|
Herman A. Blumenthal (Art Director)
|
The Only Game in Town
|
1970
|
|
Henri Decaë (Cinematographer)
|
The Only Game in Town
|
1970
|
|
Fred Kohlmar (Producer)
|
The Only Game in Town
|
1970
|
|
Loyal Griggs (Cinematographer)
|
The Greatest Story Ever Told
|
1965
|
|
Harold Kress (Editor)
|
The Greatest Story Ever Told
|
1965
|
|
Robert Swink (Editor)
|
The Diary of Anne Frank
|
1959
|
|
George W. Davis (Art Director)
|
The Diary of Anne Frank
|
1959
|
|
Jack Cardiff (Cinematographer)
|
The Diary of Anne Frank
|
1959
|
|
Charles LeMaire (Costume Designer)
|
The Diary of Anne Frank
|
1959
|
|
Loyal Griggs (Cinematographer)
|
Shane
|
1953
|
|
Edith Head (Costume Designer)
|
Shane
|
1953
|
|
Edith Head (Costume Designer)
|
Something to Live For
|
1952
|
|
George Barnes (Cinematographer)
|
Something to Live For
|
1952
|
|
Hans Dreier (Art Director)
|
A Place in the Sun
|
1951
|
|
Edith Head (Costume Designer)
|
A Place in the Sun
|
1951
|
|
Edward Stevenson (Costume Designer)
|
I Remember Mama
|
1948
|
|
Albert S. D'Agostino (Art Director)
|
I Remember Mama
|
1948
|
|
Robert Swink (Editor)
|
I Remember Mama
|
1948
|
|
Burgess Meredith (Producer)
|
On Our Merry Way
|
1948
|
|
Benedict E. Bogeaus (Producer)
|
On Our Merry Way
|
1948
|
|
Joseph Biroc (Cinematographer)
|
On Our Merry Way
|
1948
|
|
John F. Seitz (Cinematographer)
|
On Our Merry Way
|
1948
|
|
King Vidor (Director)
|
On Our Merry Way
|
1948
|
|
Lionel Banks (Art Director)
|
The More the Merrier
|
1943
|
|
Ted Tetzlaff (Cinematographer)
|
The More the Merrier
|
1943
|
|
Lionel Banks (Art Director)
|
The Talk of the Town
|
1942
|
|
Ted Tetzlaff (Cinematographer)
|
The Talk of the Town
|
1942
|
|
Irene (Costume Designer)
|
The Talk of the Town
|
1942
|
|
Joseph L. Mankiewicz (Producer)
|
Woman of the Year
|
1942
|
|
Adrian (Costume Designer)
|
Woman of the Year
|
1942
|
|
Cedric Gibbons (Art Director)
|
Woman of the Year
|
1942
|
|
Lionel Banks (Art Director)
|
Penny Serenade
|
1941
|
|
Pandro S. Berman (Executive Producer)
|
Vigil in the Night
|
1940
|
|
Van Nest Polglase (Art Director)
|
Vigil in the Night
|
1940
|
|
Van Nest Polglase (Art Director)
|
Gunga Din
|
1939
|
|
Edward Stevenson (Costume Designer)
|
Gunga Din
|
1939
|
|
Joseph H. August (Cinematographer)
|
Gunga Din
|
1939
|
|
Pandro S. Berman (Producer)
|
Gunga Din
|
1939
|
|
Irene Sharaff (Costume Designer)
|
Vivacious Lady
|
1938
|
|
Van Nest Polglase (Art Director)
|
Vivacious Lady
|
1938
|
|
Hermes Pan (Choreography)
|
A Damsel in Distress
|
1937
|
|
Fred Astaire (Choreography)
|
A Damsel in Distress
|
1937
|
|
Van Nest Polglase (Art Director)
|
A Damsel in Distress
|
1937
|
|
Joseph H. August (Cinematographer)
|
A Damsel in Distress
|
1937
|
|
Pandro S. Berman (Producer)
|
A Damsel in Distress
|
1937
|
|
Pandro S. Berman (Producer)
|
Quality Street
|
1937
|
|
Van Nest Polglase (Art Director)
|
Quality Street
|
1937
|
|
Van Nest Polglase (Art Director)
|
Swing Time
|
1936
|
|
Hermes Pan (Choreography)
|
Swing Time
|
1936
|
|
Pandro S. Berman (Producer)
|
Swing Time
|
1936
|
|
Pandro S. Berman (Producer)
|
Alice Adams
|
1935
|
|
Van Nest Polglase (Art Director)
|
Alice Adams
|
1935
|
|
Van Nest Polglase (Art Director)
|
Annie Oakley
|
1935
|
|
Roy Hunt (Cinematographer)
|
Annie Oakley
|
1935
|
|
Pandro S. Berman (Producer)
|
Laddie
|
1935
|
|
Van Nest Polglase (Art Director)
|
The Nitwits
|
1935
|
|
Richard Boleslawski (Director)
|
Hollywood Party
|
