|
Richard C. Currier (Editor)
|
Yanks Ahoy
|
1943
|
|
Paul Ivano (Cinematographer)
|
About Face
|
1942
|
|
Glenn Tryon (Producer)
|
The Devil with Hitler
|
1942
|
|
Gordon M. Douglas (Director)
|
The Devil with Hitler
|
1942
|
|
Charles Hall (Art Director)
|
Dudes Are Pretty People
|
1942
|
|
Richard C. Currier (Editor)
|
Flying with Music
|
1942
|
|
LeRoy J. Prinz (Director)
|
All-American Coed
|
1941
|
|
Gordon M. Douglas (Director)
|
Broadway Limited
|
1941
|
|
Charles Hall (Art Director)
|
Road Show
|
1941
|
|
Gordon M. Douglas (Director)
|
Road Show
|
1941
|
|
Norbert F. Brodin (Cinematographer)
|
Road Show
|
1941
|
|
Charles Hall (Art Director)
|
Tanks a Million
|
1941
|
|
Richard C. Currier (Editor)
|
Tanks a Million
|
1941
|
|
Roy Del Ruth (Director)
|
Topper Returns
|
1941
|
|
Norbert F. Brodin (Cinematographer)
|
Topper Returns
|
1941
|
|
Charles Hall (Art Director)
|
A Chump at Oxford
|
1940
|
|
Charles Hall (Art Director)
|
One Million B.C.
|
1940
|
|
Norbert F. Brodin (Cinematographer)
|
One Million B.C.
|
1940
|
|
Charles Hall (Art Director)
|
Saps at Sea
|
1940
|
|
Gordon M. Douglas (Director)
|
Saps at Sea
|
1940
|
|
Norbert F. Brodin (Cinematographer)
|
Turnabout
|
1940
|
|
Norbert F. Brodin (Cinematographer)
|
Captain Fury
|
1939
|
|
Charles Hall (Art Director)
|
The Housekeeper's Daughter
|
1939
|
|
Norbert F. Brodin (Cinematographer)
|
The Housekeeper's Daughter
|
1939
|
|
Charles Hall (Art Director)
|
Zenobia
|
1939
|
|
Gordon M. Douglas (Director)
|
Zenobia
|
1939
|
|
Karl Struss (Cinematographer)
|
Zenobia
|
1939
|
|
Norbert F. Brodin (Cinematographer)
|
The Awful Tooth
|
1938
|
|
Gordon M. Douglas (Director)
|
Bear Facts
|
1938
|
|
Gordon M. Douglas (Director)
|
Came the Brawn
|
1938
|
|
Gordon M. Douglas (Director)
|
Canned Fishing
|
1938
|
|
Gordon M. Douglas (Director)
|
Feed 'Em and Weep
|
1938
|
|
Gordon M. Douglas (Director)
|
Hide and Shriek
|
1938
|
|
Norbert F. Brodin (Cinematographer)
|
Hide and Shriek
|
1938
|
|
Norbert F. Brodin (Cinematographer)
|
Merrily We Live
|
1938
|
|
Norman Z. McLeod (Director)
|
Merrily We Live
|
1938
|
|
Charles Hall (Art Director)
|
Swiss Miss
|
1938
|
|
Norbert F. Brodin (Cinematographer)
|
Swiss Miss
|
1938
|
|
Charles Hall (Art Director)
|
There Goes My Heart
|
1938
|
|
Norman Z. McLeod (Director)
|
There Goes My Heart
|
1938
|
|
Norbert F. Brodin (Cinematographer)
|
There Goes My Heart
|
1938
|
|
Charles Hall (Art Director)
|
Topper Takes a Trip
|
1938
|
|
Norman Z. McLeod (Director)
|
Topper Takes a Trip
|
1938
|
|
Norbert F. Brodin (Cinematographer)
|
Topper Takes a Trip
|
1938
|
|
Gordon M. Douglas (Director)
|
Framing Youth
|
1937
|
|
Gordon M. Douglas (Director)
