Designer)
|
The General Died at Dawn
|
1936
|
|
William Le Baron (Producer)
|
The General Died at Dawn
|
1936
|
|
Lewis Milestone (Director)
|
The General Died at Dawn
|
1936
|
|
William Le Baron (Producer)
|
Give Us This Night
|
1936
|
|
Karl Struss (Cinematographer)
|
Hollywood Boulevard
|
1936
|
|
Robert Florey (Director)
|
Hollywood Boulevard
|
1936
|
|
William Thiele (Director)
|
The Jungle Princess
|
1936
|
|
Stuart Heisler (Editor)
|
Klondike Annie
|
1936
|
|
William Le Baron (Producer)
|
Klondike Annie
|
1936
|
|
Bernard Herzbrun (Art Director)
|
Klondike Annie
|
1936
|
|
Raoul Walsh (Director)
|
Klondike Annie
|
1936
|
|
Leo McCarey (Director)
|
The Milky Way
|
1936
|
|
Bernard Herzbrun (Art Director)
|
The Milky Way
|
1936
|
|
Adolph Zukor (Producer)
|
The Milky Way
|
1936
|
|
Ted Tetzlaff (Cinematographer)
|
Murder With Pictures
|
1936
|
|
Edith Head (Costume Designer)
|
Murder With Pictures
|
1936
|
|
Charles Barton (Director)
|
Murder With Pictures
|
1936
|
|
Edith Head (Costume Designer)
|
Poppy
|
1936
|
|
Bernard Herzbrun (Art Director)
|
Poppy
|
1936
|
|
William Le Baron (Producer)
|
Poppy
|
1936
|
|
Stuart Heisler (Editor)
|
Poppy
|
1936
|
|
Edward Sutherland (Director)
|
Poppy
|
1936
|
|
Karl Struss (Cinematographer)
|
The Preview Murder Mystery
|
1936
|
|
Robert Florey (Director)
|
The Preview Murder Mystery
|
1936
|
|
William Howard (Director)
|
The Princess Comes Across
|
1936
|
|
Paul Weatherwax (Editor)
|
The Princess Comes Across
|
1936
|
|
Travis Banton (Costume Designer)
|
The Princess Comes Across
|
1936
|
|
Ted Tetzlaff (Cinematographer)
|
The Princess Comes Across
|
1936
|
|
Arthur Hornblow, Jr. (Producer)
|
The Princess Comes Across
|
1936
|
|
Edith Head (Costume Designer)
|
Rhythm on the Range
|
1936
|
|
Karl Struss (Cinematographer)
|
Rhythm on the Range
|
1936
|
|
Norman Taurog (Director)
|
Rhythm on the Range
|
1936
|
|
King Vidor (Producer)
|
The Texas Rangers
|
1936
|
|
King Vidor (Director)
|
The Texas Rangers
|
1936
|
|
Bernard Herzbrun (Art Director)
|
The Texas Rangers
|
1936
|
|
Doane Harrison (Editor)
|
Thirteen Hours by Air
|
1936
|
|
Mitchell Leisen (Director)
|
Thirteen Hours by Air
|
1936
|
|
Charles Barton (Director)
|
Timothy's Quest
|
1936
|
|
Henry Hathaway (Director)
|
The Trail of the Lonesome Pine
|
1936
|
|
Walter Wanger (Producer)
|
The Trail of the Lonesome Pine
|
1936
|
|
B.P. Schulberg (Producer)
|
Wedding Present
|
1936
|
|
Richard Wallace (Director)
|
Wedding Present
|
1936
|
|
Leon Shamroy (Cinematographer)
|
Wedding Present
|
1936
|
|
LeRoy J. Prinz (Choreography)
|
The Big Broadcast of 1936
|
1935
|
|
Norman Taurog (Director)
|
The Big Broadcast of 1936
|
1935
|
|
Josef von Sternberg (Cinematographer)
|
The Devil Is a Woman
|
1935
|
|
Travis Banton (Costume Designer)
|
The Devil Is a Woman
