|
Don Weis (Director)
|
The Longest Hundred Miles
|
1967
|
|
Mark Robson (Director)
|
The Lost Command
|
1966
|
|
Robert Surtees (Cinematographer)
|
The Lost Command
|
1966
|
|
Dorothy Spencer (Editor)
|
The Lost Command
|
1966
|
|
Mark Robson (Producer)
|
The Lost Command
|
1966
|
|
Martin Ritt (Director)
|
Adventures of a Young Man
|
1962
|
|
Jerry Wald (Producer)
|
Adventures of a Young Man
|
1962
|
|
Jack Martin Smith (Art Director)
|
Adventures of a Young Man
|
1962
|
|
Edith Head (Costume Designer)
|
My Geisha
|
1962
|
|
Jack Cardiff (Director)
|
My Geisha
|
1962
|
|
J. Lee Thompson (Director)
|
Taras Bulba
|
1962
|
|
Harold Hecht (Producer)
|
Taras Bulba
|
1962
|
|
José Ferrer (Director)
|
Return to Peyton Place
|
1961
|
|
Jerry Wald (Producer)
|
Return to Peyton Place
|
1961
|
|
Jack Martin Smith (Art Director)
|
Return to Peyton Place
|
1961
|
|
Charles G. Clarke (Cinematographer)
|
Return to Peyton Place
|
1961
|
|
Anthony Mann (Director)
|
Cimarron
|
1960
|
|
Robert Surtees (Cinematographer)
|
Cimarron
|
1960
|
|
George W. Davis (Art Director)
|
Cimarron
|
1960
|
|
Henry Koster (Director)
|
The Story of Ruth
|
1960
|
|
Arthur E. Arling (Cinematographer)
|
The Story of Ruth
|
1960
|
|
Dore Schary (Producer)
|
Sunrise at Campobello
|
1960
|
|
Jerry Wald (Producer)
|
Beloved Infidel
|
1959
|
|
Leon Shamroy (Cinematographer)
|
Beloved Infidel
|
1959
|
|
Henry King (Director)
|
Beloved Infidel
|
1959
|
|
Edith Head (Costume Designer)
|
Career
|
1959
|
|
Hal B. Wallis (Producer)
|
Career
|
1959
|
|
Warren Low (Editor)
|
Career
|
1959
|
|
Karl Tunberg (Producer)
|
Count Your Blessings
|
1959
|
|
Harold Kress (Editor)
|
Count Your Blessings
|
1959
|
|
Jean Negulesco (Director)
|
Count Your Blessings
|
1959
|
|
Fred Zinnemann (Director)
|
The Nun's Story
|
1959
|
|
Alexandre Trauner (Art Director)
|
The Nun's Story
|
1959
|
|
Henry Blanke (Producer)
|
The Nun's Story
|
1959
|
|
Mitchell Leisen (Director)
|
The Twilight Zone: The Sixteen-Millimeter Shrine
|
1959
|
|
Joseph Biroc (Cinematographer)
|
Home Before Dark
|
1958
|
|
Mervyn LeRoy (Producer)
|
Home Before Dark
|
1958
|
|
Mervyn LeRoy (Director)
|
Home Before Dark
|
1958
|
|
Robert Wise (Director)
|
Run Silent, Run Deep
|
1958
|
|
Harold Hecht (Producer)
|
Run Silent, Run Deep
|
1958
|
|
Billy Wilder (Director)
|
Love in the Afternoon
|
1957
|
|
Billy Wilder (Producer)
|
Love in the Afternoon
|
1957
|
|
Mark Robson (Director)
|
Peyton Place
|
1957
|
|
Jerry Wald (Producer)
|
Peyton Place
|
1957
|
|
Jack Martin Smith (Art Director)
|
Peyton Place
|
1957
|
|
Charles LeMaire (Costume Designer)
|
Peyton Place
|
1957
|
|
LeRoy J. Prinz (Choreography)
|
Sayonara
|
1957
|
|
Joshua Logan (Director)
|
Sayonara
|
1957
|
|
Billy Wilder (Director)
|
The Spirit of St. Louis
|
1957
|
|
Robert Burks (Cinematographer)
|
The Spirit of St. Louis
|
1957
|
|
John Farrow (Director)
|
Back from Eternity
|
1956
|
|
Albert S. D'Agostino (Art Director)
|
Back from Eternity
|
1956
|
|
John Farrow (Producer)
|