|
Glove Taps
|
1937
|
|
Gordon M. Douglas (Director)
|
Hearts Are Thumps
|
1937
|
|
Gordon M. Douglas (Director)
|
Mail and Female
|
1937
|
|
Gordon M. Douglas (Director)
|
Night N' Gales
|
1937
|
|
Gus Meins (Director)
|
Nobody's Baby
|
1937
|
|
Norbert F. Brodin (Cinematographer)
|
Nobody's Baby
|
1937
|
|
Norbert F. Brodin (Cinematographer)
|
Pick a Star
|
1937
|
|
Gordon M. Douglas (Director)
|
The Pigskin Palooka
|
1937
|
|
Gordon M. Douglas (Director)
|
Reunion in Rhythm
|
1937
|
|
Gordon M. Douglas (Director)
|
Roamin' Holiday
|
1937
|
|
Gordon M. Douglas (Director)
|
Rushin' Ballet
|
1937
|
|
Irene (Costume Designer)
|
Topper
|
1937
|
|
Norman Z. McLeod (Director)
|
Topper
|
1937
|
|
Norbert F. Brodin (Cinematographer)
|
Topper
|
1937
|
|
Gus Meins (Director)
|
All-American Toothache
|
1936
|
|
Douglas Fairbanks, Jr. (Producer)
|
The Amateur Gentleman
|
1936
|
|
Gunther Krampf (Cinematographer)
|
The Amateur Gentleman
|
1936
|
|
James W. Horne (Director)
|
The Bohemian Girl
|
1936
|
|
Gordon M. Douglas (Director)
|
Bored of Education
|
1936
|
|
Gordon M. Douglas (Director)
|
General Spanky
|
1936
|
|
Gus Meins (Director)
|
Kelly the Second
|
1936
|
|
Gus Meins (Director)
|
The Lucky Corner
|
1936
|
|
Charley Chase (Director)
|
On the Wrong Trek
|
1936
|
|
Gus Meins (Director)
|
Second Childhood
|
1936
|
|
Gordon M. Douglas (Director)
|
Spooky Hooky
|
1936
|
|
Gordon M. Douglas (Director)
|
Two Too Young
|
1936
|
|
Gus Meins (Director)
|
Anniversary Trouble
|
1935
|
|
Gus Meins (Director)
|
Beginner's Luck
|
1935
|
|
James W. Horne (Director)
|
Bonnie Scotland
|
1935
|
|
Gus Meins (Director)
|
Little Papa
|
1935
|
|
Gus Meins (Director)
|
Little Sinner
|
1935
|
|
Gus Meins (Director)
|
Our Gang Follies of 1936
|
1935
|
|
Gus Meins (Director)
|
Sprucin' Up
|
1935
|
|
Gus Meins (Director)
|
Teacher's Beau
|
1935
|
|
Gus Meins (Director)
|
Babes in Toyland
|
1934
|
|
Tom Walls (Director)
|
Dirty Work
|
1934
|
|
Michael Balcon (Producer)
|
Dirty Work
|
1934
|
|
Gus Meins (Director)
|
For Pete's Sake
|
1934
|
|
Gus Meins (Director)
|
Hi'-Neighbor!
|
1934
|
|
Gus Meins (Director)
|
Honkey Donkey
|
1934
|
|
Gus Meins (Director)
|
Mama's Little Pirate
|
1934
|
|
Gus Meins (Director)
|
Mike Fright
|
1934
|
|
Gus Meins (Director)
|
Shrimps for a Day
|
1934
|
|
James Parrott (Director)
|
Washee Ironee
|
1934
|
|
Charley Chase (Director)
|
Bargain of the Century
|
1933
|
|
Charles R. Rogers (Director)
|
The Devil's Brother
|
1933
|
|
Richard C. Currier (Editor)
|
Fish Hooky
|
1933
|
|
William Seiter (Director)
|
Sons of the Desert
|
1933
|
|
James Parrott (Director)
|
Twice Two
|
1933
|
|
Richard C. Currier (Editor)
|
Any Old Port!