|
1935
|
|
Lucien Ballard (Cinematographer)
|
The Devil Is a Woman
|
1935
|
|
Josef von Sternberg (Director)
|
The Devil Is a Woman
|
1935
|
|
Elliott Nugent (Director)
|
Enter Madame
|
1935
|
|
Travis Banton (Costume Designer)
|
Enter Madame
|
1935
|
|
William Le Baron (Producer)
|
Goin' to Town
|
1935
|
|
Karl Struss (Cinematographer)
|
Goin' to Town
|
1935
|
|
Travis Banton (Costume Designer)
|
Goin' to Town
|
1935
|
|
Charles Barton (Director)
|
The Last Outpost
|
1935
|
|
LeRoy J. Prinz (Choreography)
|
The Lives of a Bengal Lancer
|
1935
|
|
Travis Banton (Costume Designer)
|
The Lives of a Bengal Lancer
|
1935
|
|
Henry Hathaway (Director)
|
The Lives of a Bengal Lancer
|
1935
|
|
Ernest B. Schoedsack (Cinematographer)
|
The Lives of a Bengal Lancer
|
1935
|
|
Bernard Herzbrun (Art Director)
|
Mississippi
|
1935
|
|
Arthur Hornblow, Jr. (Producer)
|
Mississippi
|
1935
|
|
Edward Sutherland (Director)
|
Mississippi
|
1935
|
|
Lewis Milestone (Director)
|
Paris in Spring
|
1935
|
|
Ted Tetzlaff (Cinematographer)
|
Paris in Spring
|
1935
|
|
Henry Hathaway (Director)
|
Peter Ibbetson
|
1935
|
|
Stuart Heisler (Editor)
|
Peter Ibbetson
|
1935
|
|
Travis Banton (Costume Designer)
|
Ruggles of Red Gap
|
1935
|
|
Arthur Hornblow, Jr. (Producer)
|
Ruggles of Red Gap
|
1935
|
|
Edward Dmytryk (Editor)
|
Ruggles of Red Gap
|
1935
|
|
Leo McCarey (Director)
|
Ruggles of Red Gap
|
1935
|
|
William Le Baron (Producer)
|
Rumba
|
1935
|
|
Travis Banton (Costume Designer)
|
Rumba
|
1935
|
|
LeRoy J. Prinz (Choreography)
|
Rumba
|
1935
|
|
Ted Tetzlaff (Cinematographer)
|
Rumba
|
1935
|
|
Travis Banton (Costume Designer)
|
So Red the Rose
|
1935
|
|
Douglas MacLean (Producer)
|
So Red the Rose
|
1935
|
|
King Vidor (Director)
|
So Red the Rose
|
1935
|
|
Bernard Herzbrun (Art Director)
|
Stolen Harmony
|
1935
|
|
LeRoy J. Prinz (Choreography)
|
Stolen Harmony
|
1935
|
|
Arthur Hornblow, Jr. (Producer)
|
Wings in the Dark
|
1935
|
|
William Le Baron (Producer)
|
Belle of the Nineties
|
1934
|
|
Leo McCarey (Director)
|
Belle of the Nineties
|
1934
|
|
Travis Banton (Costume Designer)
|
Belle of the Nineties
|
1934
|
|
Bernard Herzbrun (Art Director)
|
Belle of the Nineties
|
1934
|
|
Karl Struss (Cinematographer)
|
Belle of the Nineties
|
1934
|
|
Mitchell Leisen (Director)
|
Death Takes a Holiday
|
1934
|
|
Edith Head (Costume Designer)
|
Death Takes a Holiday
|
1934
|
|
Travis Banton (Costume Designer)
|
Death Takes a Holiday
|
1934
|
|
William Le Baron (Producer)
|
It's a Gift
|
1934
|
|
Norman Z. McLeod (Director)
|
It's a Gift
|
1934
|
|
B.P. Schulberg (Producer)
|
Kiss and Make Up
|
1934
|
|
Leon Shamroy (Cinematographer)
|
Kiss and Make Up
|
1934
|
|
Douglas MacLean (Producer)
|
Ladies Should Listen
|
1934
|
|
Marshall Neilan (Director)
|
