• Released
  • April 7, 2006
  • R , 1 hr 28 min
  • Comedy
  • 157 Fan Ratings

Rolling Stone

By Peter Travers
Smart, witty and alert to the buried resentments that poke through the shiny surface of affluence, Holofcener's film recognizes that money is the new sex.
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Philadelphia Inquirer

By Steven Rea
Holofcener writes with an ear for the rhythms and ridiculousness of real life, and her cast - to a man, and woman - embraces her words with subtlety and certitude. Friends With Money is gimmickless, and great.
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Chicago Tribune

By Allison Benedikt
Acutely perceptive and slyly quick-witted.
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The Hollywood Reporter

By Kirk Honeycutt
A pitch-perfect ensemble comedy that burrows deep into the mind-set of white, upper middle-class Angelenos, anxious to strike the right balance among career, family, love life and money but never quite pulling it off.
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Boston Globe

By Wesley Morris
Holofcener writes as well as Albert Brooks at his best, and her finesse with actors is as assured as James L. Brooks's on his TV and film projects from 20 and 30 years ago.
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Entertainment Weekly

By Lisa Schwarzbaum
There is also a manufactured symmetry, an every-gal's-got-issues roundness, an HBO sitcomitude to the movie that undercuts its own observational intelligence.
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New York Daily News

By Jami Bernard
The four ladies of Friends With Money are people I wouldn't want to ride the bus with (not that some of them would be caught dead on public transportation). They're whiners with little self-knowledge. Perhaps that's what holds them together, but it's not pretty.
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Wall Street Journal

By Joe Morgenstern
Anger is the rocket fuel of drama. Of the four women in Nicole Holofcener's Friends With Money, only Frances McDormand's Jane is flamingly angry, and she's the most vivid character in the group.
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San Francisco Chronicle

By Mick LaSalle
Qualifies as a mild success. It's an easy picture to like, even if it's not exactly satisfying.
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USA Today

By Claudia Puig
The film is likable, with some funny moments and recognizable human conflicts. But the origin of the women's friendship is not explained, and the nature of Olivia's problems is not examined or taken very seriously, making her seem inexplicably lost and shallow.
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68 out of 100
Generally favorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.