|
1932
|
|
James W. Horne (Director)
|
Any Old Port!
|
1932
|
|
Richard C. Currier (Editor)
|
Birthday Blues
|
1932
|
|
Richard C. Currier (Editor)
|
The Chimp
|
1932
|
|
James Parrott (Director)
|
The Chimp
|
1932
|
|
Richard C. Currier (Editor)
|
Choo Choo!
|
1932
|
|
Richard C. Currier (Editor)
|
County Hospital
|
1932
|
|
James Parrott (Director)
|
County Hospital
|
1932
|
|
Richard C. Currier (Editor)
|
Free Eats
|
1932
|
|
Richard C. Currier (Editor)
|
Free Wheeling
|
1932
|
|
Richard C. Currier (Editor)
|
Hook and Ladder
|
1932
|
|
Richard C. Currier (Editor)
|
A Lad an' a Lamp
|
1932
|
|
Richard C. Currier (Editor)
|
The Music Box
|
1932
|
|
James Parrott (Director)
|
The Music Box
|
1932
|
|
Richard C. Currier (Editor)
|
On the Loose
|
1932
|
|
Richard C. Currier (Editor)
|
Pack up Your Troubles
|
1932
|
|
George Marshall (Director)
|
Pack up Your Troubles
|
1932
|
|
Richard C. Currier (Editor)
|
The Pooch
|
1932
|
|
Richard C. Currier (Editor)
|
Readin' and Writin'
|
1932
|
|
Richard C. Currier (Editor)
|
Scram!
|
1932
|
|
Richard C. Currier (Editor)
|
Spanky
|
1932
|
|
George Marshall (Director)
|
Their First Mistake
|
1932
|
|
Richard C. Currier (Editor)
|
Their First Mistake
|
1932
|
|
Richard C. Currier (Editor)
|
Bargain Day
|
1931
|
|
James W. Horne (Director)
|
Be Big!
|
1931
|
|
James Parrott (Director)
|
Be Big!
|
1931
|
|
Richard C. Currier (Editor)
|
Be Big!
|
1931
|
|
James W. Horne (Director)
|
Beau Hunks
|
1931
|
|
Richard C. Currier (Editor)
|
Beau Hunks
|
1931
|
|
Richard C. Currier (Editor)
|
Big Ears
|
1931
|
|
James W. Horne (Director)
|
Chickens Come Home
|
1931
|
|
Richard C. Currier (Editor)
|
Chickens Come Home
|
1931
|
|
James W. Horne (Director)
|
Come Clean
|
1931
|
|
Richard C. Currier (Editor)
|
Come Clean
|
1931
|
|
Richard C. Currier (Editor)
|
Dogs Is Dogs
|
1931
|
|
Richard C. Currier (Editor)
|
Fly My Kite
|
1931
|
|
Richard C. Currier (Editor)
|
Helping Grandma
|
1931
|
|
James Parrott (Director)
|
Helpmates
|
1931
|
|
Richard C. Currier (Editor)
|
Helpmates
|
1931
|
|
James W. Horne (Director)
|
Laughing Gravy
|
1931
|
|
Richard C. Currier (Editor)
|
Laughing Gravy
|
1931
|
|
Richard C. Currier (Editor)
|
Little Daddy
|
1931
|
|
Richard C. Currier (Editor)
|
Love Business
|
1931
|
|
George Stevens (Director)
|
Mama Loves Papa
|
1931
|
|
Richard C. Currier (Editor)
|
Mama Loves Papa
|
1931
|
|
James W. Horne (Director)
|
One Good Turn
|
1931
|
|
Richard C. Currier (Editor)
|
One Good Turn
|
1931
|
|
James W. Horne (Director)
|
Our Wife
|
1931
|
|
Richard C. Currier (Editor)
|
Our Wife
|
1931
|
|
James Parrott (Director)
|
Pardon Us
|
1931
|
|
