|
George Marshall (Director)
|
The Wicked Dreams of Paula Schultz
|
1967
|
|
Lionel Lindon (Cinematographer)
|
Boy, Did I Get a Wrong Number!
|
1966
|
|
George Marshall (Director)
|
Boy, Did I Get a Wrong Number!
|
1966
|
|
Frederick de Cordova (Director)
|
Frankie and Johnny
|
1965
|
|
Daniel L. Fapp (Cinematographer)
|
I'll Take Sweden
|
1965
|
|
Frederick de Cordova (Director)
|
I'll Take Sweden
|
1965
|
|
David S. Horsley (Cinematographer)
|
Jack the Giant Killer
|
1962
|
|
David Berman (Costume Designer)
|
Jack the Giant Killer
|
1962
|
|
Freddie Young (Cinematographer)
|
Loss of Innocence
|
1961
|
|
Julie Harris (Costume Designer)
|
Loss of Innocence
|
1961
|
|
Peter Hunt (Editor)
|
Loss of Innocence
|
1961
|
|
Jacques Tourneur (Director)
|
Timbuktu
|
1959
|
|
Maury Gertsman (Cinematographer)
|
Timbuktu
|
1959
|
|
Stanley Cortez (Cinematographer)
|
Vice Raid
|
1959
|
|
André De Toth (Director)
|
Monkey on My Back
|
1957
|
|
Maury Gertsman (Cinematographer)
|
Monkey on My Back
|
1957
|
|
Alexandre Trauner (Art Director)
|
Witness for the Prosecution
|
1957
|
|
Billy Wilder (Director)
|
Witness for the Prosecution
|
1957
|
|
Edith Head (Costume Designer)
|
Witness for the Prosecution
|
1957
|
|
Arthur Hornblow, Jr. (Producer)
|
Witness for the Prosecution
|
1957
|
|
Floyd D.Crosby (Cinematographer)
|
The Naked Street
|
1955
|
|
Maxwell Shane (Director)
|
The Naked Street
|
1955
|
|
Phil Karlson (Director)
|
99 River Street
|
1953
|
|
Phil Karlson (Director)
|
Kansas City Confidential
|
1952
|
|
Phil Karlson (Director)
|
Scandal Sheet
|
1952
|
|
Jean Louis (Costume Designer)
|
Scandal Sheet
|
1952
|
|
Phil Karlson (Director)
|
Lorna Doone
|
1951
|
|
Phil Karlson (Director)
|
The Texas Rangers
|
1951
|
|
Harry Stradling (Cinematographer)
|
Valentino
|
1951
|
|
Gregory Ratoff (Director)
|
Black Magic
|
1949
|
|
Gregory Ratoff (Producer)
|
Black Magic
|
1949
|
|
Gordon M. Douglas (Director)
|
The Black Arrow
|
1948
|
|
Charles Lawton (Cinematographer)
|
The Black Arrow
|
1948
|
|
Anthony Mann (Director)
|
Raw Deal
|
1948
|
|
Frank Tashlin (Director)
|
The Fuller Brush Man
|
1946
|
|
Jean Louis (Costume Designer)
|
The Fuller Brush Man
|
1946
|
|
Orry-Kelly (Costume Designer)
|
Temptation
|
1946
|
|
Lucien Ballard (Cinematographer)
|
Temptation
|
1946
|
|
Bernard Herzbrun (Art Director)
|
Temptation
|
1946
|
|
Charles Lawton (Cinematographer)
|
Brewster's Millions
|
1945
|
|
Allan Dwan (Director)
|
Brewster's Millions
|
1945
|
|
Allan Dwan (Director)
|
Getting Gertie's Garter
|
1945
|
|
Charles Lawton (Cinematographer)
|
Getting Gertie's Garter
|
1945
|
|
Charles Lawton (Cinematographer)
|
Abroad With Two Yanks
|
1944
|
|
Allan Dwan (Director)
|
Abroad With Two Yanks
