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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Garbus spent three years patiently mining for beauty in the ugliest of environments. The remarkable result stands as a challenge to anyone who would have seen only the worst and walked right by. Read full review
Despite similar excess, Garbus's follow-up to 2002's "The Execution of Wanda Jean" provides another powerful glimpse inside the American justice system. Read full review
Documentary filmmaker Liz Garbus spent three years shooting two teenagers living in a Maryland juvenile detention center. The completed film is called Girlhood and it feels as much a work in progress as its two troubled subjects do. Read full review
Sobering yet faintly optimistic documentary. Read full review
A fine example of what a filmmaker can achieve when she takes on a great subject and lets it play out with all the respect and attention it deserves. Read full review
Garbus knows how to catch people at their most open, as they define their own types and simultaneously transcend them. Read full review
As spare as the juvenile institution in which much of it was filmed. As you watch it, you wish the film would fill in more of each girl's background. Read full review
An eye-opening sociological examination that is alternately moving and tedious. Read full review
Grim but engrossing. Read full review
The impulse to end on an "up" note, to turn complex and contradictory lives into palatable narratives, is one of the least-examined pitfalls in nonfiction filmmaking. But in her attempt to give their lives a shape that the girls themselves seem to resist, this talented filmmaker has done both herself and them a disservice. Read full review
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