Back from Eternity
|
1956
|
|
Don Siegel (Director)
|
Crime in the Streets
|
1956
|
|
Rudolph Maté (Director)
|
Miracle in the Rain
|
1956
|
|
Milo Anderson (Costume Designer)
|
Miracle in the Rain
|
1956
|
|
Russell Metty (Cinematographer)
|
Miracle in the Rain
|
1956
|
|
Kirk Douglas (Producer)
|
The Indian Fighter
|
1955
|
|
André De Toth (Director)
|
The Indian Fighter
|
1955
|
|
John Ford (Director)
|
Mister Roberts
|
1955
|
|
Mervyn LeRoy (Director)
|
Mister Roberts
|
1955
|
|
Renie (Costume Designer)
|
Untamed
|
1955
|
|
Henry King (Director)
|
Untamed
|
1955
|
|
Charles G. Clarke (Cinematographer)
|
The Virgin Queen
|
1955
|
|
Henry Koster (Director)
|
The Virgin Queen
|
1955
|
|
Charles LeMaire (Costume Designer)
|
The Virgin Queen
|
1955
|
|
Charles Brackett (Producer)
|
The Virgin Queen
|
1955
|
|
Delmer Daves (Director)
|
Demetrius and the Gladiators
|
1954
|
|
Dorothy Spencer (Editor)
|
Demetrius and the Gladiators
|
1954
|
|
George W. Davis (Art Director)
|
Demetrius and the Gladiators
|
1954
|
|
Charles LeMaire (Costume Designer)
|
Demetrius and the Gladiators
|
1954
|
|
Edith Head (Costume Designer)
|
Elephant Walk
|
1954
|
|
Loyal Griggs (Cinematographer)
|
Elephant Walk
|
1954
|
|
George Tomasini (Editor)
|
Elephant Walk
|
1954
|
|
William Dieterle (Director)
|
Elephant Walk
|
1954
|
|
Irving Asher (Producer)
|
Elephant Walk
|
1954
|
|
Henry Hathaway (Director)
|
Prince Valiant
|
1954
|
|
Lucien Ballard (Cinematographer)
|
Prince Valiant
|
1954
|
|
Charles LeMaire (Costume Designer)
|
Prince Valiant
|
1954
|
|
Edith Head (Costume Designer)
|
Rear Window
|
1954
|
|
Robert Burks (Cinematographer)
|
Rear Window
|
1954
|
|
George Tomasini (Editor)
|
Rear Window
|
1954
|
|
Alfred Hitchcock (Director)
|
Rear Window
|
1954
|
|
Alfred Hitchcock (Producer)
|
Rear Window
|
1954
|
|
Stuart Heisler (Director)
|
This is My Love
|
1954
|
|
John Farrow (Director)
|
Botany Bay
|
1953
|
|
John F. Seitz (Cinematographer)
|
Botany Bay
|
1953
|
|
Raoul Walsh (Director)
|
A Lion Is in the Streets
|
1953
|
|
Harry Stradling (Cinematographer)
|
A Lion Is in the Streets
|
1953
|
|
William Cagney (Producer)
|
A Lion Is in the Streets
|
1953
|
|
Elia Kazan (Director)
|
Man on a Tightrope
|
1953
|
|
Dorothy Spencer (Editor)
|
Man on a Tightrope
|
1953
|
|
Billy Wilder (Producer)
|
Stalag 17
|
1953
|
|
George Tomasini (Editor)
|
Stalag 17
|
1953
|
|
Doane Harrison (Editor)
|
Stalag 17
|
1953
|
|
Billy Wilder (Director)
|
Stalag 17
|
1953
|
|
James Wong Howe (Cinematographer)
|
Come Back, Little Sheba
|
1952
|
|
Daniel Mann (Director)
|
Come Back, Little Sheba
|
1952
|
|
Warren Low (Editor)
|
Come Back, Little Sheba
|
1952
|
|
Hal B. Wallis (Producer)
|
Come Back, Little Sheba
|
1952
|
|
Jean Negulesco (Director)
|
Lure of the Wilderness
|
1952
|
|
Henry Koster (Director)
|
My Cousin Rachel
|
1952
|
|
Charles LeMaire (Costume Designer)
|
My Cousin Rachel
|
1952
|
|
Nunnally Johnson (Producer)
|
My Cousin Rachel
|
1952
|
|
Nunnally Johnson (Producer)
|
Phone Call from a Stranger
