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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 50
    Philadelphia Inquirer | Steven Rea

    A thuddingly dull remake of the 1971 crime drama starring Michael Caine. Read full review

  • 50
    Entertainment Weekly | Owen Gleiberman

    The only fun is in watching Stallone square off against Alan Cumming and Mickey Rourke. Read full review

  • 50
    Los Angeles Times | Kevin Thomas

    It is not a terrible movie, and Stallone has appeared in far worse. It's just that, although diverting, it's too routine for its own good. Read full review

  • 38
    Boston Globe | Jay Carr

    A sodden-looking film. Read full review

  • 30
    Salon.com | Charles Taylor

    Stallone returns in a gangster remake that wears itself (and the audience) out trying to be cutting-edge stylish. Read full review

  • 25
    San Francisco Chronicle | Bob Graham

    This noir mystery is murkier than it needs to be, through no fault of Stallone's. Read full review

  • 20
    Washington Post | Desson Thomson

    If there's one piece of wisdom to be culled from this botched project, it's this: No one gets Carter. Read full review

  • 20
    Variety | Todd McCarthy

    A useless remake of Mike Hodges' 1971 British gangland cult classic. Read full review

  • 12
    New York Daily News | Elizabeth Weitzman

    The result is a throwaway story hidden beneath a messy jumble of weird camera angles, worthless editing tricks and an ill-placed, obnoxious score. Read full review

  • 10
    The New York Times | A.O. Scott

    So minimally plotted that not only does it lack subtext or context, but it also may be the world's first movie without even a text. Read full review

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