|
Daniel Mann (Director)
|
Journey into Fear
|
1974
|
|
Aaron Spelling (Executive Producer)
|
Love Hate Love
|
1970
|
|
Joan Harrison (Producer)
|
Love Hate Love
|
1970
|
|
Henri Alékan (Cinematographer)
|
Topkapi
|
1964
|
|
Jules Dassin (Producer)
|
Topkapi
|
1964
|
|
Jules Dassin (Director)
|
Topkapi
|
1964
|
|
Michael Anderson (Director)
|
The Wreck of the Mary Deare
|
1959
|
|
Geoffrey Unsworth (Cinematographer)
|
A Night to Remember
|
1958
|
|
Roy Ward Baker (Director)
|
A Night to Remember
|
1958
|
|
Sidney Hayers (Editor)
|
A Night to Remember
|
1958
|
|
Herbert Wilcox (Producer)
|
The Yangtse Incident
|
1957
|
|
Michael Anderson (Director)
|
The Yangtse Incident
|
1957
|
|
Charles Frend (Director)
|
Lease of Life
|
1954
|
|
John Bryan (Producer)
|
The Purple Plain
|
1954
|
|
Clive Donner (Editor)
|
The Purple Plain
|
1954
|
|
Robert Parrish (Director)
|
The Purple Plain
|
1954
|
|
Geoffrey Unsworth (Cinematographer)
|
The Purple Plain
|
1954
|
|
Charles Frend (Director)
|
The Cruel Sea
|
1953
|
|
Michael Balcon (Executive Producer)
|
The Cruel Sea
|
1953
|
|
Alec McCowen (Director)
|
The Cruel Sea
|
1953
|
|
Anthony Mendleson (Costume Designer)
|
The Cruel Sea
|
1953
|
|
Robert Parrish (Director)
|
Shoot First
|
1953
|
|
Oswald Morris (Cinematographer)
|
The Promoter
|
1952
|
|
Ronald Neame (Director)
|
The Promoter
|
1952
|
|
Clive Donner (Editor)
|
The Promoter
|
1952
|
|
John Bryan (Producer)
|
The Promoter
|
1952
|
|
Desmond Dickinson (Cinematographer)
|
Encore
|
1951
|
|
Harold French (Director)
|
Encore
|
1951
|
|
Jack Cardiff (Cinematographer)
|
The Magic Box
|
1951
|
|
John Boulting (Director)
|
The Magic Box
|
1951
|
|
Ronald Neame (Producer)
|
The Magic Box
|
1951
|
|
Ralph Thomas (Director)
|
The Clouded Yellow
|
1950
|
|
Betty E. Box (Producer)
|
The Clouded Yellow
|
1950
|
|
Geoffrey Unsworth (Cinematographer)
|
The Clouded Yellow
|
1950
|
|
Roy Ward Baker (Director)
|
Highly Dangerous
|
1950
|
|
David Lean (Director)
|
The Passionate Friends
|
1949
|
|
Ronald Neame (Producer)
|
The Passionate Friends
|
1949
|
|
Oswald Morris (Cinematographer)
|
The Passionate Friends
|
1949
|
|
Guy Green (Cinematographer)
|
The Passionate Friends
|
1949
|
|
Roy Ward Baker (Director)
|
The October Man
|
1948
|
|
Erwin Hillier (Cinematographer)
|
The October Man
|
1948
|
|
Lance Comfort (Producer)
|
Hotel Reserve
|
1944
|
|
Lance Comfort (Director)
|
Hotel Reserve
|
1944
|
|
Arthur Edeson (Cinematographer)
|
The Mask of Dimitrios
|
1944
|
|
Henry Blanke (Producer)
|
The Mask of Dimitrios
|
1944
|
|
Jean Negulesco (Director)
|
The Mask of Dimitrios
|
1944
|
|
Jack L. Warner (Executive Producer)
|
The Mask of Dimitrios
|
1944
|
|
Carol Reed (Director)
|
The Way Ahead
|
1944
|
|
Guy Green (Cinematographer)
|
The Way Ahead
|
1944
|
|
Milo Anderson (Costume Designer)
|
Background to Danger
|
1943
|
|
Raoul Walsh (Director)
|
Background to Danger
|
1943
|
|
Jerry Wald (Producer)
|
Background to Danger
|
1943
|
|
Orson Welles (Producer)
|
Journey into Fear
|
1942
|
|
Mark Robson (Editor)
|
Journey into Fear
|
1942
|
|
Albert S. D'Agostino (Art Director)
|
Journey into Fear
|
1942
|
|
Karl Struss (Cinematographer)
|
Journey into Fear
|
1942
|
|
Edward Stevenson (Costume Designer)
|
Journey into Fear
|
1942
|