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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
It rediscovers the aching, desiring humanity in a genre -- and a period-- too often subjected to easy parody or ironic appropriation. In a word, it's divine. Read full review
The film's three leads are extraordinary, but what Moore does with her role is so beyond the parameters of what we call great acting that it nearly defies categorization. Read full review
Julianne Moore, Dennis Quaid and Dennis Haysbert are called on to play characters whose instincts are wholly different from their own. By succeeding, they make their characters real, instead of stereotypes. Read full review
Bold and brilliant. Read full review
Three sterling performances from Moore, Haysbert and Quaid, all of whom grapple with psychic pain in different, touching ways. Read full review
An accomplished marriage of elaborate style and content. Read full review
If it's ultimately a failure -- and I think it is -- it's still worth seeing, because it's the most ambitious and magnificent failure in recent memory. That, in a sense, qualifies it as a certain kind of "good movie." Read full review
Glossy or not, the movie is unflinchingly tough-minded, down to its Hollywood-weepy ending, which, if you think about it, may be the year's gloomiest. Read full review
Yet dramatic energy is in short supply. The actors move about this elaborate movie museum in a modified dream state, as if living in the present while rooted in the past. But the strategy doesn't work. It's an imitation of lifelessness. Read full review
The movie has the sense of being embalmed, or pickled. With its stilted dialogue not quite kitschy enough to be funny and not quite authentic enough to be realistic, the whole movie feels as if it's taking place in formaldehyde. Read full review