The Lemon Drop Kid
|
1934
|
|
William Le Baron (Producer)
|
The Lemon Drop Kid
|
1934
|
|
Norman Taurog (Director)
|
Mrs. Wiggs of the Cabbage Patch
|
1934
|
|
Douglas MacLean (Producer)
|
Mrs. Wiggs of the Cabbage Patch
|
1934
|
|
Travis Banton (Costume Designer)
|
The Notorious Sophie Lang
|
1934
|
|
Anthony Veiller (Producer)
|
The Notorious Sophie Lang
|
1934
|
|
Ralph Murphy (Director)
|
The Notorious Sophie Lang
|
1934
|
|
Henry Hathaway (Director)
|
Now and Forever
|
1934
|
|
Travis Banton (Costume Designer)
|
Now and Forever
|
1934
|
|
Josef von Sternberg (Editor)
|
The Scarlet Empress
|
1934
|
|
Josef von Sternberg (Director)
|
The Scarlet Empress
|
1934
|
|
Travis Banton (Costume Designer)
|
The Scarlet Empress
|
1934
|
|
Wesley Ruggles (Director)
|
Shoot the Works
|
1934
|
|
Leo McCarey (Director)
|
Six of a Kind
|
1934
|
|
B.P. Schulberg (Producer)
|
Thirty-Day Princess
|
1934
|
|
Leon Shamroy (Cinematographer)
|
Thirty-Day Princess
|
1934
|
|
Stuart Heisler (Editor)
|
We're Not Dressing
|
1934
|
|
Norman Taurog (Director)
|
We're Not Dressing
|
1934
|
|
William Le Baron (Producer)
|
You're Telling Me
|
1934
|
|
Erle C. Kenton (Director)
|
You're Telling Me
|
1934
|
|
Ernst Lubitsch (Producer)
|
Design for Living
|
1933
|
|
Ernst Lubitsch (Director)
|
Design for Living
|
1933
|
|
Travis Banton (Costume Designer)
|
Design for Living
|
1933
|
|
Herman Mankiewicz (Producer)
|
Duck Soup
|
1933
|
|
Leo McCarey (Director)
|
Duck Soup
|
1933
|
|
William Le Baron (Producer)
|
I'm No Angel
|
1933
|
|
Bernard Herzbrun (Art Director)
|
I'm No Angel
|
1933
|
|
Wesley Ruggles (Director)
|
I'm No Angel
|
1933
|
|
Travis Banton (Costume Designer)
|
One Sunday Afternoon
|
1933
|
|
Rouben Mamoulian (Producer)
|
Song of Songs
|
1933
|
|
Travis Banton (Costume Designer)
|
Song of Songs
|
1933
|
|
Rouben Mamoulian (Director)
|
Song of Songs
|
1933
|
|
Douglas MacLean (Producer)
|
Tillie and Gus
|
1933
|
|
Norman Taurog (Director)
|
The Way to Love
|
1933
|
|
Ernst Lubitsch (Director)
|
Broken Lullaby
|
1932
|
|
Frank Borzage (Director)
|
A Farewell to Arms
|
1932
|
|
David O. Selznick (Producer)
|
A Farewell to Arms
|
1932
|
|
Travis Banton (Costume Designer)
|
A Farewell to Arms
|
1932
|
|
Rouben Mamoulian (Producer)
|
Love Me Tonight
|
1932
|
|
Travis Banton (Costume Designer)
|
Love Me Tonight
|
1932
|
|
Edith Head (Costume Designer)
|
Love Me Tonight
|
1932
|
|
Rouben Mamoulian (Director)
|
Love Me Tonight
|
1932
|
|
Norman Z. McLeod (Director)
|
The Miracle Man
|
1932
|
|
Ernst Lubitsch (Producer)
|
One Hour with You
|
1932
|
|
George Cukor (Director)
|
One Hour with You
|
1932
|
|
Travis Banton (Costume Designer)
|
One Hour with You
|
1932
|
|
Ernst Lubitsch (Director)
|
One Hour with You
|
1932
|
|
Josef von Sternberg (Producer)
|
Shanghai Express
|
1932