|
1952
|
|
Jean Negulesco (Director)
|
Phone Call from a Stranger
|
1952
|
|
Edward Stevenson (Costume Designer)
|
Anne of the Indies
|
1951
|
|
Jacques Tourneur (Director)
|
Anne of the Indies
|
1951
|
|
George Jessel (Producer)
|
Anne of the Indies
|
1951
|
|
Jerry Wald (Producer)
|
The Blue Veil
|
1951
|
|
Norman Krasna (Producer)
|
The Blue Veil
|
1951
|
|
Anatole Litvak (Producer)
|
Decision Before Dawn
|
1951
|
|
Anatole Litvak (Director)
|
Decision Before Dawn
|
1951
|
|
Dorothy Spencer (Editor)
|
Decision Before Dawn
|
1951
|
|
James Wong Howe (Cinematographer)
|
He Ran All the Way
|
1951
|
|
John Berry (Director)
|
He Ran All the Way
|
1951
|
|
George Stevens (Producer)
|
A Place in the Sun
|
1951
|
|
George Stevens (Director)
|
A Place in the Sun
|
1951
|
|
Hans Dreier (Art Director)
|
A Place in the Sun
|
1951
|
|
Edith Head (Costume Designer)
|
A Place in the Sun
|
1951
|
|
Hal B. Wallis (Producer)
|
Red Mountain
|
1951
|
|
William Dieterle (Director)
|
Red Mountain
|
1951
|
|
Warren Low (Editor)
|
Red Mountain
|
1951
|
|
Hans Dreier (Art Director)
|
Dark City
|
1950
|
|
William Dieterle (Director)
|
Dark City
|
1950
|
|
Edith Head (Costume Designer)
|
Dark City
|
1950
|
|
Hal B. Wallis (Producer)
|
Dark City
|
1950
|
|
Warren Low (Editor)
|
Dark City
|
1950
|
|
Anthony Mann (Director)
|
The Furies
|
1950
|
|
Hal B. Wallis (Producer)
|
The Furies
|
1950
|
|
Edith Head (Costume Designer)
|
The Furies
|
1950
|
|
Jules Dassin (Director)
|
Night and the City
|
1950
|
|
William Cagney (Producer)
|
Only the Valiant
|
1950
|
|
Lionel Lindon (Cinematographer)
|
Only the Valiant
|
1950
|
|
Gordon M. Douglas (Director)
|
Only the Valiant
|
1950
|
|
Billy Wilder (Director)
|
Sunset Boulevard
|
1950
|
|
Edith Head (Costume Designer)
|
Sunset Boulevard
|
1950
|
|
Charles Brackett (Producer)
|
Sunset Boulevard
|
1950
|
|
Hans Dreier (Art Director)
|
Sunset Boulevard
|
1950
|
|
John F. Seitz (Cinematographer)
|
Sunset Boulevard
|
1950
|
|
Doane Harrison (Editor)
|
Sunset Boulevard
|
1950
|
|
John Farrow (Producer)
|
Contact Man
|
1949
|
|
John Farrow (Director)
|
Contact Man
|
1949
|
|
Hans Dreier (Art Director)
|
Contact Man
|
1949
|
|
Lionel Lindon (Cinematographer)
|
Contact Man
|
1949
|
|
Hal Mohr (Cinematographer)
|
Johnny Holiday
|
1949
|
|
Don Siegel (Director)
|
Night Unto Night
|
1949
|
|
Hans Dreier (Art Director)
|
Rope of Sand
|
1949
|
|
Edith Head (Costume Designer)
|
Rope of Sand
|
1949
|
|
William Dieterle (Director)
|
Rope of Sand
|
1949
|
|
Warren Low (Editor)
|
Rope of Sand
|
1949
|
|
Hal B. Wallis (Producer)
|
Rope of Sand
|
1949
|
|
Jerry Wald (Producer)
|
Task Force
|
1949
|
|
Delmer Daves (Director)
|
Task Force
|
1949
|
|
Alan Crosland, Jr. (Editor)
|
Task Force
|
1949
|
|
Robert Burks (Cinematographer)
|
Task Force
|
1949
|
|
George Barnes (Cinematographer)
|
No Minor Vices
|
1948
|
|
Lewis Milestone (Director)
|
No Minor Vices
|
1948
|
|
Robert Parrish (Editor)
|
No Minor Vices
|
1948
|
|
Lewis Milestone (Producer)
