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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Because it's one of the most beautiful films ever. Because it's a work of art on the order of a poem by Yeats or a painting by Rothko. Read full review
Juliette Binoche is outstanding as a wildly untogether single mother who parks her son with a French-speaking Chinese nanny while she whirls and worries. Read full review
It's both happy and sad. That's exactly the way to describe Hou's marvelous film as well. Read full review
What Mr. Hou has done is borrow power and some gentle intimations of a state of grace from one of the most enchanting images in movie history. Read full review
In the end what elevates Mr. Hou's films to the sublime -- and this one comes close at times -- are not the stories but their telling. Read full review
The camera is so unobtrusive and the acting so naturalistic that it takes a while for a narrative to emerge. When it finally does, you're surprised to find you're deeply invested in the characters. Read full review
A meditation on art, life, loneliness and the links between friends and strangers, the movie has a grace and humor that's wonderfully inviting. Read full review
Hou intends to celebrate the classic 1956 children's film "The Red Balloon," and he has done a beautiful job. In fact, he may well have created a future classic of his own. Read full review
The subject is the privileged state of childhood itself - how we're all lucky to have had it and how it so easily floats away from our grasp. Read full review
This eloquent study of loneliness and postmodern drift likely will be received with more admiration than rapture by the helmer's followers. But Juliette Binoche's turn as a harried single mom and pic's enlivening portrait of domestic rupture make this a highly accessible Hou. Read full review
5.0
Dave White Profile
It quietly takes your hand Read full review