Poster art for "Gonzo: The Life and Work of Dr. Hunter S. Thompson "

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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 91
    Entertainment Weekly | Owen Gleiberman

    The movie also captures Thompson's tragedy: the haze of drugs and bad writing that consumed him for no less than his last 30 years. Read full review

  • 90
    The Hollywood Reporter | Kirk Honeycutt

    A biographical documentary doesn't get any better than this. Read full review

  • 90
    The New York Times | A.O. Scott

    It is to Mr. Gibney's great credit that while he pays due attention to the outsize, cartoonish celebrity persona Thompson fell back on when his literary powers began to wane, this film concentrates on the bold, innovative journalism that secured Thompson's reputation and assures his immortality. Read full review

  • 88
    Chicago Sun-Times | Roger Ebert

    It leaves you wondering, how was it that so many people liked this man who does not seem to have liked himself? Read full review

  • 88
    Rolling Stone | Peter Travers

    Johnny Depp, who paid for the 2005 funeral in which Thompson's ashes were fired out of a cannon, narrates with just the right mix of awe and impertinence. Read full review

  • 88
    USA Today | Claudia Puig

    A mesmerizing look at the mythic quality and anarchic spirit of the irreverent and rabble-rousing journalist. Read full review

  • 80
    Variety | Dennis Harvey

    Subject's career being inextricably tied to two extremely entertaining U.S. decades, Gonzo has a wealth of delightful archival footage to draw on, both directly involving Thompson and evoking the cultural landscape around him. Read full review

  • 75
    San Francisco Chronicle | Mick LaSalle

    The film is thorough and entertaining. It's enthusiastic about his contributions, but it's no hagiography, and it serves as both a celebration and a cautionary tale. Read full review

  • 50
    Washington Post | Stephen Hunter

    It seems to celebrate him more for his attitude, his fashionably leftist politics, his fame and his friendships than for any meaningful accomplishment. Read full review

  • 50
    Los Angeles Times | Kenneth Turan

    Instead of pushing for tough answers to difficult questions, this film is content to mythologize Thompson's bad-boy behavior, celebrating things like his willingness to drink a bottle of bourbon a day and go hunting with a submachine gun. Read full review

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