|
No Minor Vices
|
1948
|
|
Hal B. Wallis (Producer)
|
Sorry, Wrong Number
|
1948
|
|
Anatole Litvak (Producer)
|
Sorry, Wrong Number
|
1948
|
|
Warren Low (Editor)
|
Sorry, Wrong Number
|
1948
|
|
Anatole Litvak (Director)
|
Sorry, Wrong Number
|
1948
|
|
Edith Head (Costume Designer)
|
Sorry, Wrong Number
|
1948
|
|
Sol Polito (Cinematographer)
|
Sorry, Wrong Number
|
1948
|
|
Hans Dreier (Art Director)
|
Sorry, Wrong Number
|
1948
|
|
Milo Anderson (Costume Designer)
|
Whiplash
|
1948
|
|
Lewis Seiler (Director)
|
Whiplash
|
1948
|
|
Henry Blanke (Producer)
|
Cry Wolf
|
1947
|
|
Edith Head (Costume Designer)
|
Cry Wolf
|
1947
|
|
Delmer Daves (Director)
|
Dark Passage
|
1947
|
|
Jack L. Warner (Executive Producer)
|
Dark Passage
|
1947
|
|
Jerry Wald (Producer)
|
Dark Passage
|
1947
|
|
Jack L. Warner (Executive Producer)
|
Nora Prentiss
|
1947
|
|
Vincent Sherman (Director)
|
Nora Prentiss
|
1947
|
|
James Wong Howe (Cinematographer)
|
Nora Prentiss
|
1947
|
|
Anton Grot (Art Director)
|
Nora Prentiss
|
1947
|
|
David O. Selznick (Producer)
|
The Paradine Case
|
1947
|
|
Alfred Hitchcock (Director)
|
The Paradine Case
|
1947
|
|
Travis Banton (Costume Designer)
|
The Paradine Case
|
1947
|
|
Anton Grot (Art Director)
|
Possessed
|
1947
|
|
Adrian (Costume Designer)
|
Possessed
|
1947
|
|
Jerry Wald (Producer)
|
Possessed
|
1947
|
|
Jack L. Warner (Executive Producer)
|
Possessed
|
1947
|
|
Karl W. Freund (Cinematographer)
|
That Hagen Girl
|
1947
|
|
Alex Gottlieb (Producer)
|
That Hagen Girl
|
1947
|
|
Mark Hellinger (Producer)
|
The Two Mrs. Carrolls
|
1947
|
|
Edith Head (Costume Designer)
|
The Two Mrs. Carrolls
|
1947
|
|
Milo Anderson (Costume Designer)
|
The Two Mrs. Carrolls
|
1947
|
|
Anton Grot (Art Director)
|
The Two Mrs. Carrolls
|
1947
|
|
Anton Grot (Art Director)
|
The Unsuspected
|
1947
|
|
Milo Anderson (Costume Designer)
|
The Unsuspected
|
1947
|
|
Michael Curtiz (Director)
|
The Unsuspected
|
1947
|
|
Michael Curtiz (Producer)
|
The Unsuspected
|
1947
|
|
Frederick de Cordova (Director)
|
Her Kind of Man
|
1946
|
|
Alex Gottlieb (Producer)
|
Her Kind of Man
|
1946
|
|
Ernest Haller (Cinematographer)
|
Humoresque
|
1946
|
|
Adrian (Costume Designer)
|
Humoresque
|
1946
|
|
Jean Negulesco (Director)
|
Humoresque
|
1946
|
|
Jerry Wald (Producer)
|
Humoresque
|
1946
|
|
Robert Buckner (Producer)
|
Confidential Agent
|
1945
|
|
James Wong Howe (Cinematographer)
|
Confidential Agent
|
1945
|
|
Robert Florey (Director)
|
God Is My Co-Pilot
|
1945
|
|
Robert Buckner (Producer)
|
God Is My Co-Pilot
|
1945
|
|
Mark Hellinger (Producer)
|
The Horn Blows at Midnight
|
1945
|
|
Raoul Walsh (Director)
|
The Horn Blows at Midnight
|
1945
|
|
Milo Anderson (Costume Designer)
|
The Horn Blows at Midnight
|
1945
|
|
Jerry Wald (Producer)
|
Objective, Burma!
|
1945
|
|
James Wong Howe (Cinematographer)
|
Objective, Burma!
|
1945
|
|
Raoul Walsh (Director)
|
Objective, Burma!
|
1945
|
|
Jack L. Warner (Executive Producer)
|
Objective, Burma!
