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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Viewers need only a willingness to have fun and not mind when they realize the movie was never intended to be profound. Full Frontal is merely human, funny and unusual -- and that's enough. Read full review
These characters are interesting for their flaws and wounds, but the movie doesn't delve deeply into the sources of their pain. See this movie for its humor and talented cast and you won't be disappointed. Read full review
It's all part of the joke. Soderbergh may have created a bit of a mess with Full Frontal, but it's a playful and scrappy mess. Read full review
Even by Soderbergh's standards of serious playfulness/playful seriousness, Full Frontal is a tricky novelty item: The director himself has variously described it as an ''experiment,'' an ''exercise,'' and a ''sketch.'' Read full review
No matter how much fun it is to watch -- and for hard-core movie fans, it is often enormous fun -- there's a certain relief when it stops and we're popped back out to our banal, one-track lives. Read full review
When a set of pre-shooting guidelines a director came up with for his actors turns out to be cleverer, better written and of considerable more interest than the finished film, that's a bad sign. A very bad sign. Read full review
A film so amateurish that only the professionalism of some of the actors makes it watchable. Read full review
Arid, self-consciously arty and emotionally uninvolving. Read full review
The aesthetic of Full Frontal is as rough and grainy as the off-the-rack digital video in which much of it was shot. Read full review
The only way a self-absorbed treatise like this can get any kind of audience (not to mention distribution) is to cast famous people in it. Read full review