|
Michael Chapman (Cinematographer)
|
Dead Men Don't Wear Plaid
|
1982
|
|
Carl Reiner (Director)
|
Dead Men Don't Wear Plaid
|
1982
|
|
Richard Dreyfuss (Producer)
|
The Big Fix
|
1978
|
|
Jeremy Kagan (Director)
|
The Big Fix
|
1978
|
|
David Lowell Rich (Director)
|
Little Women
|
1978
|
|
Joseph Biroc (Cinematographer)
|
Little Women
|
1978
|
|
Ken Hughes (Director)
|
Sextette
|
1978
|
|
Jerry Jameson (Director)
|
Airport '77
|
1977
|
|
Jack Arnold (Producer)
|
Sex and the Married Woman
|
1977
|
|
Jack Arnold (Director)
|
Sex and the Married Woman
|
1977
|
|
Glenn Jordan (Director)
|
Sunshine Christmas
|
1977
|
|
George Schaefer (Director)
|
Amelia Earhart
|
1976
|
|
Alfred Hitchcock (Producer)
|
Family Plot
|
1976
|
|
Alfred Hitchcock (Director)
|
Family Plot
|
1976
|
|
Sidney J. Furie (Director)
|
Gable and Lombard
|
1976
|
|
Jordan S. Cronenweth (Cinematographer)
|
Gable and Lombard
|
1976
|
|
Arthur Hiller (Director)
|
W.C. Fields and Me
|
1976
|
|
John C. Howard (Editor)
|
W.C. Fields and Me
|
1976
|
|
Henry Bumstead (Art Director)
|
The Great Waldo Pepper
|
1975
|
|
Robert Surtees (Cinematographer)
|
The Great Waldo Pepper
|
1975
|
|
George Roy Hill (Producer)
|
The Great Waldo Pepper
|
1975
|
|
George Roy Hill (Director)
|
The Great Waldo Pepper
|
1975
|
|
Oswald Morris (Cinematographer)
|
The Man Who Would Be King
|
1975
|
|
John Huston (Director)
|
The Man Who Would Be King
|
1975
|
|
Harry Stradling, Jr. (Cinematographer)
|
Rooster Cogburn
|
1975
|
|
Hal B. Wallis (Producer)
|
Rooster Cogburn
|
1975
|
|
Robert Swink (Editor)
|
Rooster Cogburn
|
1975
|
|
Jack Smight (Director)
|
Airport 1975
|
1974
|
|
Ennio Guarnieri (Cinematographer)
|
Ash Wednesday
|
1973
|
|
Larry Peerce (Director)
|
Ash Wednesday
|
1973
|
|
Gerry Fisher (Cinematographer)
|
A Doll's House
|
1973
|
|
Joseph Losey (Producer)
|
A Doll's House
|
1973
|
|
Joseph Losey (Director)
|
A Doll's House
|
1973
|
|
Richard Fleischer (Director)
|
The Don Is Dead
|
1973
|
|
Hal B. Wallis (Producer)
|
The Don Is Dead
|
1973
|
|
Henry Bumstead (Art Director)
|
Showdown
|
1973
|
|
George Seaton (Producer)
|
Showdown
|
1973
|
|
George Seaton (Director)
|
Showdown
|
1973
|
|
Richard D. Zanuck (Producer)
|
The Sting
|
1973
|
|
Tony Bill (Producer)
|
The Sting
|
1973
|
|
Henry Bumstead (Art Director)
|
The Sting
|
1973
|
|
Robert Surtees (Cinematographer)
|
The Sting
|
1973
|
|
George Roy Hill (Director)
|
The Sting
|
1973
|
|
Peter Ustinov (Director)
|
Hammersmith Is Out
|
1972
|
|
John Huston (Director)
|
The Life and Times of Judge Roy Bean
|
1972
|
|
John A. Alonzo (Cinematographer)
|
Pete 'n' Tillie
|
1972
|
|
Martin Ritt (Director)
|
Pete 'n' Tillie
|
1972
|
|
Julius J. Epstein (Producer)
|
Pete 'n' Tillie
|
1972
|
|
Jack Smight (Director)
|
The Screaming Woman
|
1972
|
|
Hal B. Wallis (Producer)
|
Red Sky at Morning
|
1971
|
|
Vilmos Zsigmond (Cinematographer)
|
Red Sky at Morning
|
1971
|
|
Paul Newman (Director)
|
Sometimes a Great Notion
|
1971
|
|
Ross Hunter (Producer)
|
Airport
|
1970
|
|
George Seaton (Director)
|
Airport
|
1970
|
|
Joseph Sargent (Director)
|
Colossus: The Forbin Project
|
1970
|
|
Saul David (Producer)
|
Skullduggery
|
1970
|
|
Richard Wilson (Director)
|
Skullduggery
|
1970
|
|
Gordon M. Douglas (Director)
|
Skullduggery
|
1970
|
|
Paul Monash (Executive Producer)
|
Butch Cassidy and the Sundance Kid
|
1969
|
|
John C. Howard (Editor)
|
Butch Cassidy and the Sundance Kid
|
1969
|
|
George Roy Hill (Director)
|
Butch Cassidy and the Sundance Kid
|
1969
|
|
Jack Martin Smith (Art Director)
|
Butch Cassidy and the Sundance Kid
|
1969
|
|
Conrad L. Hall (Cinematographer)
|
Butch Cassidy and the Sundance Kid
|
1969
|
|
Russell Metty (Cinematographer)
|
Eye of the Cat
|
1969
|
|
David Lowell Rich (Director)
|
Eye of the Cat
|
1969
|
|
Robert Arthur (Producer)
|
Sweet Charity
|
1969
|
|
Bob Fosse (Director)
|
Sweet Charity
|
1969
|
|
Robert Surtees (Cinematographer)
|
Sweet Charity
|
1969
|
|
Bob Fosse (Choreography)
|
Sweet Charity
|
1969
|
|
Conrad L. Hall (Cinematographer)
|
Tell Them Willie Boy Is Here
|
1969
|
|
Henry Bumstead (Art Director)
|
Tell Them Willie Boy Is Here
|
1969
|
|
Abraham Polonsky (Director)
|
Tell Them Willie Boy Is Here
|
1969
|
|
Alfred Hitchcock (Producer)
|
Topaz
|
1969
|
|
Alfred Hitchcock (Director)
|
Topaz
|
1969
|
|
Andrew V. McLaglen (Producer)
|
Hellfighters
|
1968
|
|
Robert Arthur (Producer)
|
Hellfighters
|
1968
|
|
Andrew V. McLaglen (Director)
|
Hellfighters
|
1968
|
|
John Guillermin (Director)
|
House of Cards
|
1968
|
|
Russell Schoengarth (Editor)
|
In Enemy Country
|
1968
|
|
Harry Keller (Producer)
|
In Enemy Country
|
1968
|
|
Loyal Griggs (Cinematographer)
|
In Enemy Country
|
1968
|
|
Harry Keller (Director)
|
In Enemy Country
|
1968
|
|
Delbert Mann (Director)
|
The Pink Jungle
|
1968
|
|
Russell Metty (Cinematographer)
|
The Pink Jungle
|
1968
|
|
Henry Bumstead (Art Director)
|
The Secret War of Harry Frigg
|
1968
|
|
Russell Metty (Cinematographer)
|
The Secret War of Harry Frigg
|
1968
|
|
Jack Smight (Director)
|
The Secret War of Harry Frigg
|
1968
|
|
George Seaton (Producer)
|
What's So Bad About Feeling Good?