|
1945
|
|
Milo Anderson (Costume Designer)
|
Pride of the Marines
|
1945
|
|
Delmer Daves (Director)
|
Pride of the Marines
|
1945
|
|
Jerry Wald (Producer)
|
Pride of the Marines
|
1945
|
|
Vincent Sherman (Director)
|
In Our Time
|
1944
|
|
Jerry Wald (Producer)
|
In Our Time
|
1944
|
|
Milo Anderson (Costume Designer)
|
In Our Time
|
1944
|
|
Robert M. Haas (Art Director)
|
Janie
|
1944
|
|
Alex Gottlieb (Producer)
|
Janie
|
1944
|
|
Michael Curtiz (Director)
|
Janie
|
1944
|
|
Julius J. Epstein (Producer)
|
Mr. Skeffington
|
1944
|
|
Philip G. Epstein (Producer)
|
Mr. Skeffington
|
1944
|
|
Jack L. Warner (Executive Producer)
|
Mr. Skeffington
|
1944
|
|
Ralph Dawson (Editor)
|
Mr. Skeffington
|
1944
|
|
Vincent Sherman (Director)
|
Mr. Skeffington
|
1944
|
|
Orry-Kelly (Costume Designer)
|
Mr. Skeffington
|
1944
|
|
Ernest Haller (Cinematographer)
|
Mr. Skeffington
|
1944
|
|
Milo Anderson (Costume Designer)
|
To Have and Have Not
|
1944
|
|
Howard Hawks (Director)
|
To Have and Have Not
|
1944
|
|
Howard Hawks (Producer)
|
To Have and Have Not
|
1944
|
|
Delmer Daves (Director)
|
The Very Thought of You
|
1944
|
|
Alan Crosland, Jr. (Editor)
|
The Very Thought of You
|
1944
|
|
Jerry Wald (Producer)
|
The Very Thought of You
|
1944
|
|
Milo Anderson (Costume Designer)
|
The Very Thought of You
|
1944
|
|
James Wong Howe (Cinematographer)
|
Air Force
|
1943
|
|
Howard Hawks (Director)
|
Air Force
|
1943
|
|
Hal B. Wallis (Producer)
|
Air Force
|
1943
|
|
Delmer Daves (Director)
|
Destination Tokyo
|
1943
|
|
Jerry Wald (Producer)
|
Destination Tokyo
|
1943
|
|
Robert M. Haas (Art Director)
|
Edge of Darkness
|
1943
|
|
Julia Heron (Art Director)
|
Edge of Darkness
|
1943
|
|
Henry Blanke (Producer)
|
Edge of Darkness
|
1943
|
|
Lewis Milestone (Director)
|
Edge of Darkness
|
1943
|
|
Jack L. Warner (Executive Producer)
|
Old Acquaintance
|
1943
|
|
Henry Blanke (Producer)
|
Old Acquaintance
|
1943
|
|
Sol Polito (Cinematographer)
|
Old Acquaintance
|
1943
|
|
Orry-Kelly (Costume Designer)
|
Old Acquaintance
|
1943
|
|
Vincent Sherman (Director)
|
Old Acquaintance
|
1943
|
|
Cedric Gibbons (Art Director)
|
Her Cardboard Lover
|
1942
|
|
Harry Stradling (Cinematographer)
|
Her Cardboard Lover
|
1942
|
|
George Cukor (Director)
|
Her Cardboard Lover
|
1942
|
|
W.S. Van Dyke (Director)
|
Journey for Margaret
|
1942
|
|
Cedric Gibbons (Art Director)
|
Journey for Margaret
|
1942
|
|
Cedric Gibbons (Art Director)
|
Reunion in France
|
1942
|
|
Irene (Costume Designer)
|
Reunion in France
|
1942
|
|
Joseph L. Mankiewicz (Producer)
|
Reunion in France
|
1942
|
|
Jules Dassin (Director)
|
Reunion in France
|
1942
|
|
Joe Pasternak (Producer)
|
Seven Sweethearts
|
1942
|
|
Frank Borzage (Director)
|
Seven Sweethearts
|
1942
|
|
Cedric Gibbons (Art Director)
|
Seven Sweethearts
|
1942
|
|
Cedric Gibbons (Art Director)
|
Tortilla Flat
|
1942
|
|
Karl W. Freund (Cinematographer)
|
Tortilla Flat
|
1942
|
|
Victor Fleming (Director)
|
Tortilla Flat
|
1942
|
|
Sam Zimbalist (Producer)
|
Tortilla Flat
|
1942
|
|
Joseph L. Mankiewicz (Producer)
|
Woman of the Year
|
1942
|
|
George Stevens (Director)
