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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Lee, I'm afraid, hasn't a clue. He has made half a movie, a phone-sex comedy in which the heroine has no real existence apart from the phone. Read full review
Mr. Lee isn't as successful at shaping a story around Girl 6, but enjoying her company is all his slender, sunny film really tries to do. Read full review
Spike Lee deserved a vacation after putting himself through the grueling emotions of Clockers, but Girl 6 is too flimsy to excuse even as cinematic R&R. Frenetic but lazily conceived, it's like one of those puny low-budget toss-offs Brian De Palma used to spring on us when he thought nobody was looking. [22 Mar 1996, p.4D] Read full review
Strongly told stories have a way of carrying their characters along with them. But here we have an undefined character in an aimless story. Too bad. Read full review
A wispy, fundamentally sentimental tale about a nice girl who has to support herself by working as a phone-sex siren, Spike Lee's movie takes the better part of an hour to get started. Once it does it still can't dramatize the script's one good idea. [2 Apr 1996, p.A12] Read full review
Too slight to be taken seriously and too off-putting (especially when the phone callers get hostile and the work demeaning) to be funny, Girl 6 feels like the first draft of a potentially interesting project. It just hasn't been made good on here. Read full review
Sans emotional depth or narrative drive, Lee's latest flick is little more than a profane litany punctuated by Oscar-caliber orgasms. Read full review
Girl 6 is glossy, technically proficient and a glib waste of time. Lee and his screenwriter goof around with phone-sex rhetoric ("I wanna service your juicy kielbasa''), but that gets tired quickly. Read full review
Girl 6 is such a mundane, flat comedy. Read full review
Girl 6 is shameless stuff -- pompous, sentimental and attitudinizing. To swat the Spikeman with his own symbol, the film feels like he phoned it in. Read full review
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