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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
It's the picture that proves action films don't have to be silly, that a few thrill sequences don't mean every other value has to be shot to pieces. Read full review
Exciting and then some, Face/Off blends the director's supercharged images of balletic brutality and spiritual catharsis with an off-the-wall humor that allows John Travolta and Nicolas Cage to really let it rip. Read full review
But it is the steady accretion of hundreds of small moments in this elegant, high-spirited, intensely satisfying production -- the director's third American movie, but the first to approach the dazzle of his Hong Kong stuff -- that, toted up, makes everything right about this des- perately welcome thriller. Read full review
As an example of the art of casting, the movie is brilliantly engineered. It allows two major stars to each play the showy villain for a time, and also for each to do an imitation of the other. Read full review
A delirious mixture of spectacular gun battles, furious explosions and breathtaking stunt work, it's also one of the strangest stories to ever get the green light at a Hollywood studio. You have to take your hat off to Paramount Studios for allowing such inspired weirdness to see the light of day. Read full review
Before we go numb from such prefab excitement, here comes a mega-movie that actually delivers what mega-movies promise: strong characters, smart plotting, breathless action and a gimmick that hasn't been seen before. Read full review
It could be argued that this movie's callousness toward human life is nihilistic and nasty. But Woo takes everything so absurdly far that audiences laugh at what horrified them moments before. [27Jun1997 Pg01.D] Read full review
In its best moments, Face/Off practically mainlines fury, leaving audiences no time to think or even breathe. Read full review
The high-tech stuff is flawlessly done, but the intriguing elements of the movie involve the performances. Read full review
A provocative premise, virtuoso direction and two dazzling lead performances go a long way toward offsetting a lack of dramatic structure and a sense of when to quit in Face/Off. Read full review