|
1968
|
|
George Seaton (Director)
|
What's So Bad About Feeling Good?
|
1968
|
|
Henry Bumstead (Art Director)
|
What's So Bad About Feeling Good?
|
1968
|
|
Hal B. Wallis (Producer)
|
Barefoot in the Park
|
1967
|
|
Gene Saks (Director)
|
Barefoot in the Park
|
1967
|
|
Rod Taylor (Producer)
|
Chuka
|
1967
|
|
Gordon M. Douglas (Director)
|
Chuka
|
1967
|
|
Hal B. Wallis (Producer)
|
Easy Come, Easy Go
|
1967
|
|
Howard Hawks (Producer)
|
El Dorado
|
1967
|
|
Howard Hawks (Director)
|
El Dorado
|
1967
|
|
Harold Hal Rosson (Cinematographer)
|
El Dorado
|
1967
|
|
Richard Quine (Director)
|
Hotel
|
1967
|
|
Buzz Kulik (Producer)
|
Warning Shot
|
1967
|
|
Joseph Biroc (Cinematographer)
|
Warning Shot
|
1967
|
|
Buzz Kulik (Director)
|
Warning Shot
|
1967
|
|
Howard Morris (Director)
|
Who's Minding the Mint?
|
1967
|
|
Frank Tashlin (Director)
|
Who's Minding the Mint?
|
1967
|
|
Joseph Biroc (Cinematographer)
|
Who's Minding the Mint?
|
1967
|
|
William H. Daniels (Cinematographer)
|
Assault on a Queen
|
1966
|
|
Norman Panama (Producer)
|
Not with My Wife, You Don't!
|
1966
|
|
Norman Panama (Director)
|
Not with My Wife, You Don't!
|
1966
|
|
Warren Low (Editor)
|
Paradise, Hawaiian Style
|
1966
|
|
Hal B. Wallis (Producer)
|
Paradise, Hawaiian Style
|
1966
|
|
Arthur Hiller (Director)
|
Penelope
|
1966
|
|
George W. Davis (Art Director)
|
Penelope
|
1966
|
|
Harry Stradling (Cinematographer)
|
Penelope
|
1966
|
|
George Sidney (Producer)
|
The Swinger
|
1966
|
|
Joseph Biroc (Cinematographer)
|
The Swinger
|
1966
|
|
George Sidney (Director)
|
The Swinger
|
1966
|
|
John Houseman (Producer)
|
This Property Is Condemned
|
1966
|
|
Sydney Pollack (Director)
|
This Property Is Condemned
|
1966
|
|
James Wong Howe (Cinematographer)
|
This Property Is Condemned
|
1966
|
|
Alfred Hitchcock (Producer)
|
Torn Curtain
|
1966
|
|
Alfred Hitchcock (Director)
|
Torn Curtain
|
1966
|
|
A.C. Lyles (Producer)
|
Waco
|
1966
|
|
Hal B. Wallis (Producer)
|
Boeing Boeing
|
1965
|
|
Lucien Ballard (Cinematographer)
|
Boeing Boeing
|
1965
|
|
Warren Low (Editor)
|
Boeing Boeing
|
1965
|
|
Jerry Lewis (Director)
|
The Family Jewels
|
1965
|
|
Jerry Lewis (Producer)
|
The Family Jewels
|
1965
|
|
Hermes Pan (Choreography)
|
The Great Race
|
1965
|
|
Blake Edwards (Director)
|
The Great Race
|
1965
|
|
John Sturges (Director)
|
The Hallelujah Trail
|
1965
|
|
Robert Surtees (Cinematographer)
|
The Hallelujah Trail
|
1965
|
|
John Sturges (Producer)
|
The Hallelujah Trail
|
1965
|
|
Robert Mulligan (Director)
|
Inside Daisy Clover
|
1965
|
|
Herbert Ross (Choreography)
|
Inside Daisy Clover
|
1965
|
|
Alan J. Pakula (Producer)
|
Inside Daisy Clover
|
1965
|
|
Dean Tavoularis (Art Director)
|
Inside Daisy Clover
|
1965
|
|
Robert Mulligan (Producer)
|
Inside Daisy Clover
|
1965
|
|
Jerry Bresler (Producer)
|
Love Has Many Faces
|
1965
|
|
Howard Hawks (Producer)
|
Red Line 7000
|
1965
|
|
Howard Hawks (Director)
|
Red Line 7000
|
1965
|
|
Loyal Griggs (Cinematographer)
|
The Slender Thread
|
1965
|
|
Sydney Pollack (Director)
|
The Slender Thread
|
1965
|
|
Lucien Ballard (Cinematographer)
|
The Sons of Katie Elder
|
1965
|
|
Hal B. Wallis (Producer)
|
The Sons of Katie Elder
|
1965
|
|
Warren Low (Editor)
|
The Sons of Katie Elder
|
1965
|
|
Henry Hathaway (Director)
|
The Sons of Katie Elder
|
1965
|
|
Gordon M. Douglas (Director)
|
Sylvia
|
1965
|
|
William Perlberg (Producer)
|
36 Hours
|
1964
|
|
George W. Davis (Art Director)
|
36 Hours
|
1964
|
|
George Seaton (Director)
|
36 Hours
|
1964
|
|
Edward Dmytryk (Director)
|
The Carpetbaggers
|
1964
|
|
Jerry Lewis (Producer)
|
The Disorderly Orderly
|
1964
|
|
Frank Tashlin (Director)
|
The Disorderly Orderly
|
1964
|
|
Leon Shamroy (Cinematographer)
|
John Goldfarb, Please Come Home
|
1964
|
|
Jack Martin Smith (Art Director)
|
John Goldfarb, Please Come Home
|
1964
|
|
J. Lee Thompson (Producer)
|
John Goldfarb, Please Come Home
|
1964
|
|
J. Lee Thompson (Director)
|
John Goldfarb, Please Come Home
|
1964
|
|
George Tomasini (Editor)
|
Marnie
|
1964
|
|
Robert Burks (Cinematographer)
|
Marnie
|
1964
|
|
Alfred Hitchcock (Director)
|
Marnie
|
1964
|
|
Alfred Hitchcock (Producer)
|
Marnie
|
1964
|
|
Jerry Lewis (Director)
|
The Patsy
|
1964
|
|
Hal B. Wallis (Producer)
|
Roustabout
|
1964
|
|
Lucien Ballard (Cinematographer)
|
Roustabout
|
1964
|
|
Warren Low (Editor)
|
Roustabout
|
1964
|
|
Richard Quine (Director)
|
Sex and the Single Girl
|
1964
|
|
J. Lee Thompson (Director)
|
What a Way to Go!
|
1964
|
|
Jack Martin Smith (Art Director)
|
What a Way to Go!
|
1964
|
|
Leon Shamroy (Cinematographer)
|
What a Way to Go!
|
1964
|
|
Gene Kelly (Choreography)
|
What a Way to Go!
