|
Mace Neufeld (Producer)
|
The Final Conflict
|
1981
|
|
Richard Donner (Producer)
|
The Final Conflict
|
1981
|
|
Harry Sherman (Producer)
|
Ramrod
|
1947
|
|
André De Toth (Director)
|
Ramrod
|
1947
|
|
Edith Head (Costume Designer)
|
Ramrod
|
1947
|
|
Michael Gordon (Director)
|
Crime Doctor
|
1943
|
|
Van Nest Polglase (Art Director)
|
Little Men
|
1940
|
|
Norman Z. McLeod (Director)
|
Little Men
|
1940
|
|
Edward Stevenson (Costume Designer)
|
Swiss Family Robinson
|
1940
|
|
David Butler (Director)
|
Ali Baba Goes to Town
|
1937
|
|
Darryl F. Zanuck (Producer)
|
Ali Baba Goes to Town
|
1937
|
|
Bernard Herzbrun (Art Director)
|
Ali Baba Goes to Town
|
1937
|
|
Frank Borzage (Director)
|
History is Made at Night
|
1937
|
|
Gregg Toland (Cinematographer)
|
History is Made at Night
|
1937
|
|
Walter Wanger (Producer)
|
History is Made at Night
|
1937
|
|
Walter Wanger (Producer)
|
The Case Against Mrs. Ames
|
1936
|
|
Dorothy Spencer (Editor)
|
The Case Against Mrs. Ames
|
1936
|
|
Lucien Andriot (Cinematographer)
|
The Case Against Mrs. Ames
|
1936
|
|
William Seiter (Director)
|
The Case Against Mrs. Ames
|
1936
|
|
Raoul Walsh (Director)
|
Every Night at Eight
|
1935
|
|
Walter Wanger (Producer)
|
Every Night at Eight
|
1935
|
|
Edward N. Buzzell (Director)
|
The Girl Friend
|
1935
|
|
John Rawlins (Editor)
|
The Girl Friend
|
1935
|
|
Erle C. Kenton (Director)
|
Grand Exit
|
1935
|
|
Walter Wanger (Producer)
|
Mary Burns, Fugitive
|
1935
|
|
Leon Shamroy (Cinematographer)
|
Mary Burns, Fugitive
|
1935
|
|
William Howard (Director)
|
Mary Burns, Fugitive
|
1935
|
|
Walter Wanger (Producer)
|
Shanghai
|
1935
|
|
Tay Garnett (Director)
|
She Couldn't Take It
|
1935
|
|
Leon Shamroy (Cinematographer)
|
She Couldn't Take It
|
1935
|
|
B.P. Schulberg (Producer)
|
She Couldn't Take It
|
1935
|
|
Marshall Neilan (Director)
|
This Is the Life
|
1935
|
|
Fred Allen (Editor)
|
This Is the Life
|
1935
|
|
Alan Crosland (Director)
|
The Personality Kid
|
1934
|
|
Orry-Kelly (Costume Designer)
|
The Personality Kid
|
1934
|
|
Harry Joe Brown (Director)
|
I Love That Man
|
1933
|
|
Charles R. Rogers (Producer)
|
I Love That Man
|
1933
|
|
Charles R. Rogers (Producer)
|
Song of the Eagle
|
1933
|
|
Joseph Kane (Editor)
|
Song of the Eagle
|
1933
|
|
Ralph Murphy (Director)
|
Song of the Eagle
|
1933
|
|
Byron Haskin (Cinematographer)
|
The Glad Rag Doll
|
1929
|
|
Michael Curtiz (Director)
|
The Glad Rag Doll
|
1929
|
|
William Fox (Producer)
|
The Air Circus
|
1928
|
|
Howard Hawks (Director)
|
The Air Circus
|
1928
|
|
Lewis Seiler (Director)
|
The Air Circus
|
1928
|
|
Ray Enright (Director)
|
Domestic Troubles
|
1928
|
|
Ray Enright (Director)
|
The Girl From Chicago
|
1927
|
|
Hal Mohr (Cinematographer)
|
The Girl From Chicago
|
1927
|
|
Byron Haskin (Director)
|
Irish Hearts
|
1927
|
|
Byron Haskin (Director)
|
Matinee Ladies
|
1927
|
|
Hal Mohr (Cinematographer)
|
Slightly Used
|
1927
|
|
Archie Mayo (Director)
|
Slightly Used
|
1927
|
|
Lloyd Bacon (Director)
|
White Flannels
|
1927
|
|
Lloyd Bacon (Director)
|
Broken Hearts of Hollywood
|
1926
|
|
Michael Curtiz (Director)
|
The Third Degree
|
1926
|
|
Hal Mohr (Cinematographer)
|
The Third Degree
|
1926
|