|
Victor Nuñez (Cinematographer)
|
I Build the Tower: The Life and Work of Sam Rodia
|
2005
|
|
Bruno de Keyzer (Cinematographer)
|
Welcome II the Terrordome
|
1995
|
|
Garry Marshall (Director)
|
Pretty Woman
|
1990
|
|
Agnieszka Holland (Director)
|
To Kill a Priest
|
1989
|
|
Pierre Etaix (Director)
|
L'Age De Monsieur Est Avance
|
1988
|
|
Walther van den Ende (Cinematographer)
|
The Music Teacher
|
1988
|
|
Gregory Nava (Director)
|
A Time of Destiny
|
1988
|
|
Roger Vadim (Director)
|
And God Created Woman
|
1987
|
|
Dante Spinotti (Cinematographer)
|
Aria
|
1987
|
|
Don Boyd (Producer)
|
Aria
|
1987
|
|
Robert Altman (Editor)
|
Aria
|
1987
|
|
Jean-Luc Godard (Editor)
|
Aria
|
1987
|
|
Ken Russell (Director)
|
Aria
|
1987
|
|
Nicolas Roeg (Director)
|
Aria
|
1987
|
|
Derek Jarman (Director)
|
Aria
|
1987
|
|
Julien Temple (Director)
|
Aria
|
1987
|
|
Jean-Luc Godard (Director)
|
Aria
|
1987
|
|
Robert Altman (Director)
|
Aria
|
1987
|
|
Bruce Beresford (Director)
|
Aria
|
1987
|
|
Aki Kaurismäki (Producer)
|
Macbeth
|
1987
|
|
Paulo Branco (Producer)
|
Faubourg Saint-Martin
|
1986
|
|
Bruno Nuytten (Cinematographer)
|
Manon of the Spring
|
1986
|
|
Claude Berri (Director)
|
Manon of the Spring
|
1986
|
|
Yoram Globus (Producer)
|
Otello
|
1986
|
|
Menahem Golan (Producer)
|
Otello
|
1986
|
|
Ennio Guarnieri (Cinematographer)
|
Otello
|
1986
|
|
Franco Zeffirelli (Director)
|
Otello
|
1986
|
|
Renato Berta (Cinematographer)
|
Tosca's Kiss
|
1984
|
|
Gregory Nava (Director)
|
El Norte
|
1983
|
|
Andrei Tarkovsky (Director)
|
Nostalghia
|
1983
|
|
Pasqualino De Santis (Cinematographer)
|
Rigoletto (Wiener Philharmoniker)
|
1983
|
|
Franco Zeffirelli (Director)
|
La Traviata
|
1982
|
|
Ennio Guarnieri (Cinematographer)
|
La Traviata
|
1982
|
|
Vittorio Storaro (Cinematographer)
|
Luna
|
1979
|
|
Bernardo Bertolucci (Director)
|
Luna
|
1979
|
|
Bo Widerberg (Director)
|
Victoria
|
1979
|
|
Rainer Werner Fassbinder (Producer)
|
The Bitter Tears of Petra Von Kant
|
1972
|
|
Michael Ballhaus (Cinematographer)
|
The Bitter Tears of Petra Von Kant
|
1972
|
|
Rainer Werner Fassbinder (Director)
|
The Bitter Tears of Petra Von Kant
|
1972
|
|
Bernardo Bertolucci (Director)
|
La Strategia del Ragno
|
1970
|
|
Vittorio Storaro (Cinematographer)
|
La Strategia del Ragno
|
1970
|
|
Alain Robbe-Grillet (Director)
|
Trans-Europ-Express
|
1968
|
|
Glauber Rocha (Director)
|
Terra em Transe
|
1966
|
|
Giuseppe Rotunno (Cinematographer)
|
The Leopard
|
1963
|
|
Luchino Visconti (Director)
|
The Leopard
|
1963
|
|
Luchino Visconti (Director)
|
Senso
|
1954
|
|
Robert Krasker (Cinematographer)
|
Senso
|
1954
|
|
Giuseppe Rotunno (Cinematographer)
|
Senso
|
1954
|
|
Carmine Gallone (Director)
|
La Forza del Destino
|
1949
|
|
Carmine Gallone (Director)
|
Rigoletto
|
1949
|
|
Carmine Gallone (Producer)
|
Il Trovatore
|
1949
|
|
Carmine Gallone (Director)
|
Il Trovatore
|
1949
|
|
Carmine Gallone (Director)
|
La Traviata
|
1948
|
|
Doane Harrison (Editor)
|
The Lost Weekend
|
1945
|
|
Charles Brackett (Producer)
|
The Lost Weekend
|
1945
|
|
John F. Seitz (Cinematographer)
|
The Lost Weekend
|
1945
|
|
Hans Dreier (Art Director)
|
The Lost Weekend
|
1945
|
|
Edith Head (Costume Designer)
|
The Lost Weekend
|
1945
|
|
Billy Wilder (Director)
|
The Lost Weekend
|
1945
|
|
Charles G. Clarke (Cinematographer)
|
Moonlight Murder
|
1936
|
|
Cedric Gibbons (Art Director)
|
Moonlight Murder
|
1936
|
|
Michael Curtiz (Director)
|
Mammy
|
1930
|