|
1964
|
|
Edward Dmytryk (Director)
|
Where Love Has Gone
|
1964
|
|
Anthony Mendleson (Costume Designer)
|
The Yellow Rolls-Royce
|
1964
|
|
Vincent Korda (Art Director)
|
The Yellow Rolls-Royce
|
1964
|
|
Anatole de Grunwald (Producer)
|
The Yellow Rolls-Royce
|
1964
|
|
Anthony Asquith (Director)
|
The Yellow Rolls-Royce
|
1964
|
|
Alfred Hitchcock (Director)
|
The Birds
|
1963
|
|
George Tomasini (Editor)
|
The Birds
|
1963
|
|
Robert Burks (Cinematographer)
|
The Birds
|
1963
|
|
Alfred Hitchcock (Producer)
|
The Birds
|
1963
|
|
Howard W. Koch (Producer)
|
Come Blow Your Horn
|
1963
|
|
Norman Lear (Producer)
|
Come Blow Your Horn
|
1963
|
|
Bud Yorkin (Producer)
|
Come Blow Your Horn
|
1963
|
|
Bud Yorkin (Director)
|
Come Blow Your Horn
|
1963
|
|
William H. Daniels (Cinematographer)
|
Come Blow Your Horn
|
1963
|
|
John Ford (Producer)
|
Donovan's Reef
|
1963
|
|
John Ford (Director)
|
Donovan's Reef
|
1963
|
|
Richard Thorpe (Director)
|
Fun in Acapulco
|
1963
|
|
Daniel L. Fapp (Cinematographer)
|
Fun in Acapulco
|
1963
|
|
Hal B. Wallis (Producer)
|
Fun in Acapulco
|
1963
|
|
James Wong Howe (Cinematographer)
|
Hud
|
1963
|
|
Martin Ritt (Director)
|
Hud
|
1963
|
|
Martin Ritt (Producer)
|
Hud
|
1963
|
|
Ronald Neame (Director)
|
I Could Go on Singing
|
1963
|
|
Saul Chaplin (Producer)
|
I Could Go on Singing
|
1963
|
|
Alan J. Pakula (Producer)
|
Love with the Proper Stranger
|
1963
|
|
Robert Mulligan (Director)
|
Love with the Proper Stranger
|
1963
|
|
Howard Hawks (Director)
|
Man's Favorite Sport?
|
1963
|
|
Howard Hawks (Producer)
|
Man's Favorite Sport?
|
1963
|
|
Arthur E. Arling (Cinematographer)
|
My Six Loves
|
1963
|
|
Daniel L. Fapp (Cinematographer)
|
A New Kind of Love
|
1963
|
|
Melville Shavelson (Director)
|
A New Kind of Love
|
1963
|
|
Melville Shavelson (Producer)
|
A New Kind of Love
|
1963
|
|
Jerry Lewis (Director)
|
The Nutty Professor
|
1963
|
|
Jerry Lewis (Producer)
|
The Nutty Professor
|
1963
|
|
Jack Rose (Producer)
|
Papa's Delicate Condition
|
1963
|
|
George Marshall (Director)
|
Papa's Delicate Condition
|
1963
|
|
Loyal Griggs (Cinematographer)
|
Papa's Delicate Condition
|
1963
|
|
Jack Rose (Producer)
|
Who's Been Sleeping in My Bed?
|
1963
|
|
George Tomasini (Editor)
|
Who's Been Sleeping in My Bed?
|
1963
|
|
Daniel Mann (Director)
|
Who's Been Sleeping in My Bed?
|
1963
|
|
Jack Rose (Producer)
|
Who's Got the Action?
|
1963
|
|
Daniel Mann (Director)
|
Who's Got the Action?
|
1963
|
|
Frank Tashlin (Director)
|
Who's Minding the Store?
|
1963
|
|
Hal B. Wallis (Producer)
|
Wives and Lovers
|
1963
|
|
Warren Low (Editor)
|
Wives and Lovers
|
1963
|
|
Lucien Ballard (Cinematographer)
|
Wives and Lovers
|
1963
|
|
George Seaton (Director)
|
The Counterfeit Traitor
|
1962
|
|
William Perlberg (Producer)
|
The Counterfeit Traitor
|
1962
|
|
Don Weis (Director)
|
Critic's Choice
|
1962
|
|
Ronald Neame (Director)
|
Escape from Zahrain
|
1962
|
|
Ronald Neame (Producer)
|
Escape from Zahrain
|
1962
|
|
Hal B. Wallis (Producer)
|
A Girl Named Tamiko
|
1962
|
|
John Sturges (Director)
|
A Girl Named Tamiko
|
1962
|
|
Warren Low (Editor)
|
A Girl Named Tamiko
|
1962
|
|
Loyal Griggs (Cinematographer)
|
Girls! Girls! Girls!
|
1962
|
|
Norman Taurog (Director)
|
Girls! Girls! Girls!
|
1962
|
|
Hal B. Wallis (Producer)
|
Girls! Girls! Girls!
|
1962
|
|
Howard Hawks (Director)
|
Hatari!
|
1962
|
|
Howard Hawks (Producer)
|
Hatari!
|
1962
|
|
Bobby Van (Choreography)
|
It's Only Money
|
1962
|
|
Frank Tashlin (Director)
|
It's Only Money
|
1962
|
|
John Ford (Producer)
|
The Man Who Shot Liberty Valance
|
1962
|
|
John Ford (Director)
|
The Man Who Shot Liberty Valance
|
1962
|
|
Jack Cardiff (Director)
|
My Geisha
|
1962
|
|
John Cassavetes (Producer)
|
Too Late Blues
|
1962
|
|
John Cassavetes (Director)
|
Too Late Blues
|
1962
|
|
Lionel Lindon (Cinematographer)
|
Too Late Blues
|
1962
|
|
Blake Edwards (Director)
|
Breakfast at Tiffany's
|
1961
|
|
Nick Castle (Choreography)
|
The Errand Boy
|
1961
|
|
Jerry Lewis (Director)
|
The Errand Boy
|
1961
|
|
Jerry Lewis (Director)
|
The Ladies' Man
|
1961
|
|
Jerry Lewis (Producer)
|
The Ladies' Man
|
1961
|
|
Bobby Van (Choreography)
|
The Ladies' Man
|
1961
|
|
Loyal Griggs (Cinematographer)
|
Love in a Goldfish Bowl
|
1961
|
|
Jack Sher (Director)
|
Love in a Goldfish Bowl
|
1961
|
|
Edmond O'Brien (Director)
|
Man-Trap
|
1961
|
|
Edmond O'Brien (Producer)
|
Man-Trap
|
1961
|
|
Loyal Griggs (Cinematographer)
|
Man-Trap
|
1961
|
|
Geoffrey Unsworth (Cinematographer)
|
On the Double
|
1961
|
|
Harry Stradling (Cinematographer)
|
On the Double
|
1961
|
|
Jack Rose (Producer)
|
On the Double
|
1961
|
|
Melville Shavelson (Director)
|
On the Double
|
1961
|
|
William Perlberg (Producer)
|
The Pleasure of His Company
|
1961
|
|
Robert Burks (Cinematographer)
|
The Pleasure of His Company
|
1961
|
|
George Seaton (Director)
|
The Pleasure of His Company
|
1961
|
|
Hermes Pan (Choreography)
|
The Pleasure of His Company
|
1961
|
|
Fred Astaire (Choreography)
|
The Pleasure of His Company
|
1961
|
|
Nick Castle (Choreography)
|
Pocketful of Miracles
|
1961
|
|
Frank Capra (Producer)
|
Pocketful of Miracles
|
1961
|
|
Frank Capra (Director)
|
