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George Barnes (Cinematographer)
|
Just for You
|
1952
|
|
Edith Head (Costume Designer)
|
Just for You
|
1952
|
|
Doane Harrison (Editor)
|
Just for You
|
1952
|
|
H. Bruce Humberstone (Director)
|
She's Working Her Way Through College
|
1952
|
|
LeRoy J. Prinz (Choreography)
|
She's Working Her Way Through College
|
1952
|
|
Benedict E. Bogeaus (Producer)
|
My Outlaw Brother
|
1951
|
|
Cedric Gibbons (Art Director)
|
The Skipper Surprised His Wife
|
1950
|
|
Edith Head (Costume Designer)
|
The Great Gatsby
|
1949
|
|
John F. Seitz (Cinematographer)
|
The Great Gatsby
|
1949
|
|
Hans Dreier (Art Director)
|
The Great Gatsby
|
1949
|
|
Robert M. Haas (Art Director)
|
My Girl Tisa
|
1948
|
|
Ernest Haller (Cinematographer)
|
My Girl Tisa
|
1948
|
|
Edith Head (Costume Designer)
|
My Favorite Brunette
|
1947
|
|
Lionel Lindon (Cinematographer)
|
My Favorite Brunette
|
1947
|
|
Hans Dreier (Art Director)
|
My Favorite Brunette
|
1947
|
|
Lionel Lindon (Cinematographer)
|
Welcome Stranger
|
1947
|
|
Edith Head (Costume Designer)
|
Welcome Stranger
|
1947
|
|
Sol C. Siegel (Producer)
|
Welcome Stranger
|
1947
|
|
Samuel Goldwyn (Producer)
|
Up in Arms
|
1944
|
|
Miles White (Costume Designer)
|
Up in Arms
|
1944
|
|
Ray Rennahan (Cinematographer)
|
Up in Arms
|
1944
|
|
Hans Dreier (Art Director)
|
The Crystal Ball
|
1943
|
|
Doane Harrison (Editor)
|
The Crystal Ball
|
1943
|
|
Hal B. Wallis (Producer)
|
The Male Animal
|
1942
|
|
Arthur Edeson (Cinematographer)
|
The Male Animal
|
1942
|
|
Hans Dreier (Art Director)
|
Nothing But the Truth
|
1941
|
|
Edith Head (Costume Designer)
|
Nothing But the Truth
|
1941
|
|
Arthur Hornblow, Jr. (Producer)
|
Nothing But the Truth
|
1941
|
|
Arthur Hornblow, Jr. (Producer)
|
The Cat and the Canary
|
1939
|
|
Hans Dreier (Art Director)
|
The Cat and the Canary
|
1939
|
|
Hans Dreier (Art Director)
|
Never Say Die
|
1939
|
|
Edith Head (Costume Designer)
|
Never Say Die
|
1939
|
|
Hans Dreier (Art Director)
|
Give Me a Sailor
|
1938
|
|
LeRoy J. Prinz (Choreography)
|
Give Me a Sailor
|
1938
|
|
Archie J. Stout (Cinematographer)
|
Professor Beware
|
1938
|
|
Albert S. D'Agostino (Art Director)
|
Professor Beware
|
1938
|
|
Adolph Zukor (Producer)
|
Professor Beware
|
1938
|
|
Harold Lloyd (Producer)
|
Professor Beware
|
1938
|
|
William Perlberg (Producer)
|
It's All Yours
|
1937
|
|
B.P. Schulberg (Producer)
|
And So They Were Married
|
1936
|
|
Richard C. Currier (Editor)
|
Wives Never Know
|
1936
|
|
Hans Dreier (Art Director)
|
Enter Madame
|
1935
|
|
Travis Banton (Costume Designer)
|
Enter Madame
|
1935
|
|
Samuel Goldwyn (Producer)
|
Splendor
|
1935
|
|
Gregg Toland (Cinematographer)
|
Splendor
|
1935
|
|
Edith Head (Costume Designer)
|
She Loves Me Not
|
1934
|
|
Pandro S. Berman (Producer)
|
Strictly Dynamite
|
1934
|
|
Lucien Andriot (Cinematographer)
|
Two Alone
|
1934
|
|
Merian C. Cooper (Executive Producer)
|
If I Were Free
|
1933
|
|
Van Nest Polglase (Art Director)
|
If I Were Free
|
1933
|
|
Leon Shamroy (Cinematographer)
|
Three-Cornered Moon
|
1933
|
|
Travis Banton (Costume Designer)
|
Three-Cornered Moon
|
1933
|
|
B.P. Schulberg (Producer)
|
Three-Cornered Moon
|
1933
|
|
Norbert F. Brodin (Cinematographer)
|
Whistling in the Dark
|
1933
|
|
Raymond Griffith (Producer)
|
Life Begins
|
1932
|
|
Mervyn LeRoy (Director)
|
Local Boy Makes Good
|
1931
|
|
Sol Polito (Cinematographer)
|
Local Boy Makes Good
|
1931
|
|
Cedric Gibbons (Art Director)
|
Navy Blues
|
1930
|
|
Clarence Brown (Director)
|
Navy Blues
|
1930
|
|
Sam Wood (Director)
|
Sins of the Children
|
1930
|
|
Cedric Gibbons (Art Director)
|
Sins of the Children
|
1930
|
|
Cedric Gibbons (Art Director)
|
The Unholy Three
|
1930
|
|
Jack Conway (Director)
|
The Unholy Three
|
1930
|
|
Irving G. Thalberg (Producer)
|
The Unholy Three
|
1930
|
|
Margaret Booth (Editor)
|
Wise Girls
|
1930
|
|
Cedric Gibbons (Art Director)
|
Wise Girls
|
1930
|
|
William H. Daniels (Cinematographer)
|
Wise Girls
|
1930
|
|
Richard Wallace (Director)
|
Poor Nut
|
1927
|