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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
A period chamber drama drawn from a Joseph Conrad short story and of such intensity and passion that it transcends a specificity of time and place to achieve timelessness and universality. Read full review
Together with his extraordinary performers, Mr. Chreau breathes life into characters who long ago set a course for death. Read full review
A haunting and riveting work, unlike anything else you can see at the movies and as such an explicit challenge to the unambitious, anesthetic character of most contemporary cinema. But is it easy, or delightful, or fun? It is not. Read full review
Greggory anchors Gabrielle in manly bewilderment and rage, while Huppert claws the title character's way to self-awareness. Read full review
Huppert and Greggory provide the emotional impact. They respond accordingly, imbuing their mutual suffering with an exacting and moving finesse. Read full review
The film's impact has a lot to do with Fabio Vacchi's original score, which is both plaintive and coldly modernist, with echoes of Charles Ives. Read full review
Gabrielle inspires mixed feelings; it is dialogue heavy but a treat for the eye. Read full review
Though it won't appeal to everyone, the concoction actually works, thanks to Huppert and Greggory's powerful negative chemistry. Read full review
Chereau keeps us locked inside their suffocatingly unhappy home, making for an intensely theatrical chamber piece. Read full review
The catch in Gabrielle is that the audience pays as well. Read full review