Pocketful of Miracles
|
1961
|
|
Warren Low (Editor)
|
Summer and Smoke
|
1961
|
|
Hal B. Wallis (Producer)
|
Summer and Smoke
|
1961
|
|
Peter Glenville (Director)
|
Summer and Smoke
|
1961
|
|
Jerry Lewis (Producer)
|
Cinderfella
|
1960
|
|
Henry Bumstead (Art Director)
|
Cinderfella
|
1960
|
|
Frank Tashlin (Director)
|
Cinderfella
|
1960
|
|
Nick Castle (Choreography)
|
Cinderfella
|
1960
|
|
Jerry Lewis (Director)
|
Cinderfella
|
1960
|
|
Edward Stevenson (Costume Designer)
|
The Facts of Life
|
1960
|
|
Melvin Frank (Director)
|
The Facts of Life
|
1960
|
|
Norman Panama (Producer)
|
The Facts of Life
|
1960
|
|
Melvin Frank (Producer)
|
The Facts of Life
|
1960
|
|
George Cukor (Director)
|
Heller in Pink Tights
|
1960
|
|
Carlo Ponti (Producer)
|
Heller in Pink Tights
|
1960
|
|
George Sidney (Producer)
|
Pepe
|
1960
|
|
George Sidney (Director)
|
Pepe
|
1960
|
|
George Seaton (Producer)
|
The Rat Race
|
1960
|
|
William Perlberg (Producer)
|
The Rat Race
|
1960
|
|
Robert Burks (Cinematographer)
|
The Rat Race
|
1960
|
|
Robert Mulligan (Director)
|
The Rat Race
|
1960
|
|
Guy Hamilton (Director)
|
A Touch of Larceny
|
1960
|
|
Hal B. Wallis (Producer)
|
Visit to a Small Planet
|
1960
|
|
Warren Low (Editor)
|
Visit to a Small Planet
|
1960
|
|
Norman Taurog (Director)
|
Visit to a Small Planet
|
1960
|
|
Loyal Griggs (Cinematographer)
|
Visit to a Small Planet
|
1960
|
|
John Farrow (Director)
|
Alias Jesse James
|
1959
|
|
Lionel Lindon (Cinematographer)
|
Alias Jesse James
|
1959
|
|
Norman Z. McLeod (Director)
|
Alias Jesse James
|
1959
|
|
Bob Hope (Executive Producer)
|
Alias Jesse James
|
1959
|
|
Hal B. Wallis (Producer)
|
Career
|
1959
|
|
Warren Low (Editor)
|
Career
|
1959
|
|
Jack Rose (Producer)
|
The Five Pennies
|
1959
|
|
Melville Shavelson (Director)
|
The Five Pennies
|
1959
|
|
Daniel L. Fapp (Cinematographer)
|
The Five Pennies
|
1959
|
|
Frank Capra (Producer)
|
A Hole in the Head
|
1959
|
|
Frank Capra (Director)
|
A Hole in the Head
|
1959
|
|
William H. Daniels (Cinematographer)
|
A Hole in the Head
|
1959
|
|
Frank Sinatra (Producer)
|
A Hole in the Head
|
1959
|
|
Loyal Griggs (Cinematographer)
|
The Jayhawkers
|
1959
|
|
Melvin Frank (Producer)
|
The Jayhawkers
|
1959
|
|
Norman Panama (Producer)
|
The Jayhawkers
|
1959
|
|
Melvin Frank (Director)
|
The Jayhawkers
|
1959
|
|
John Sturges (Director)
|
Last Train From Gun Hill
|
1959
|
|
Hal B. Wallis (Producer)
|
Last Train From Gun Hill
|
1959
|
|
Warren Low (Editor)
|
Last Train From Gun Hill
|
1959
|
|
Carlo Ponti (Producer)
|
That Kind of Woman
|
1959
|
|
Boris Kaufman (Cinematographer)
|
That Kind of Woman
|
1959
|
|
Sidney Lumet (Director)
|
That Kind of Woman
|
1959
|
|
Henry Wilcoxon (Producer)
|
The Buccaneer
|
1958
|
|
Cecil B. DeMille (Executive Producer)
|
The Buccaneer
|
1958
|
|
Anthony Quinn (Director)
|
The Buccaneer
|
1958
|
|
Loyal Griggs (Cinematographer)
|
The Buccaneer
|
1958
|
|
Jerry Lewis (Producer)
|
The Geisha Boy
|
1958
|
|
Frank Tashlin (Director)
|
The Geisha Boy
|
1958
|
|
Jack Rose (Producer)
|
Houseboat
|
1958
|
|
Melville Shavelson (Director)
|
Houseboat
|
1958
|
|
Michael Curtiz (Director)
|
King Creole
|
1958
|
|
Warren Low (Editor)
|
King Creole
|
1958
|
|
Hal B. Wallis (Producer)
|
King Creole
|
1958
|
|
Cornel Wilde (Director)
|
Maracaibo
|
1958
|
|
Cornel Wilde (Producer)
|
Maracaibo
|
1958
|
|
Nick Castle (Choreography)
|
Rock-A-Bye Baby
|
1958
|
|
Jerry Lewis (Producer)
|
Rock-A-Bye Baby
|
1958
|
|
Frank Tashlin (Director)
|
Rock-A-Bye Baby
|
1958
|
|
Harold Hecht (Producer)
|
Separate Tables
|
1958
|
|
Delbert Mann (Director)
|
Separate Tables
|
1958
|
|
George Seaton (Director)
|
Teacher's Pet
|
1958
|
|
William Perlberg (Producer)
|
Teacher's Pet
|
1958
|
|
Alfred Hitchcock (Producer)
|
Vertigo
|
1958
|
|
George Tomasini (Editor)
|
Vertigo
|
1958
|
|
Alfred Hitchcock (Director)
|
Vertigo
|
1958
|
|
Robert Burks (Cinematographer)
|
Vertigo
|
1958
|
|
Henry Bumstead (Art Director)
|
Vertigo
|
1958
|
|
Jack Rose (Producer)
|
Beau James
|
1957
|
|
Melville Shavelson (Director)
|
Beau James
|
1957
|
|
Cornel Wilde (Director)
|
The Devil's Hairpin
|
1957
|
|
Daniel L. Fapp (Cinematographer)
|
The Devil's Hairpin
|
1957
|
|
Cornel Wilde (Producer)
|
The Devil's Hairpin
|
1957
|
|
Alan J. Pakula (Producer)
|
Fear Strikes Out
|
1957
|
|
Robert Mulligan (Director)
|
Fear Strikes Out
|
1957
|
|
Stanley Donen (Director)
|
Funny Face
|
1957
|
|
Fred Astaire (Choreography)
|
Funny Face
|
1957
|
|
George W. Davis (Art Director)
|
Funny Face
|
1957
|
|
Hal B. Wallis (Producer)
|
Gunfight at the O.K. Corral
|
1957
|
|
Warren Low (Editor)
|
Gunfight at the O.K. Corral
|
1957
|
|
John Sturges (Director)
|
Gunfight at the O.K. Corral
|
1957
|
|
Don McGuire (Producer)
|
Hear Me Good
|
1957
|
|
Don McGuire (Director)
|
Hear Me Good
|
1957
|
|
George Tomasini (Editor)
|
Hear Me Good
|
1957
|
|
Daniel L. Fapp (Cinematographer)
|
The Joker Is Wild
|
1957
|
|
Charles Vidor (Director)
|
The Joker Is Wild
|
1957
|
|
Hal Kanter (Director)
|
Loving You
|
1957
|
|
Hal B. Wallis (Producer)
|
Loving You
|
1957
|
|
Loyal Griggs (Cinematographer)
|
The Sad Sack
|
1957
|
|
George Marshall (Director)
|
The Sad Sack
|
1957
|
|
Hal B. Wallis (Producer)