|
Woman of the Year
|
1942
|
|
Adrian (Costume Designer)
|
Woman of the Year
|
1942
|
|
Cedric Gibbons (Art Director)
|
Woman of the Year
|
1942
|
|
Richard Thorpe (Director)
|
The Bad Man
|
1941
|
|
Clyde de Vinna (Cinematographer)
|
The Bad Man
|
1941
|
|
Norman Taurog (Director)
|
Design for Scandal
|
1941
|
|
Cedric Gibbons (Art Director)
|
Design for Scandal
|
1941
|
|
William H. Daniels (Cinematographer)
|
Design for Scandal
|
1941
|
|
Charles Lamont (Director)
|
Don't Get Personal
|
1941
|
|
Harold Kress (Editor)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
Victor Fleming (Director)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
Adrian (Costume Designer)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
Victor Fleming (Producer)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
Cedric Gibbons (Art Director)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
Adrian (Costume Designer)
|
The Feminine Touch
|
1941
|
|
Cedric Gibbons (Art Director)
|
The Feminine Touch
|
1941
|
|
W.S. Van Dyke (Director)
|
The Feminine Touch
|
1941
|
|
Joseph L. Mankiewicz (Producer)
|
The Feminine Touch
|
1941
|
|
Cedric Gibbons (Art Director)
|
Honky Tonk
|
1941
|
|
Pandro S. Berman (Producer)
|
Honky Tonk
|
1941
|
|
Jack Conway (Director)
|
Honky Tonk
|
1941
|
|
Harold Hal Rosson (Cinematographer)
|
Honky Tonk
|
1941
|
|
Cedric Gibbons (Art Director)
|
Kathleen
|
1941
|
|
Alfred Hitchcock (Producer)
|
Suspicion
|
1941
|
|
Van Nest Polglase (Art Director)
|
Suspicion
|
1941
|
|
Edward Stevenson (Costume Designer)
|
Suspicion
|
1941
|
|
Alfred Hitchcock (Director)
|
Suspicion
|
1941
|
|
Harry Stradling (Cinematographer)
|
Suspicion
|
1941
|
|
Gregory La Cava (Director)
|
Unfinished Business
|
1941
|
|
Russell Schoengarth (Editor)
|
Unfinished Business
|
1941
|
|
Gregory La Cava (Producer)
|
Unfinished Business
|
1941
|
|
Paul Landres (Editor)
|
Boom Town
|
1940
|
|
Sam Zimbalist (Producer)
|
Boom Town
|
1940
|
|
Jack Conway (Director)
|
Boom Town
|
1940
|
|
Adrian (Costume Designer)
|
Boom Town
|
1940
|
|
Cedric Gibbons (Art Director)
|
Boom Town
|
1940
|
|
Harold Hal Rosson (Cinematographer)
|
Boom Town
|
1940
|
|
Cedric Gibbons (Art Director)
|
Escape
|
1940
|
|
Adrian (Costume Designer)
|
Escape
|
1940
|
|
Mervyn LeRoy (Director)
|
Escape
|
1940
|
|
Mervyn LeRoy (Producer)
|
Escape
|
1940
|
|
Frank Borzage (Director)
|
Flight Command
|
1940
|
|
Harold Hal Rosson (Cinematographer)
|
Flight Command
|
1940
|
|
Cedric Gibbons (Art Director)
|
Flight Command
|
1940
|
|
Cedric Gibbons (Art Director)
|
Florian
|
1940
|
|
Karl W. Freund (Cinematographer)
|
Florian
|
1940
|
|
W.S. Van Dyke (Director)
|
I Love You Again
|
1940
|
|
Oliver Marsh (Cinematographer)
|
I Love You Again
|
1940
|
|
Cedric Gibbons (Art Director)
|
I Love You Again
|
1940
|
|
Cedric Gibbons (Art Director)
|
The Philadelphia Story
|
1940
|
|
Adrian (Costume Designer)
|
The Philadelphia Story
|
1940
|
|
George Cukor (Director)
|
The Philadelphia Story
|
1940
|
|
Joseph L. Mankiewicz (Producer)
|
The Philadelphia Story
|
1940
|
|
David O. Selznick (Producer)
|
Rebecca
|
1940
|
|
George Barnes (Cinematographer)
|
