Radio baritone Joe Morrison was being groomed for stardom by Paramount when he was top-billed in One Hour Late. Morrison is...
|
|
1935
|
|
|
1934
|
Fed up with her doctor husband's ceaseless charity work, Mary Harris (June Clyde) leaves her Midwest "tank town" in favor of...
|
Jane Martin
|
1933
|
Real-life gridiron star Jeff Cravath was the technical advisor for the fair-to-middling campus picture Making the Varsity. In...
|
Estelle Carter
|
1928
|
Based on a novel by the Baroness D'Arville, the independently produced Faithless Lover requires far too many subtitles to...
|
Mary Callender
|
1928
|
Filmed on a shoestring budget, Life's Crossroads at least affords a good acting opportunity for the underrated...
|
|
1928
|
Tenement gal Nora Denahy (Gladys Hulette) is the "Bowery Cinderella" in this standard melting-pot drama. While on a slumming...
|
Nora Denahy
|
1927
|
This entertaining Charley Chase comedy features an old star (pretty Gladys Hulette, whose career was on its downslide) and an...
|
|
1926
|
Skyrocket was a vehicle for non-actress Peggy Hopkins Joyce, a former Ziegfeld dancer who managed to get herself into the...
|
|
1926
|
Produced and directed by Harry J. Brown, this minor silent action melodrama starred former male model Reed Howes as a...
|
|
1926
|
Also known as Jack O' Hearts, this inspirational drama was based on Jack in the Pulpit, a play by Gordon Morris....
|
|
1926
|
Motion Picture News warned that this melodrama, which was sentimental to the point of "hokum," would be better appreciated in...
|
Mary Moore
|
1925
|
Gladys Hulette stars in this romance about a girl crook determined to -- as the title implies -- go straight. The gang Gilda...
|
Gilda Hart
|
1925
|
|
Lena Rivers
|
1925
|
Returning to one of his favorite themes, crooks bilking the gullible nouveau riche, Tod Browning both co-wrote (with Waldemar...
|
|
1925
|
|
|
1924
|
John Ford directed this epic-scale silent western, which was one of his first major successes and was hugely influential on...
|
|
1924
|
There certainly was nothing new about this tale of feuding rural families, but at least writer/director Perley Poore Sheehan...
|
|
1924
|
|
|
1924
|
While this isn't one of director John Ford's best early efforts, it does feature a thrilling storm and shipwreck. Gladys...
|
Nance Yeulette; Jessie Walton
|
1923
|
This epic production was the last film that producer and newspaper magnate William Randolph Hearst produced for Paramount...
|
Vittoria
|
1923
|
This melodrama was based on Rex Beach's novel The Net. Countess Margherita (Betty Blythe) is a Sicilian girl who is about to...
|
Myra Nell Drew
|
1922
|
"The eyes are the windows of the world," a title card from this silent melodrama states. Spoiled, rich Robert Frazer proposes...
|
Nadia Meredith
|
1922
|
Although she had been Fox's replacement vamp after the exit of Theda Bara, Betty Blythe chose a far less exotic character...
|
Natalie Nevins
|
1922
|
Suave Conway Tearle playing a prize fighter? At least he plays a middle weight in this colorful romantic drama, so his build...
|
|
1922
|
Lew Cody leads an excellent cast in this colorful romance. While visiting France, Prince Rudolph (Cody) falls in love with a...
|
Mayflower
|
1922
|
Richard Barthelmess stars in this classic silent melodrama as David Kinemon, the youngest son of a family living in a small...
|
Esther Hatburn
|
1921
|
When America enters WWI, wealthy wimp Robert Gibbs (Creighton Hale) has neither the desire nor the stomach to march off to...
|
|
1918
|
|
|
1918
|
Brawny Howard Mitchell doubled as director and title character in the Thanhouser production The Traffic Cop. Mitchell plays...
|
|
1916
|
In this silent tragic crime drama, an impoverished fellow becomes so desperate that he goes along with a plot to murder a...
|
|
1915
|
Jack Leigh portrays Eugene Aram, a poverty-stricken 18th-century scholar. In dire straits, Aram plans to murder a wealthy...
|
|
1914
|
The earliest surviving screen version of William Shakespeare's romantic comedy, this Vitagraph production managed to cram...
|
|
1909
|
Every bit as cool, or maybe more so, to the audiences of 1909 as The Matrix is to the modern moviegoer, Princess Nicotine;...
|
|
1909
|