|
The Sad Sack
|
1957
|
|
A.C. Lyles (Producer)
|
Short Cut to Hell
|
1957
|
|
James Cagney (Director)
|
Short Cut to Hell
|
1957
|
|
Loyal Griggs (Cinematographer)
|
Three Violent People
|
1957
|
|
Rudolph Maté (Director)
|
Three Violent People
|
1957
|
|
George Seaton (Producer)
|
The Tin Star
|
1957
|
|
Loyal Griggs (Cinematographer)
|
The Tin Star
|
1957
|
|
Anthony Mann (Director)
|
The Tin Star
|
1957
|
|
William Perlberg (Producer)
|
The Tin Star
|
1957
|
|
Edward Small (Producer)
|
Witness for the Prosecution
|
1957
|
|
Arthur Hornblow, Jr. (Producer)
|
Witness for the Prosecution
|
1957
|
|
Alexandre Trauner (Art Director)
|
Witness for the Prosecution
|
1957
|
|
Billy Wilder (Director)
|
Witness for the Prosecution
|
1957
|
|
Robert Emmett Dolan (Producer)
|
Anything Goes
|
1956
|
|
Nick Castle (Choreography)
|
Anything Goes
|
1956
|
|
Daniel L. Fapp (Cinematographer)
|
The Birds and the Bees
|
1956
|
|
Nick Castle (Choreography)
|
The Birds and the Bees
|
1956
|
|
Norman Taurog (Director)
|
The Birds and the Bees
|
1956
|
|
Norman Panama (Director)
|
The Court Jester
|
1956
|
|
Melvin Frank (Producer)
|
The Court Jester
|
1956
|
|
Norman Panama (Producer)
|
The Court Jester
|
1956
|
|
Melvin Frank (Director)
|
The Court Jester
|
1956
|
|
Jerry Lewis (Producer)
|
The Delicate Delinquent
|
1956
|
|
Don McGuire (Director)
|
The Delicate Delinquent
|
1956
|
|
Nick Castle (Choreography)
|
The Delicate Delinquent
|
1956
|
|
Hal B. Wallis (Producer)
|
Hollywood or Bust
|
1956
|
|
Frank Tashlin (Director)
|
Hollywood or Bust
|
1956
|
|
Henry Bumstead (Art Director)
|
Hollywood or Bust
|
1956
|
|
Daniel L. Fapp (Cinematographer)
|
Hollywood or Bust
|
1956
|
|
Robert Burks (Cinematographer)
|
The Man Who Knew Too Much
|
1956
|
|
George Tomasini (Editor)
|
The Man Who Knew Too Much
|
1956
|
|
Alfred Hitchcock (Director)
|
The Man Who Knew Too Much
|
1956
|
|
Alfred Hitchcock (Producer)
|
The Man Who Knew Too Much
|
1956
|
|
Henry Bumstead (Art Director)
|
The Man Who Knew Too Much
|
1956
|
|
Edward Dmytryk (Director)
|
The Mountain
|
1956
|
|
Edward Dmytryk (Producer)
|
The Mountain
|
1956
|
|
Nick Castle (Choreography)
|
Pardners
|
1956
|
|
Daniel L. Fapp (Cinematographer)
|
Pardners
|
1956
|
|
Norman Taurog (Director)
|
Pardners
|
1956
|
|
George Seaton (Director)
|
The Proud and Profane
|
1956
|
|
William Perlberg (Producer)
|
The Proud and Profane
|
1956
|
|
Warren Low (Editor)
|
The Rainmaker
|
1956
|
|
Hal B. Wallis (Producer)
|
The Rainmaker
|
1956
|
|
Lionel Lindon (Cinematographer)
|
The Scarlet Hour
|
1956
|
|
Michael Curtiz (Director)
|
The Scarlet Hour
|
1956
|
|
Michael Curtiz (Producer)
|
The Scarlet Hour
|
1956
|
|
LeRoy J. Prinz (Choreography)
|
The Ten Commandments
|
1956
|
|
Cecil B. DeMille (Director)
|
The Ten Commandments
|
1956
|
|
Cecil B. DeMille (Producer)
|
The Ten Commandments
|
1956
|
|
Loyal Griggs (Cinematographer)
|
The Ten Commandments
|
1956
|
|
Henry Wilcoxon (Producer)
|
The Ten Commandments
|
1956
|
|
Loyal Griggs (Cinematographer)
|
That Certain Feeling
|
1956
|
|
Norman Panama (Producer)
|
That Certain Feeling
|
1956
|
|
Nick Castle (Choreography)
|
That Certain Feeling
|
1956
|
|
Norman Panama (Director)
|
That Certain Feeling
|
1956
|
|
Melvin Frank (Director)
|
That Certain Feeling
|
1956
|
|
Melvin Frank (Producer)
|
That Certain Feeling
|
1956
|
|
Henry Bumstead (Art Director)
|
That Certain Feeling
|
1956
|
|
Hal B. Wallis (Producer)
|
Artists and Models
|
1955
|
|
Frank Tashlin (Director)
|
Artists and Models
|
1955
|
|
Warren Low (Editor)
|
Artists and Models
|
1955
|
|
Daniel L. Fapp (Cinematographer)
|
Artists and Models
|
1955
|
|
William Wyler (Director)
|
The Desperate Hours
|
1955
|
|
Robert Swink (Editor)
|
The Desperate Hours
|
1955
|
|
William Wyler (Producer)
|
The Desperate Hours
|
1955
|
|
William Pine (Producer)
|
The Far Horizons
|
1955
|
|
William C. Thomas (Producer)
|
The Far Horizons
|
1955
|
|
Daniel L. Fapp (Cinematographer)
|
The Far Horizons
|
1955
|
|
Rudolph Maté (Director)
|
The Far Horizons
|
1955
|
|
William H. Daniels (Cinematographer)
|
The Girl Rush
|
1955
|
|
William C. Thomas (Producer)
|
Hell's Island
|
1955
|
|
William Pine (Producer)
|
Hell's Island
|
1955
|
|
Lionel Lindon (Cinematographer)
|
Hell's Island
|
1955
|
|
Phil Karlson (Director)
|
Hell's Island
|
1955
|
|
Robert Parrish (Director)
|
Lucy Gallant
|
1955
|
|
William C. Thomas (Producer)
|
Lucy Gallant
|
1955
|
|
Henry Bumstead (Art Director)
|
Lucy Gallant
|
1955
|
|
William Pine (Producer)
|
Lucy Gallant
|
1955
|
|
Lionel Lindon (Cinematographer)
|
Lucy Gallant
|
1955
|
|
Daniel Mann (Director)
|
The Rose Tattoo
|
1955
|
|
James Wong Howe (Cinematographer)
|
The Rose Tattoo
|
1955
|
|
Warren Low (Editor)
|
The Rose Tattoo
|
1955
|
|
Hal B. Wallis (Producer)
|
The Rose Tattoo
|
1955
|
|
William C. Thomas (Producer)
|
Run for Cover
|
1955
|
|
Nicholas Ray (Director)
|
Run for Cover
|
1955
|
|
William Pine (Producer)
|
Run for Cover
|
1955
|
|
Daniel L. Fapp (Cinematographer)
|
Run for Cover
|
1955
|
|
Henry Bumstead (Art Director)
|
Run for Cover
|
1955
|
|
Melville Shavelson (Director)
|
The Seven Little Foys
|
1955
|
|
Nick Castle (Choreography)
|
The Seven Little Foys
|
1955
