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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Half-factual, half-fanciful and all funny, this labor of love is also unexpectedly touching. [28 September 1994, Life, p.5D] Read full review
A comedy of the ridiculous in which the ridiculous turns unexpectedly sublime. Read full review
What Burton has made is a film which celebrates Wood more than it mocks him, and which celebrates, too, the zany spirit of 1950s exploitation films - in which a great title, a has-been star and a lurid ad campaign were enough to get bookings for some of the oddest films ever made. Read full review
Making a movie about the life of Ed Wood certainly qualifies as an impossible dream, but Burton has pulled it off with wit, imagination and something amazingly close to grace. Read full review
Turns out to be a thoroughly entertaining if eccentric piece of business, wacky and amusing in a cheerfully preposterous way. [28 September 1994, Calendar, p.F-1] Read full review
The strangest biographical film ever made is also one of the most charming, melancholy and quirkily humorous films of the year. Read full review
Burton has trouble sustaining the briskness of the first half. But the brilliance of many individual scenes, and the extraordinary performance by Landau, are more than enough to justify this goofy, tender ode to eccentricity. [7 October 1994, Daily Notebook, p.C1] Read full review
Always engaging to watch and often dazzling in its imagination and technique, picture is also a bit distended, and lacking in weight at its center. Read full review
If Ed Wood has a major failing, it's the lack of momentum. Wood's career had nowhere to go, and to some extent the film has the same problem. [23 September 1994, p.C34] Read full review
Burton has evoked the surface of Ed Wood's life, but in a story about a man who loves angora and frilly panties, he has barely unbuttoned Wood's uniform. Read full review