|
1944
|
|
Allan Dwan (Director)
|
Up in Mabel's Room
|
1944
|
|
Charles Lawton (Cinematographer)
|
Up in Mabel's Room
|
1944
|
|
William F. Claxton (Editor)
|
Friendly Enemies
|
1942
|
|
Allan Dwan (Director)
|
Friendly Enemies
|
1942
|
|
Nick Castle (Choreography)
|
Miss Annie Rooney
|
1942
|
|
Irene (Costume Designer)
|
Twin Beds
|
1942
|
|
Hal Mohr (Cinematographer)
|
Twin Beds
|
1942
|
|
William F. Claxton (Editor)
|
The Corsican Brothers
|
1941
|
|
Harry Stradling (Cinematographer)
|
The Corsican Brothers
|
1941
|
|
Gregory Ratoff (Director)
|
The Corsican Brothers
|
1941
|
|
William F. Claxton (Editor)
|
International Lady
|
1941
|
|
Hal Mohr (Cinematographer)
|
International Lady
|
1941
|
|
George Robinson (Cinematographer)
|
The Son of Monte Cristo
|
1941
|
|
Rowland V. Lee (Director)
|
The Son of Monte Cristo
|
1941
|
|
Rowland V. Lee (Producer)
|
The Son of Monte Cristo
|
1941
|
|
George B. Seitz (Director)
|
Kit Carson
|
1940
|
|
William F. Claxton (Editor)
|
Kit Carson
|
1940
|
|
Harry Stradling (Cinematographer)
|
My Son, My Son
|
1940
|
|
Charles Vidor (Director)
|
My Son, My Son
|
1940
|
|
James Whale (Director)
|
The Man in the Iron Mask
|
1939
|
|
Edward Stevenson (Costume Designer)
|
New Faces of 1937
|
1937
|
|
Roy Hunt (Cinematographer)
|
New Faces of 1937
|
1937
|
|
Van Nest Polglase (Art Director)
|
New Faces of 1937
|
1937
|
|
Van Nest Polglase (Art Director)
|
Sea Devils
|
1937
|
|
Joseph H. August (Cinematographer)
|
Sea Devils
|
1937
|
|
Roy Hunt (Cinematographer)
|
Sea Devils
|
1937
|
|
Edward Stevenson (Costume Designer)
|
Sea Devils
|
1937
|
|
Joseph H. August (Cinematographer)
|
Super Sleuth
|
1937
|
|
Van Nest Polglase (Art Director)
|
Super Sleuth
|
1937
|
|
Van Nest Polglase (Art Director)
|
The Toast of New York
|
1937
|
|
Rowland V. Lee (Director)
|
The Toast of New York
|
1937
|
|
Edward Stevenson (Costume Designer)
|
The Toast of New York
|
1937
|
|
William Christy Cabanne (Director)
|
We Who Are About to Die
|
1937
|
|
Edward Stevenson (Costume Designer)
|
We Who Are About to Die
|
1937
|
|
Roy Hunt (Cinematographer)
|
The Bride Walks Out
|
1936
|
|
Van Nest Polglase (Art Director)
|
The Bride Walks Out
|
1936
|
|
George B. Seitz (Director)
|
The Last of the Mohicans
|
1936
|
|
Sam Wood (Director)
|
Let 'em Have It
|
1935
|
|
Sidney Lanfield (Director)
|
Red Salute
|
1935
|
|
Rowland V. Lee (Director)
|
The Count of Monte Cristo
|
1934
|
|
Arthur Edeson (Cinematographer)
|
Palooka
|
1934
|
|
Ted Tetzlaff (Cinematographer)
|
Transatlantic Merry-Go-Round
|
1934
|
|
James Cruze (Director)
|
I Cover the Waterfront
|
1933
|
|
Erle C. Kenton (Director)
|
The Song of Love
|
1929
|
|
Harry Cohn (Producer)
|
The Song of Love
|
1929
|