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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 63
    Chicago Tribune | Michael Wilmington

    The movie contains its moments, charms and felicities-even its sharp stings of pleasure and pain. [20 May 1994] Read full review

  • 50
    Austin Chronicle | Marjorie Baumgarten

    Unfortunately, for a number of reasons, the movie does not work, though it's difficult to sort out the "what is" from the "what was" and "what might have been." Read full review

  • 50
    San Francisco Chronicle | Edward Guthmann

    Campbell and Edwards work wonders with the rocky, wide-open Oregon landscape, but none of their periwinkle-blue skies and sparkling shots of whooping cranes in flight can compensate for a film that aims high, means well, and ultimately fails its audience. [20 May 1994] Read full review

  • 40
    Variety | Deborah Young

    Pic stays on the surface, without attempting any exploration of painful depths. Result is at best amusing; at worst, uninvolving, often confusing, and sometimes a little boring. Read full review

  • 30
    The New York Times | Janet Maslin

    One of the many problems with Gus Van Sant's tortured, worked-over Even Cowgirls Get the Blues is that Sissy Hankshaw talks like a novel, and a dated one at that. Read full review

  • 30
    Los Angeles Times | Kenneth Turan

    Loaded as it is with undeveloped notions about feminism and individuality, nothing about it is really memorable except the appealing musicality of the fine k.d. lang/Ben Mink score, which deserves better. [20 May 1994] Read full review

  • 25
    Boston Globe | Jay Carr

    Van Sant winds up with disconnected, dispirited pieces that never come together and lift off the screen with a whoosh of sly high spirits. [20 May 1994] Read full review

  • 12
    Chicago Sun-Times | Roger Ebert

    Even Cowgirls Get the Blues is one of the more empty, pointless, baffling films I can remember, and the experience of viewing it is an exercise in nothingness. Read full review

  • 10
    Washington Post |

    Saddled with leaden lead performances, hobbled by an arch, incoherent script and pokey pacing, the new, improved Cowgirls is a miscarriage - misconceived, miscast, miserably boring. Read full review

  • 0
    Entertainment Weekly | Owen Gleiberman

    Cowgirls, a flaky-surreal adaptation of Tom Robbins' 1976 feminist hipster road novel, finds the director of "Drugstore Cowboy" and "My Own Private Idaho" lost in the ozone of his own private whimsies. Read full review

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