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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
A thoroughly serious film, full of vivid details, but also a relentlessly serious one that requires Mr. Wilson to spend a great deal of time looking disconsolate. Read full review
Although Evil eventually suffers from its heavy-handed treatment of its subject, it is a well-made and engrossing melodrama. Read full review
Evil is not, as the title would suggest, a horror film, at least not a conventional one. Based on the autobiographical novel by Jan Guillou and set in the mid-1950s, the film relates the experiences of a troubled young man who's enrolled into a hidebound private school. Read full review
It's more about giving rich bullies the same comeuppance afforded to sneering wardens with bullwhips, and on those superficial grounds, it's reasonably gripping. Read full review
Bullying is not easy to watch on screen, even--or perhaps especially--if the viewer had the fortune to avoid either side of the bully/bullied equation. Read full review
The movie is as blunt as its title. It portrays such behavior as "evil" without offering any deep insights or revelations, beyond handing out the plot equivalent of a lollipop at the end of the movie as compensation for the vicarious anguish. Read full review
Is this an allegory against blind deference to fascism? It might be, but the root-for-the-Aryan-jock dramatics seem mildly fascist themselves. Read full review
Director Mikael Hafström's dramatic sense is so pedestrian and snail's-pace obvious -- since this 2003 feature, he's made the leap to Hollywood with the plodding thriller "Derailed" -- one starts biding time for the inevitable retributive smackdown that will save our hero from the gantlet of draggy high-mindedness about counteracting fascism with stony resolve. Read full review
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