Richard C. Currier (Editor)
|
Pardon Us
|
1931
|
|
Richard C. Currier (Editor)
|
Shiver My Timbers
|
1931
|
|
James Parrott (Director)
|
Another Fine Mess
|
1930
|
|
George Stevens (Cinematographer)
|
Another Fine Mess
|
1930
|
|
Richard C. Currier (Editor)
|
Another Fine Mess
|
1930
|
|
Richard C. Currier (Editor)
|
Bear Shooters
|
1930
|
|
James Parrott (Director)
|
Below Zero
|
1930
|
|
George Stevens (Cinematographer)
|
Below Zero
|
1930
|
|
Richard C. Currier (Editor)
|
Below Zero
|
1930
|
|
James Parrott (Director)
|
Blotto
|
1930
|
|
George Stevens (Cinematographer)
|
Blotto
|
1930
|
|
Richard C. Currier (Editor)
|
Blotto
|
1930
|
|
James Parrott (Director)
|
Brats
|
1930
|
|
George Stevens (Cinematographer)
|
Brats
|
1930
|
|
Richard C. Currier (Editor)
|
Brats
|
1930
|
|
Richard C. Currier (Editor)
|
The First Seven Years
|
1930
|
|
James Parrott (Director)
|
Hog Wild
|
1930
|
|
Richard C. Currier (Editor)
|
Hog Wild
|
1930
|
|
George Stevens (Cinematographer)
|
Hog Wild
|
1930
|
|
George Stevens (Cinematographer)
|
The Laurel-Hardy Murder Case
|
1930
|
|
Richard C. Currier (Editor)
|
The Laurel-Hardy Murder Case
|
1930
|
|
James Parrott (Director)
|
The Laurel-Hardy Murder Case
|
1930
|
|
Cedric Gibbons (Art Director)
|
Men of the North
|
1930
|
|
James Parrott (Director)
|
Night Owls
|
1930
|
|
George Stevens (Cinematographer)
|
Night Owls
|
1930
|
|
Richard C. Currier (Editor)
|
Night Owls
|
1930
|
|
Richard C. Currier (Editor)
|
Pups Is Pups
|
1930
|
|
Cedric Gibbons (Art Director)
|
The Rogue Song
|
1930
|
|
Lionel Barrymore (Producer)
|
The Rogue Song
|
1930
|
|
Lionel Barrymore (Director)
|
The Rogue Song
|
1930
|
|
Margaret Booth (Editor)
|
The Rogue Song
|
1930
|
|
Adrian (Costume Designer)
|
The Rogue Song
|
1930
|
|
Richard C. Currier (Editor)
|
School's Out
|
1930
|
|
Richard C. Currier (Editor)
|
Teacher's Pet
|
1930
|
|
Richard C. Currier (Editor)
|
A Tough Winter
|
1930
|
|
James W. Horne (Director)
|
When the Wind Blows
|
1930
|
|
Richard C. Currier (Editor)
|
When the Wind Blows
|
1930
|
|
James W. Horne (Director)
|
Whispering Whoopee
|
1930
|
|
Richard C. Currier (Editor)
|
Angora Love
|
1929
|
|
George Stevens (Cinematographer)
|
Angora Love
|
1929
|
|
Richard C. Currier (Editor)
|
Berth Marks
|
1929
|
|
James W. Horne (Director)
|
Big Business
|
1929
|
|
Leo McCarey (Director)
|
Big Business
|
1929
|
|
Richard C. Currier (Editor)
|
Big Business
|
1929
|
|
George Stevens (Cinematographer)
|
Big Business
|
1929
|
|
Richard C. Currier (Editor)
|
Bouncing Babies
|
1929
|
|
Richard C. Currier (Editor)
|
Boxing Gloves
|
1929
|
|
Richard C. Currier (Editor)
|
Cat, Dog & Co.
