Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Other films about Marie Antoinette have had their moments, but Benoît Jacquot's Farewell, My Queen is the first to give a real sense of what it must have felt like to live inside that palace as the walls were caving in. Read full review
Control is the operative element in Benoît Jacquot's work, with the main caveat being that when someone has it, someone else does not. Read full review
Benoit Jacquot's engrossing film tells a story we know well, seen from a point of view we may not have considered. Read full review
Historical drama set in the early days of the French revolution is intelligent Euro eye candy at its most lavish. Read full review
Seydoux, no doubt best known for her kickboxing catfight with Paula Patton in "Mission: Impossible - Ghost Protocol," gives a quiet, watchful performance, suggesting fealty for her lady but also a strong independent streak.
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One of the movie's strengths is how we see the revolution - or, rather the anticipation of it - not from the perspective of royal or radical but courtier and servant. Read full review
Whether accurate or not, it's certainly entertaining to watch regal intrigues through the eyes of lady-in-waiting Sidonie (Léa Seydoux). That Jacquot handles the action so lightly is a credit, considering that it takes place during some of the tensest moments of the French Revolution.
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The picture coasts along quite nicely on the strength of its contemplative sensuality, its macaron colors, and the exquisite beauty of its three chief actresses, Léa Seydoux, Virginie Ledoyen and Diane Kruger. Oh, and there's nudity in it too, not to mention lesbian undertones – or are they overtones? Read full review
Benoît Jacquot's film is shackled to a blah bourgeois leftism. Read full review
The story refuses to combust; it's a strangely unsatisfying combination of bloodless observations and unresolved sexuality. Read full review
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