75

San Francisco Chronicle

By Peter Hartlaub
Eragon may not be a big Oscar contender, but in a movie season filled with blood diamonds, fascist soldiers and Idi Amin, it provides a much-needed afternoon of PG-rated family-friendly adventure.
Full Review
63

TV Guide

By Ken Fox
This likable adventure is basically "Lassie" with scales and should appeal to the books' large audience of adolescent boys.
Full Review
63

Chicago Tribune

By Michael Phillips
Eragon is a bit cheesy, but I rather liked it. It's sincere cheese... The special effects -- which include glowing-eyed heroes and villains, and flights over the mythical land of Alagaesia depicted in "dragon vision" -- are refreshing in their slightly out-of-date air.
Full Review
63

Philadelphia Inquirer

By Carrie Rickey
I wish Eragon's cinematography were crisper, the music less Wagnerian, and the acting more consistent. But this movie isn't for me. It's for my 10-year-old, for whom the subtleties of narrative, photography and acting mean nothing.
Full Review
63

USA Today

By Claudia Puig
It's a pleasant enough fantastical adventure, but it does feel naggingly derivative.
Full Review
50

Wall Street Journal

By Joe Morgenstern
The star of this fantasy adventure for young audiences is a charmer from the moment she is hatched (from a huge blue egg that starts to rock like a Mexican jumping bean). Her name is Saphira, she speaks with the voice of Rachel Weisz, and it doesn't matter that she's too young to breathe fire -- at first -- or that she waddles a bit on the ground, because she lives and breathes the joy of flight, which is exactly what was missing from most of Harry Potter's solos on a broom.
Full Review
50

Boston Globe

By Wesley Morris
The mess that's been made with all this money is maddening. This isn't economical moviemaking. It's a deluxe trailer for "Eragon 2."
Full Review
50

The Hollywood Reporter

By Kirk Honeycutt
There is little complexity in the social, cultural or political shape of this world. So this film, directed by visual effects master Stefen Fangmeier and written by Peter Buchman in a straightforward manner, cannot escape the rote nature of such a fantasy.
Full Review
42

Entertainment Weekly

Though the movie, which was adapted from a book written by Christopher Paolini when he was a teenager, aims high by ripping off the classics (even down to Eragon’s murdered uncle), what it most recalls are the cheesy lost sword-and-sorcery epics from the '80s, awful movies in the vein of "Yor: The Hunter From the Future" and "The Blade Master."
Full Review
38

New York Daily News

By Elizabeth Weitzman
Turns out to be as heavy and earthbound as an injured dragon.
Full Review
38 out of 100
Generally unfavorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.