1934
|
|
Allan Dwan (Director)
|
Hollywood Party
|
1934
|
|
Edmund Goulding (Director)
|
Hollywood Party
|
1934
|
|
Roy Rowland (Director)
|
Hollywood Party
|
1934
|
|
Sam Wood (Director)
|
Hollywood Party
|
1934
|
|
Adrian (Costume Designer)
|
Hollywood Party
|
1934
|
|
James Wong Howe (Cinematographer)
|
Hollywood Party
|
1934
|
|
Hal Roach (Producer)
|
Mama Loves Papa
|
1931
|
|
Richard C. Currier (Editor)
|
Mama Loves Papa
|
1931
|
|
Hal Roach (Producer)
|
Another Fine Mess
|
1930
|
|
Richard C. Currier (Editor)
|
Another Fine Mess
|
1930
|
|
James Parrott (Director)
|
Another Fine Mess
|
1930
|
|
James Parrott (Director)
|
Below Zero
|
1930
|
|
Richard C. Currier (Editor)
|
Below Zero
|
1930
|
|
Hal Roach (Producer)
|
Below Zero
|
1930
|
|
Hal Roach (Producer)
|
Blotto
|
1930
|
|
Richard C. Currier (Editor)
|
Blotto
|
1930
|
|
James Parrott (Director)
|
Blotto
|
1930
|
|
James Parrott (Director)
|
Brats
|
1930
|
|
Richard C. Currier (Editor)
|
Brats
|
1930
|
|
Hal Roach (Producer)
|
Brats
|
1930
|
|
Hal Roach (Producer)
|
Hog Wild
|
1930
|
|
Richard C. Currier (Editor)
|
Hog Wild
|
1930
|
|
James Parrott (Director)
|
Hog Wild
|
1930
|
|
James Parrott (Director)
|
The Laurel-Hardy Murder Case
|
1930
|
|
Richard C. Currier (Editor)
|
The Laurel-Hardy Murder Case
|
1930
|
|
Hal Roach (Producer)
|
The Laurel-Hardy Murder Case
|
1930
|
|
Hal Roach (Producer)
|
Night Owls
|
1930
|
|
Richard C. Currier (Editor)
|
Night Owls
|
1930
|
|
James Parrott (Director)
|
Night Owls
|
1930
|
|
Richard C. Currier (Editor)
|
Angora Love
|
1929
|
|
Hal Roach (Producer)
|
Angora Love
|
1929
|
|
Hal Roach (Producer)
|
Big Business
|
1929
|
|
Richard C. Currier (Editor)
|
Big Business
|
1929
|
|
James W. Horne (Director)
|
Big Business
|
1929
|
|
Leo McCarey (Director)
|
Big Business
|
1929
|
|
Richard C. Currier (Editor)
|
Double Whoopee
|
1929
|
|
Hal Roach (Producer)
|
Double Whoopee
|
1929
|
|
Hal Roach (Producer)
|
The Hoosegow
|
1929
|
|
Richard C. Currier (Editor)
|
The Hoosegow
|
1929
|
|
James Parrott (Director)
|
The Hoosegow
|
1929
|
|
Richard C. Currier (Editor)
|
Men O' War
|
1929
|
|
Hal Roach (Producer)
|
Men O' War
|
1929
|
|
Hal Roach (Producer)
|
That's My Wife
|
1929
|
|
Richard C. Currier (Editor)
|
That's My Wife
|
1929
|
|
James Parrott (Director)
|
They Go Boom
|
1929
|
|
Richard C. Currier (Editor)
|
They Go Boom
|
1929
|
|
Hal Roach (Producer)
|
They Go Boom
|
1929
|
|
Hal Roach (Producer)
|
Unaccustomed as We Are
|
1929
|
|
Richard C. Currier (Editor)
|
Unaccustomed as We Are
|
1929
|
|
Hal Roach (Director)
|
Unaccustomed as We Are
|
1929
|
|
Leo McCarey (Director)
|
Wrong Again
|
1929
|
|
Richard C. Currier (Editor)
|
Wrong Again
|
1929
|
|
Hal Roach (Producer)
|
Wrong Again
|
1929
|
|
Hal Roach (Producer)
|
Their Purple Moment
|
1928
|
|
Richard C. Currier (Editor)
|
Their Purple Moment
|
1928
|
|
James Parrott (Director)
|
Their Purple Moment
|
1928
|
|
James Parrott (Director)
|
Two Tars
|
1928
|
|
Richard C. Currier (Editor)
|
Two Tars
|
1928
|
|
Hal Roach (Producer)
|
Two Tars
|
1928
|
|
Clyde Bruckman (Director)
|
The Battle of the Century
|
1927
|
|
Hal Roach (Producer)
|
The Battle of the Century
|
1927
|
|
Richard C. Currier (Editor)
|
The Desert's Toll
|
1926
|
|
Hal Roach (Producer)
|
The Devil Horse
|
1926
|
|
Richard C. Currier (Editor)
|
Slipping Wives
|
1926
|
|
Hal Roach (Producer)
|
Slipping Wives
|
1926
|
|
Hal Roach (Producer)
|
Black Cyclone
|
1925
|