|
|
Jack Rose (Producer)
|
The Seven Little Foys
|
1955
|
|
William H. Daniels (Cinematographer)
|
Strategic Air Command
|
1955
|
|
Anthony Mann (Director)
|
Strategic Air Command
|
1955
|
|
Alfred Hitchcock (Director)
|
To Catch a Thief
|
1955
|
|
George Tomasini (Editor)
|
To Catch a Thief
|
1955
|
|
Alfred Hitchcock (Producer)
|
To Catch a Thief
|
1955
|
|
Robert Burks (Cinematographer)
|
To Catch a Thief
|
1955
|
|
Robert Burks (Cinematographer)
|
The Trouble with Harry
|
1955
|
|
Alfred Hitchcock (Director)
|
The Trouble with Harry
|
1955
|
|
Alfred Hitchcock (Producer)
|
The Trouble with Harry
|
1955
|
|
Norman Taurog (Director)
|
You're Never Too Young
|
1955
|
|
Daniel L. Fapp (Cinematographer)
|
You're Never Too Young
|
1955
|
|
Hal B. Wallis (Producer)
|
About Mrs. Leslie
|
1954
|
|
Warren Low (Editor)
|
About Mrs. Leslie
|
1954
|
|
Daniel Mann (Director)
|
About Mrs. Leslie
|
1954
|
|
Mark Robson (Director)
|
The Bridges at Toko-Ri
|
1954
|
|
William Perlberg (Producer)
|
The Bridges at Toko-Ri
|
1954
|
|
Charles G. Clarke (Cinematographer)
|
The Bridges at Toko-Ri
|
1954
|
|
Loyal Griggs (Cinematographer)
|
The Bridges at Toko-Ri
|
1954
|
|
Henry Bumstead (Art Director)
|
The Bridges at Toko-Ri
|
1954
|
|
George Seaton (Producer)
|
The Bridges at Toko-Ri
|
1954
|
|
Norman Z. McLeod (Director)
|
Casanova's Big Night
|
1954
|
|
Lionel Lindon (Cinematographer)
|
Casanova's Big Night
|
1954
|
|
William Perlberg (Producer)
|
The Country Girl
|
1954
|
|
George Seaton (Director)
|
The Country Girl
|
1954
|
|
George Seaton (Producer)
|
The Country Girl
|
1954
|
|
Loyal Griggs (Cinematographer)
|
Elephant Walk
|
1954
|
|
William Dieterle (Director)
|
Elephant Walk
|
1954
|
|
George Tomasini (Editor)
|
Elephant Walk
|
1954
|
|
Irving Asher (Producer)
|
Elephant Walk
|
1954
|
|
Michael Kidd (Choreography)
|
Knock on Wood
|
1954
|
|
Melvin Frank (Producer)
|
Knock on Wood
|
1954
|
|
Henry Bumstead (Art Director)
|
Knock on Wood
|
1954
|
|
Norman Panama (Director)
|
Knock on Wood
|
1954
|
|
Norman Panama (Producer)
|
Knock on Wood
|
1954
|
|
Daniel L. Fapp (Cinematographer)
|
Knock on Wood
|
1954
|
|
Melvin Frank (Director)
|
Knock on Wood
|
1954
|
|
Nick Castle (Choreography)
|
Living It Up
|
1954
|
|
Daniel L. Fapp (Cinematographer)
|
Living It Up
|
1954
|
|
Norman Taurog (Director)
|
Living It Up
|
1954
|
|
Byron Haskin (Director)
|
The Naked Jungle
|
1954
|
|
George Pal (Producer)
|
The Naked Jungle
|
1954
|
|
George Tomasini (Editor)
|
Rear Window
|
1954
|
|
Alfred Hitchcock (Producer)
|
Rear Window
|
1954
|
|
Robert Burks (Cinematographer)
|
Rear Window
|
1954
|
|
Alfred Hitchcock (Director)
|
Rear Window
|
1954
|
|
Doane Harrison (Editor)
|
Sabrina
|
1954
|
|
Billy Wilder (Producer)
|
Sabrina
|
1954
|
|
Billy Wilder (Director)
|
Sabrina
|
1954
|
|
Gordon M. Douglas (Director)
|
Them!
|
1954
|
|
Hal B. Wallis (Producer)
|
Three Ring Circus
|
1954
|
|
Warren Low (Editor)
|
Three Ring Circus
|
1954
|
|
Loyal Griggs (Cinematographer)
|
Three Ring Circus
|
1954
|
|
Nick Castle (Choreography)
|
Three Ring Circus
|
1954
|
|
Robert Emmett Dolan (Producer)
|
White Christmas
|
1954
|
|
Loyal Griggs (Cinematographer)
|
White Christmas
|
1954
|
|
Michael Curtiz (Director)
|
White Christmas
|
1954
|
|
Charles Marquis Warren (Director)
|
Arrowhead
|
1953
|
|
Ray Rennahan (Cinematographer)
|
Arrowhead
|
1953
|
|
Doane Harrison (Editor)
|
Forever Female
|
1953
|
|
Harry Stradling (Cinematographer)
|
Forever Female
|
1953
|
|
George Tomasini (Editor)
|
Houdini
|
1953
|
|
George Pal (Producer)
|
Houdini
|
1953
|
|
George Marshall (Director)
|
Houdini
|
1953
|
|
William Perlberg (Producer)
|
Little Boy Lost
|
1953
|
|
George Seaton (Director)
|
Little Boy Lost
|
1953
|
|
George Barnes (Cinematographer)
|
Little Boy Lost
|
1953
|
|
Henry Bumstead (Art Director)
|
Little Boy Lost
|
1953
|
|
Ray Rennahan (Cinematographer)
|
The Pony Express
|
1953
|
|
Harry Tugend (Producer)
|
Road to Bali
|
1953
|
|
George Barnes (Cinematographer)
|
Road to Bali
|
1953
|
|
William Wyler (Producer)
|
Roman Holiday
|
1953
|
|
Robert Swink (Editor)
|
Roman Holiday
|
1953
|
|
Henri Alékan (Cinematographer)
|
Roman Holiday
|
1953
|
|
William Wyler (Director)
|
Roman Holiday
|
1953
|
|
William C. Thomas (Producer)
|
Sangaree
|
1953
|
|
Lionel Lindon (Cinematographer)
|
Sangaree
|
1953
|
|
William Pine (Producer)
|
Sangaree
|
1953
|
|
George Marshall (Director)
|
The Savage
|
1953
|
|
John F. Seitz (Cinematographer)
|
The Savage
|
1953
|
|
George Marshall (Director)
|
Scared Stiff
|
1953
|
|
Hal B. Wallis (Producer)
|
Scared Stiff
|
1953
|
|
Warren Low (Editor)
|
Scared Stiff
|
1953
|
|
George Stevens (Director)
|
Shane
|
1953
|
|
Loyal Griggs (Cinematographer)
|
Shane
|
1953
|
|
George Stevens (Producer)
|
Shane
|
1953
|
|
Irving Asher (Producer)
|
The Stars are Singing
|
1953
|
|
Norman Taurog (Director)
|
The Stars are Singing
|
1953
|
|
Lionel Lindon (Cinematographer)
|
The Stars are Singing
|
1953
|
|
Henry Bumstead (Art Director)
|
The Stars are Singing
|
1953
|
|
William Pine (Producer)
|
Tropic Zone
|
1953
|
|
William C. Thomas (Producer)
|
Tropic Zone
|
1953
|
|
Lionel Lindon (Cinematographer)
|
Tropic Zone
|
1953
|
|
Lionel Lindon (Cinematographer)
|