|
1929
|
|
Richard C. Currier (Editor)
|
Double Whoopee
|
1929
|
|
George Stevens (Cinematographer)
|
Double Whoopee
|
1929
|
|
Richard C. Currier (Editor)
|
Election Day
|
1929
|
|
Richard C. Currier (Editor)
|
Fast Freight
|
1929
|
|
Richard C. Currier (Editor)
|
The Holy Terror
|
1929
|
|
George Stevens (Cinematographer)
|
The Hoosegow
|
1929
|
|
Richard C. Currier (Editor)
|
The Hoosegow
|
1929
|
|
James Parrott (Director)
|
The Hoosegow
|
1929
|
|
Richard C. Currier (Editor)
|
Lazy Days
|
1929
|
|
Leo McCarey (Director)
|
Liberty
|
1929
|
|
Richard C. Currier (Editor)
|
Little Mother
|
1929
|
|
George Stevens (Cinematographer)
|
Men O' War
|
1929
|
|
Richard C. Currier (Editor)
|
Men O' War
|
1929
|
|
Richard C. Currier (Editor)
|
Moan & Groan, Inc.
|
1929
|
|
Richard C. Currier (Editor)
|
Noisy Noises
|
1929
|
|
Richard C. Currier (Editor)
|
Perfect Day
|
1929
|
|
James Parrott (Director)
|
Perfect Day
|
1929
|
|
Richard C. Currier (Editor)
|
Railroadin'
|
1929
|
|
Richard C. Currier (Editor)
|
Saturday's Lesson
|
1929
|
|
Richard C. Currier (Editor)
|
Small Talk
|
1929
|
|
George Stevens (Cinematographer)
|
That's My Wife
|
1929
|
|
Richard C. Currier (Editor)
|
That's My Wife
|
1929
|
|
James Parrott (Director)
|
They Go Boom
|
1929
|
|
Richard C. Currier (Editor)
|
They Go Boom
|
1929
|
|
George Stevens (Cinematographer)
|
They Go Boom
|
1929
|
|
Richard C. Currier (Editor)
|
Unaccustomed as We Are
|
1929
|
|
George Stevens (Cinematographer)
|
Unaccustomed as We Are
|
1929
|
|
Richard C. Currier (Editor)
|
Wiggle Your Ears
|
1929
|
|
Leo McCarey (Director)
|
Wrong Again
|
1929
|
|
Richard C. Currier (Editor)
|
Wrong Again
|
1929
|
|
George Stevens (Cinematographer)
|
Wrong Again
|
1929
|
|
Richard C. Currier (Editor)
|
Barnum & Ringling, Inc.
|
1928
|
|
Richard C. Currier (Editor)
|
Crazy House
|
1928
|
|
Emmett J. Flynn (Director)
|
Early to Bed
|
1928
|
|
Richard C. Currier (Editor)
|
Edison, Marconi & Co.
|
1928
|
|
Richard C. Currier (Editor)
|
Fair and Muddy
|
1928
|
|
Leo McCarey (Director)
|
The Finishing Touch
|
1928
|
|
Clyde Bruckman (Director)
|
The Finishing Touch
|
1928
|
|
Edgar Kennedy (Director)
|
From Soup to Nuts
|
1928
|
|
Richard C. Currier (Editor)
|
Growing Pains
|
1928
|
|
James Parrott (Director)
|
Habeas Corpus
|
1928
|
|
Leo McCarey (Director)
|
Habeas Corpus
|
1928
|
|
Clyde Bruckman (Director)
|
Leave 'Em Laughing
|
1928
|
|
Richard C. Currier (Editor)
|
Old Gray Hoss
|
1928
|
|
Richard C. Currier (Editor)
|
Rainy Days
|
1928
|
|
Richard C. Currier (Editor)
|
School Begins
|
1928
|
|
James Parrott (Director)
|
Should Married Men Go Home?
|
1928
|
|
Leo McCarey (Director)
|
Should Married Men Go Home?