Rebecca
|
1940
|
|
Alfred Hitchcock (Director)
|
Rebecca
|
1940
|
|
Cedric Gibbons (Art Director)
|
Sporting Blood
|
1940
|
|
Joseph L. Mankiewicz (Producer)
|
Strange Cargo
|
1940
|
|
Frank Borzage (Director)
|
Strange Cargo
|
1940
|
|
Cedric Gibbons (Art Director)
|
Strange Cargo
|
1940
|
|
Joseph L. Mankiewicz (Producer)
|
The Adventures of Huckleberry Finn
|
1939
|
|
John F. Seitz (Cinematographer)
|
The Adventures of Huckleberry Finn
|
1939
|
|
Richard Thorpe (Director)
|
The Adventures of Huckleberry Finn
|
1939
|
|
Mervyn LeRoy (Producer)
|
At the Circus
|
1939
|
|
Cedric Gibbons (Art Director)
|
At the Circus
|
1939
|
|
Edward N. Buzzell (Director)
|
At the Circus
|
1939
|
|
Edward N. Buzzell (Director)
|
Honolulu
|
1939
|
|
Jack Cummings (Producer)
|
Honolulu
|
1939
|
|
Adrian (Costume Designer)
|
The Ice Follies of 1939
|
1939
|
|
Cedric Gibbons (Art Director)
|
The Ice Follies of 1939
|
1939
|
|
Oliver Marsh (Cinematographer)
|
The Ice Follies of 1939
|
1939
|
|
Adrian (Costume Designer)
|
Lady of the Tropics
|
1939
|
|
Jack Conway (Director)
|
Lady of the Tropics
|
1939
|
|
Cedric Gibbons (Art Director)
|
Lady of the Tropics
|
1939
|
|
Sam Zimbalist (Producer)
|
Lady of the Tropics
|
1939
|
|
Norbert F. Brodin (Cinematographer)
|
Lady of the Tropics
|
1939
|
|
Norman Taurog (Director)
|
Lucky Night
|
1939
|
|
Cedric Gibbons (Art Director)
|
On Borrowed Time
|
1939
|
|
Cedric Gibbons (Art Director)
|
Arsene Lupin Returns
|
1938
|
|
Joseph L. Mankiewicz (Producer)
|
A Christmas Carol
|
1938
|
|
Cedric Gibbons (Art Director)
|
A Christmas Carol
|
1938
|
|
Mervyn LeRoy (Producer)
|
Dramatic School
|
1938
|
|
Cedric Gibbons (Art Director)
|
Dramatic School
|
1938
|
|
Adrian (Costume Designer)
|
Dramatic School
|
1938
|
|
William H. Daniels (Cinematographer)
|
Dramatic School
|
1938
|
|
Karl W. Freund (Cinematographer)
|
Man-Proof
|
1938
|
|
Richard Thorpe (Director)
|
Man-Proof
|
1938
|
|
Cedric Gibbons (Art Director)
|
Man-Proof
|
1938
|
|
Cedric Gibbons (Art Director)
|
Port of Seven Seas
|
1938
|
|
Karl W. Freund (Cinematographer)
|
Port of Seven Seas
|
1938
|
|
James Whale (Director)
|
Port of Seven Seas
|
1938
|
|
Adrian (Costume Designer)
|
The Shining Hour
|
1938
|
|
Cedric Gibbons (Art Director)
|
The Shining Hour
|
1938
|
|
Joseph L. Mankiewicz (Producer)
|
The Shining Hour
|
1938
|
|
Frank Borzage (Director)
|
The Shining Hour
|
1938
|
|
Victor Fleming (Director)
|
Test Pilot
|
1938
|
|
Cedric Gibbons (Art Director)
|
Test Pilot
|
1938
|
|
Frank Borzage (Director)
|
Three Comrades
|
1938
|
|
Joseph L. Mankiewicz (Producer)
|
Three Comrades
|
1938
|
|
Cedric Gibbons (Art Director)
|
Three Comrades
|
1938
|
|
Harold Hal Rosson (Cinematographer)
|
Too Hot to Handle
|
1938
|
|
Jack Conway (Director)
|
Too Hot to Handle
|
1938
|
|
David O. Selznick (Producer)
|
The Young in Heart
|
1938
|
|
Leon Shamroy (Cinematographer)
|
The Young in Heart
|
1938
|
|
Richard Wallace (Director)
|
The Young in Heart
|
1938
|
|
Joseph L. Mankiewicz (Producer)
|
The Bride Wore Red
|
1937
|
|
Dorothy Arzner (Director)
|
The Bride Wore Red
|
1937
|
|
Adrian (Costume Designer)
|
The Bride Wore Red