The Vanquished
|
1953
|
|
William Pine (Producer)
|
The Vanquished
|
1953
|
|
William C. Thomas (Producer)
|
The Vanquished
|
1953
|
|
George Barnes (Cinematographer)
|
The War of the Worlds
|
1953
|
|
Byron Haskin (Director)
|
The War of the Worlds
|
1953
|
|
George Pal (Producer)
|
The War of the Worlds
|
1953
|
|
Robert Swink (Editor)
|
Carrie
|
1952
|
|
William Wyler (Producer)
|
Carrie
|
1952
|
|
William Wyler (Director)
|
Carrie
|
1952
|
|
Miles White (Costume Designer)
|
The Greatest Show on Earth
|
1952
|
|
Cecil B. DeMille (Director)
|
The Greatest Show on Earth
|
1952
|
|
George Barnes (Cinematographer)
|
The Greatest Show on Earth
|
1952
|
|
Cecil B. DeMille (Producer)
|
The Greatest Show on Earth
|
1952
|
|
Hal B. Wallis (Producer)
|
Jumping Jacks
|
1952
|
|
Henry Bumstead (Art Director)
|
Jumping Jacks
|
1952
|
|
Norman Taurog (Director)
|
Jumping Jacks
|
1952
|
|
Daniel L. Fapp (Cinematographer)
|
Jumping Jacks
|
1952
|
|
Doane Harrison (Editor)
|
Just for You
|
1952
|
|
Elliott Nugent (Director)
|
Just for You
|
1952
|
|
George Barnes (Cinematographer)
|
Just for You
|
1952
|
|
Leo McCarey (Producer)
|
My Son, John
|
1952
|
|
Harry Stradling (Cinematographer)
|
My Son, John
|
1952
|
|
Leo McCarey (Director)
|
My Son, John
|
1952
|
|
Paul Ivano (Cinematographer)
|
Red Snow
|
1952
|
|
George Stevens (Director)
|
Something to Live For
|
1952
|
|
George Barnes (Cinematographer)
|
Something to Live For
|
1952
|
|
George Stevens (Producer)
|
Something to Live For
|
1952
|
|
Irving Asher (Producer)
|
The Turning Point
|
1952
|
|
Lionel Lindon (Cinematographer)
|
The Turning Point
|
1952
|
|
George Tomasini (Editor)
|
The Turning Point
|
1952
|
|
William Dieterle (Director)
|
The Turning Point
|
1952
|
|
Billy Wilder (Director)
|
Ace in the Hole
|
1951
|
|
Doane Harrison (Editor)
|
Ace in the Hole
|
1951
|
|
Billy Wilder (Producer)
|
Ace in the Hole
|
1951
|
|
Harry Tugend (Producer)
|
Darling, How Could You!
|
1951
|
|
Daniel L. Fapp (Cinematographer)
|
Darling, How Could You!
|
1951
|
|
Mitchell Leisen (Director)
|
Darling, How Could You!
|
1951
|
|
Robert Swink (Editor)
|
Detective Story
|
1951
|
|
William Wyler (Producer)
|
Detective Story
|
1951
|
|
William Wyler (Director)
|
Detective Story
|
1951
|
|
Frank Capra (Producer)
|
Here Comes the Groom
|
1951
|
|
George Barnes (Cinematographer)
|
Here Comes the Groom
|
1951
|
|
Frank Capra (Director)
|
Here Comes the Groom
|
1951
|
|
Daniel L. Fapp (Cinematographer)
|
The Lemon Drop Kid
|
1951
|
|
Sidney Lanfield (Director)
|
The Lemon Drop Kid
|
1951
|
|
Norman Z. McLeod (Director)
|
My Favorite Spy
|
1951
|
|
Albert S. D'Agostino (Art Director)
|
Payment on Demand
|
1951
|
|
Hans Dreier (Art Director)
|
A Place in the Sun
|
1951
|
|
George Stevens (Producer)
|
A Place in the Sun
|
1951
|
|
George Stevens (Director)
|
A Place in the Sun
|
1951
|
|
George Seaton (Producer)
|
Rhubarb
|
1951
|
|
Henry Bumstead (Art Director)
|
Rhubarb
|
1951
|
|
William Perlberg (Producer)
|
Rhubarb
|
1951
|
|
Arthur Lubin (Director)
|
Rhubarb
|
1951
|
|
Lionel Lindon (Cinematographer)
|
Rhubarb
|
1951
|
|
Henry Bumstead (Art Director)
|
Submarine Command
|
1951
|
|
Lionel Lindon (Cinematographer)
|
Submarine Command
|
1951
|
|
John Farrow (Director)
|
Submarine Command
|
1951
|
|
Warren Low (Editor)
|
That's My Boy
|
1951
|
|
Hal B. Wallis (Producer)
|
That's My Boy
|
1951
|
|
George Pal (Producer)
|
When Worlds Collide
|
1951
|
|
John F. Seitz (Cinematographer)
|
When Worlds Collide
|
1951
|
|
Rudolph Maté (Director)
|
When Worlds Collide
|
1951
|
|
Darryl F. Zanuck (Producer)
|
All About Eve
|
1950
|
|
Charles LeMaire (Costume Designer)
|
All About Eve
|
1950
|
|
Joseph L. Mankiewicz (Director)
|
All About Eve
|
1950
|
|
George W. Davis (Art Director)
|
All About Eve
|
1950
|
|
Hans Dreier (Art Director)
|
Copper Canyon
|
1950
|
|
John Farrow (Director)
|
Copper Canyon
|
1950
|
|
Hal B. Wallis (Producer)
|
Dark City
|
1950
|
|
Warren Low (Editor)
|
Dark City
|
1950
|
|
William Dieterle (Director)
|
Dark City
|
1950
|
|
Hans Dreier (Art Director)
|
Dark City
|
1950
|
|
Hal B. Wallis (Producer)
|
The Furies
|
1950
|
|
Anthony Mann (Director)
|
The Furies
|
1950
|
|
Hans Dreier (Art Director)
|
Let's Dance
|
1950
|
|
George Barnes (Cinematographer)
|
Let's Dance
|
1950
|
|
Norman Z. McLeod (Director)
|
Let's Dance
|
1950
|
|
Hermes Pan (Choreography)
|
Let's Dance
|
1950
|
|
Richard Haydn (Director)
|
Mr. Music
|
1950
|
|
George Barnes (Cinematographer)
|
Mr. Music
|
1950
|
|
Hans Dreier (Art Director)
|
Mr. Music
|
1950
|
|
Doane Harrison (Editor)
|
Mr. Music
|
1950
|
|
Hans Dreier (Art Director)
|
No Man of Her Own
|
1950
|
|
Daniel L. Fapp (Cinematographer)
|
No Man of Her Own
|
1950
|
|
Mitchell Leisen (Director)
|
No Man of Her Own
|
1950
|
|
Henry Bumstead (Art Director)
|
No Man of Her Own
|
1950
|
|
Frank Capra (Director)
|
Riding High
|
1950
|
|
George Barnes (Cinematographer)
|
Riding High
|
1950
|
|
Hans Dreier (Art Director)
|
Riding High
|
1950
|
|
Frank Capra (Producer)
|
Riding High
|
1950
|
|
Doane Harrison (Editor)
|
Sunset Boulevard
|
1950
|
|
Hans Dreier (Art Director)
|
Sunset Boulevard
|
1950
|
|
Charles Brackett (Producer)
|
Sunset Boulevard
|
1950
|
|
Billy Wilder (Director)