|
|
Adolph Zukor (Producer)
|
Shanghai Express
|
1932
|
|
Josef von Sternberg (Director)
|
Shanghai Express
|
1932
|
|
Travis Banton (Costume Designer)
|
Shanghai Express
|
1932
|
|
Ernst Lubitsch (Producer)
|
Trouble in Paradise
|
1932
|
|
Travis Banton (Costume Designer)
|
Trouble in Paradise
|
1932
|
|
Ernst Lubitsch (Director)
|
Trouble in Paradise
|
1932
|
|
Josef von Sternberg (Director)
|
An American Tragedy
|
1931
|
|
Travis Banton (Costume Designer)
|
Dishonored
|
1931
|
|
Josef von Sternberg (Director)
|
Dishonored
|
1931
|
|
Rouben Mamoulian (Producer)
|
Dr. Jekyll and Mr. Hyde
|
1931
|
|
Adolph Zukor (Producer)
|
Dr. Jekyll and Mr. Hyde
|
1931
|
|
Rouben Mamoulian (Director)
|
Dr. Jekyll and Mr. Hyde
|
1931
|
|
Karl Struss (Cinematographer)
|
Dr. Jekyll and Mr. Hyde
|
1931
|
|
Travis Banton (Costume Designer)
|
Dr. Jekyll and Mr. Hyde
|
1931
|
|
Ernst Lubitsch (Producer)
|
The Smiling Lieutenant
|
1931
|
|
Ernst Lubitsch (Director)
|
The Smiling Lieutenant
|
1931
|
|
Ernst Lubitsch (Producer)
|
Monte Carlo
|
1930
|
|
Ernst Lubitsch (Director)
|
Monte Carlo
|
1930
|
|
Travis Banton (Costume Designer)
|
Monte Carlo
|
1930
|
|
Josef von Sternberg (Director)
|
Morocco
|
1930
|
|
Travis Banton (Costume Designer)
|
Morocco
|
1930
|
|
Lucien Ballard (Cinematographer)
|
Morocco
|
1930
|
|
Adolph Zukor (Producer)
|
The Vagabond King
|
1930
|
|
Ray Rennahan (Cinematographer)
|
The Vagabond King
|
1930
|
|
Travis Banton (Costume Designer)
|
The Vagabond King
|
1930
|
|
Lewis Milestone (Director)
|
Betrayal
|
1929
|
|
Rowland V. Lee (Director)
|
A Dangerous Woman
|
1929
|
|
Jesse Lasky (Producer)
|
Innocents of Paris
|
1929
|
|
Richard Wallace (Director)
|
Innocents of Paris
|
1929
|
|
LeRoy J. Prinz (Choreography)
|
Innocents of Paris
|
1929
|
|
Ernst Lubitsch (Producer)
|
The Love Parade
|
1929
|
|
Ernst Lubitsch (Director)
|
The Love Parade
|
1929
|
|
Josef von Sternberg (Director)
|
Thunderbolt
|
1929
|
|
William Wyler (Director)
|
Thunderbolt
|
1929
|
|
Harold Hal Rosson (Cinematographer)
|
The Docks of New York
|
1928
|
|
Josef von Sternberg (Director)
|
The Docks of New York
|
1928
|
|
Josef von Sternberg (Director)
|
The Dragnet
|
1928
|
|
Harold Hal Rosson (Cinematographer)
|
The Dragnet
|
1928
|
|
Jesse Lasky (Producer)
|
The Last Command
|
1928
|
|
Adolph Zukor (Producer)
|
The Last Command
|
1928
|
|
Josef von Sternberg (Director)
|
The Last Command
|
1928
|
|
Ernst Lubitsch (Producer)
|
The Patriot
|
1928
|
|
Ernst Lubitsch (Editor)
|
The Patriot
|
1928
|
|
Ernst Lubitsch (Director)
|
The Patriot
|
1928
|
|
Josef von Sternberg (Director)
|
The Street of Sin
|
1928
|
|
Mauritz Stiller (Director)
|
The Street of Sin
|
1928
|
|
Josef von Sternberg (Director)
|
Underworld
|
1927
|
|
Ernst Lubitsch (Director)
|
Forbidden Paradise
|
1924
|