|
1937
|
|
Cedric Gibbons (Art Director)
|
The Bride Wore Red
|
1937
|
|
Cedric Gibbons (Art Director)
|
Captains Courageous
|
1937
|
|
Arnold A. Gillespie (Art Director)
|
Captains Courageous
|
1937
|
|
Harold Hal Rosson (Cinematographer)
|
Captains Courageous
|
1937
|
|
Victor Fleming (Director)
|
Captains Courageous
|
1937
|
|
Irving G. Thalberg (Producer)
|
A Day at the Races
|
1937
|
|
Sam Wood (Producer)
|
A Day at the Races
|
1937
|
|
Cedric Gibbons (Art Director)
|
A Day at the Races
|
1937
|
|
Sam Wood (Director)
|
A Day at the Races
|
1937
|
|
Cedric Gibbons (Art Director)
|
The Emperor's Candlesticks
|
1937
|
|
Harold Hal Rosson (Cinematographer)
|
The Emperor's Candlesticks
|
1937
|
|
W.S. Van Dyke (Director)
|
Personal Property
|
1937
|
|
Cedric Gibbons (Art Director)
|
Personal Property
|
1937
|
|
William H. Daniels (Cinematographer)
|
Personal Property
|
1937
|
|
George B. Seitz (Director)
|
Absolute Quiet
|
1936
|
|
Cedric Gibbons (Art Director)
|
The Devil Doll
|
1936
|
|
Tod Browning (Director)
|
The Devil Doll
|
1936
|
|
Joseph L. Mankiewicz (Producer)
|
Fury
|
1936
|
|
Cedric Gibbons (Art Director)
|
Fury
|
1936
|
|
Fritz Lang (Director)
|
Fury
|
1936
|
|
Oliver Marsh (Cinematographer)
|
His Brother's Wife
|
1936
|
|
Cedric Gibbons (Art Director)
|
His Brother's Wife
|
1936
|
|
W.S. Van Dyke (Director)
|
His Brother's Wife
|
1936
|
|
George Robinson (Cinematographer)
|
The Invisible Ray
|
1936
|
|
Albert S. D'Agostino (Art Director)
|
The Invisible Ray
|
1936
|
|
Ted Tetzlaff (Cinematographer)
|
Love Before Breakfast
|
1936
|
|
Walter Lang (Director)
|
Love Before Breakfast
|
1936
|
|
Travis Banton (Costume Designer)
|
Love Before Breakfast
|
1936
|
|
Albert S. D'Agostino (Art Director)
|
Love Before Breakfast
|
1936
|
|
Adrian (Costume Designer)
|
Love on the Run
|
1936
|
|
Oliver Marsh (Cinematographer)
|
Love on the Run
|
1936
|
|
W.S. Van Dyke (Director)
|
Love on the Run
|
1936
|
|
Joseph L. Mankiewicz (Producer)
|
Love on the Run
|
1936
|
|
Charles Hall (Art Director)
|
Next Time We Love
|
1936
|
|
Charles G. Clarke (Cinematographer)
|
Trouble for Two
|
1936
|
|
Cedric Gibbons (Art Director)
|
Trouble for Two
|
1936
|
|
Norbert F. Brodin (Cinematographer)
|
The Affair of Susan
|
1935
|
|
Carl Laemmle, Jr. (Producer)
|
The Bride of Frankenstein
|
1935
|
|
Charles Hall (Art Director)
|
The Bride of Frankenstein
|
1935
|
|
James Whale (Director)
|
The Bride of Frankenstein
|
1935
|
|
Edward Sutherland (Director)
|
Diamond Jim
|
1935
|
|
George Robinson (Cinematographer)
|
Diamond Jim
|
1935
|
|
Charles Hall (Art Director)
|
Diamond Jim
|
1935
|
|
Norbert F. Brodin (Cinematographer)
|
East of Java
|
1935
|
|
Robert Siodmak (Director)
|
La Crise Est Finie
|
1934
|
|
Erich Pommer (Producer)
|
Liliom
|
1934
|
|
Fritz Lang (Director)
|
Liliom
|
1934
|
|
Rudolph Maté (Cinematographer)
|
Liliom
|
1934
|
|
Frederick Hollander (Director)
|
Heart Song
|
1933
|
|
Erich Pommer (Producer)
|
Heart Song
|
1933
|
|
Erich Pommer (Producer)
|
The Blue Angel
|
1930
|
|
Josef von Sternberg (Director)
|
The Blue Angel
|
1930
|
|
John M. Stahl (Director)
|
Das Lied vom Leben
|
1922
|