|
1928
|
|
Richard C. Currier (Editor)
|
The Smile Wins
|
1928
|
|
Richard C. Currier (Editor)
|
The Spanking Age
|
1928
|
|
Richard C. Currier (Editor)
|
Spook Spoofing
|
1928
|
|
James Parrott (Director)
|
Their Purple Moment
|
1928
|
|
Richard C. Currier (Editor)
|
Their Purple Moment
|
1928
|
|
George Stevens (Cinematographer)
|
Their Purple Moment
|
1928
|
|
James Parrott (Director)
|
Two Tars
|
1928
|
|
Richard C. Currier (Editor)
|
Two Tars
|
1928
|
|
George Stevens (Cinematographer)
|
Two Tars
|
1928
|
|
Leo McCarey (Director)
|
We Faw Down
|
1928
|
|
Edgar Kennedy (Director)
|
You're Darn Tootin'
|
1928
|
|
Richard C. Currier (Editor)
|
You're Darn Tootin'
|
1928
|
|
George Stevens (Cinematographer)
|
The Battle of the Century
|
1927
|
|
Clyde Bruckman (Director)
|
The Battle of the Century
|
1927
|
|
Richard C. Currier (Editor)
|
Bring Home the Turkey
|
1927
|
|
Clyde Bruckman (Director)
|
Call of the Cuckoo
|
1927
|
|
Richard C. Currier (Editor)
|
Dog Heaven
|
1927
|
|
Richard C. Currier (Editor)
|
Heebee Jeebies
|
1927
|
|
Clyde Bruckman (Director)
|
Love 'em and Feed 'em
|
1927
|
|
Richard C. Currier (Editor)
|
The Old Wallop
|
1927
|
|
Richard C. Currier (Editor)
|
Olympic Games
|
1927
|
|
Clyde Bruckman (Director)
|
Putting Pants on Philip
|
1927
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Richard C. Currier (Editor)
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Seeing the World
|
1927
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Richard C. Currier (Editor)
|
Ten Years Old
|
1927
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Richard C. Currier (Editor)
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Yale vs. Harvard
|
1927
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Richard C. Currier (Editor)
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Baby Clothes
|
1926
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Richard C. Currier (Editor)
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Buried Treasure
|
1926
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George Stevens (Cinematographer)
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The Devil Horse
|
1926
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Richard C. Currier (Editor)
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The Fourth Alarm
|
1926
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Richard C. Currier (Editor)
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Good Cheer
|
1926
|
|
Leo McCarey (Director)
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Long Fliv the King
|
1926
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Richard C. Currier (Editor)
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Monkey Business
|
1926
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F. Richard Jones (Director)
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The Nickel Hopper
|
1926
|
|
Richard C. Currier (Editor)
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Shivering Spooks
|
1926
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George Stevens (Cinematographer)
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Slipping Wives
|
1926
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Richard C. Currier (Editor)
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Slipping Wives
|
1926
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Richard C. Currier (Editor)
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Telling Whoppers
|
1926
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Richard C. Currier (Editor)
|
Thundering Fleas
|
1926
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|
Richard C. Currier (Editor)
|
Uncle Tom's Uncle
|
1926
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Richard C. Currier (Editor)
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War Feathers
|
1926
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|
Richard C. Currier (Editor)
|
Better Movies
|
1925
|
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George Stevens (Cinematographer)
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Black Cyclone
|
1925
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Richard C. Currier (Editor)
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Boys Will Be Joys
|
1925
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Stan Laurel (Director)
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Chasing the Chaser
|
1925
|
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Richard C. Currier (Editor)
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Mary, Queen of Tots
|
1925
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Richard C. Currier (Editor)
|
One Wild Ride
|
1925
|
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Stan Laurel (Director)
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Un-friendly Enemies
|
1925
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Richard C. Currier (Editor)
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Your Own Back Yard
|
1925
|
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Charley Chase (Director)
|
Courtship of Miles Sandwich
|
1923
|
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William Beaudine (Director)
|
Strictly Modern
|
1922
|
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Hal Mohr (Cinematographer)
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The Big Idea
|
1918
|
|
Raoul Walsh (Director)
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On the Jump
|
1918
|
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Harold Lloyd (Director)
|
Over the Fence
|
1917
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