|
Sunset Boulevard
|
1950
|
|
John F. Seitz (Cinematographer)
|
Sunset Boulevard
|
1950
|
|
Robert Burks (Cinematographer)
|
Beyond the Forest
|
1949
|
|
Jack L. Warner (Executive Producer)
|
Beyond the Forest
|
1949
|
|
Henry Blanke (Producer)
|
Beyond the Forest
|
1949
|
|
King Vidor (Director)
|
Beyond the Forest
|
1949
|
|
Tay Garnett (Director)
|
A Connecticut Yankee in King Arthur's Court
|
1949
|
|
Hans Dreier (Art Director)
|
A Connecticut Yankee in King Arthur's Court
|
1949
|
|
Ray Rennahan (Cinematographer)
|
A Connecticut Yankee in King Arthur's Court
|
1949
|
|
Robert Siodmak (Director)
|
The File on Thelma Jordon
|
1949
|
|
Hans Dreier (Art Director)
|
The File on Thelma Jordon
|
1949
|
|
Hal B. Wallis (Producer)
|
The File on Thelma Jordon
|
1949
|
|
George Barnes (Cinematographer)
|
The File on Thelma Jordon
|
1949
|
|
Warren Low (Editor)
|
The File on Thelma Jordon
|
1949
|
|
Elliott Nugent (Director)
|
The Great Gatsby
|
1949
|
|
John F. Seitz (Cinematographer)
|
The Great Gatsby
|
1949
|
|
Hans Dreier (Art Director)
|
The Great Gatsby
|
1949
|
|
Hans Dreier (Art Director)
|
The Great Lover
|
1949
|
|
William Wyler (Producer)
|
The Heiress
|
1949
|
|
Emile Kuri (Art Director)
|
The Heiress
|
1949
|
|
William Wyler (Director)
|
The Heiress
|
1949
|
|
William Pine (Producer)
|
Manhandled
|
1949
|
|
William C. Thomas (Producer)
|
Manhandled
|
1949
|
|
Samuel Goldwyn (Producer)
|
My Foolish Heart
|
1949
|
|
Mark Robson (Director)
|
My Foolish Heart
|
1949
|
|
Hal B. Wallis (Executive Producer)
|
My Friend Irma
|
1949
|
|
Henry Bumstead (Art Director)
|
My Friend Irma
|
1949
|
|
George Marshall (Director)
|
My Friend Irma
|
1949
|
|
Hans Dreier (Art Director)
|
My Friend Irma
|
1949
|
|
John Farrow (Director)
|
Red, Hot and Blue
|
1949
|
|
Daniel L. Fapp (Cinematographer)
|
Red, Hot and Blue
|
1949
|
|
Hans Dreier (Art Director)
|
Red, Hot and Blue
|
1949
|
|
William Dieterle (Director)
|
Rope of Sand
|
1949
|
|
Hans Dreier (Art Director)
|
Rope of Sand
|
1949
|
|
Hal B. Wallis (Producer)
|
Rope of Sand
|
1949
|
|
Warren Low (Editor)
|
Rope of Sand
|
1949
|
|
George Barnes (Cinematographer)
|
Samson and Delilah
|
1949
|
|
Victor Young (Cinematographer)
|
Samson and Delilah
|
1949
|
|
Hans Dreier (Art Director)
|
Samson and Delilah
|
1949
|
|
Cecil B. DeMille (Director)
|
Samson and Delilah
|
1949
|
|
Cecil B. DeMille (Producer)
|
Samson and Delilah
|
1949
|
|
Hans Dreier (Art Director)
|
The Accused
|
1948
|
|
Hal B. Wallis (Producer)
|
The Accused
|
1948
|
|
Warren Low (Editor)
|
The Accused
|
1948
|
|
William Dieterle (Director)
|
The Accused
|
1948
|
|
John Farrow (Producer)
|
The Big Clock
|
1948
|
|
Daniel L. Fapp (Cinematographer)
|
The Big Clock
|
1948
|
|
John F. Seitz (Cinematographer)
|
The Big Clock
|
1948
|
|
John Farrow (Director)
|
The Big Clock
|
1948
|
|
Hans Dreier (Art Director)
|
The Big Clock
|
1948
|
|
Daniel L. Fapp (Cinematographer)
|
Dream Girl
|
1948
|
|
Mitchell Leisen (Director)
|
Dream Girl
|
1948
|
|
Hans Dreier (Art Director)
|
Dream Girl
|
1948
|
|
Hans Dreier (Art Director)
|
The Emperor Waltz
|
1948
|
|
Billy Wilder (Director)
|
The Emperor Waltz
|
1948
|
|
George Barnes (Cinematographer)
|
The Emperor Waltz
|
1948
|
|
Charles Brackett (Producer)
|
The Emperor Waltz
|
1948
|
|
Doane Harrison (Editor)
|
The Emperor Waltz
|
1948
|
|
Billy Wilder (Director)
|
A Foreign Affair
|
1948
|
|
Hans Dreier (Art Director)
|
A Foreign Affair
|
1948
|
|
Doane Harrison (Editor)
|
A Foreign Affair
|
1948
|
|
Charles Brackett (Producer)
|
A Foreign Affair
|
1948
|
|
Byron Haskin (Director)
|
I Walk Alone
|
1948
|
|
Hal B. Wallis (Producer)
|
I Walk Alone
|
1948
|
|
Hans Dreier (Art Director)
|
I Walk Alone
|
1948
|
|
Jack L. Warner (Executive Producer)
|
June Bride
|
1948
|
|
Henry Blanke (Producer)
|
June Bride
|
1948
|
|
Anton Grot (Art Director)
|
June Bride
|
1948
|
|
Hans Dreier (Art Director)
|
Miss Tatlock's Millions
|
1948
|
|
Richard Haydn (Director)
|
Miss Tatlock's Millions
|
1948
|
|
Charles Brackett (Producer)
|
Miss Tatlock's Millions
|
1948
|
|
Hans Dreier (Art Director)
|
My Own True Love
|
1948
|
|
Henry Bumstead (Art Director)
|
My Own True Love
|
1948
|
|
Val Lewton (Producer)
|
My Own True Love
|
1948
|
|
Hans Dreier (Art Director)
|
Night Has a Thousand Eyes
|
1948
|
|
John Farrow (Director)
|
Night Has a Thousand Eyes
|
1948
|
|
John F. Seitz (Cinematographer)
|
Night Has a Thousand Eyes
|
1948
|
|
Maury Gertsman (Cinematographer)
|
Rachel and the Stranger
|
1948
|
|
Albert S. D'Agostino (Art Director)
|
Rachel and the Stranger
|
1948
|
|
Henry Bumstead (Art Director)
|
Saigon
|
1948
|
|
Hans Dreier (Art Director)
|
Saigon
|
1948
|
|
John F. Seitz (Cinematographer)
|
Saigon
|
1948
|
|
Hal B. Wallis (Producer)
|
So Evil My Love
|
1948
|
|
Anatole Litvak (Director)
|
Sorry, Wrong Number
|
1948
|
|
Hans Dreier (Art Director)
|
Sorry, Wrong Number
|
1948
|
|
Sol Polito (Cinematographer)
|
Sorry, Wrong Number
|
1948
|
|
Hal B. Wallis (Producer)
|
Sorry, Wrong Number
|
1948
|
|
Anatole Litvak (Producer)
|
Sorry, Wrong Number
|
1948
|
|
Warren Low (Editor)
|
Sorry, Wrong Number
|
1948
|
|
John Farrow (Director)
|
Blaze of Noon
|
1947
|
|
Henry Blanke (Producer)
|
Cry Wolf
|
1947
|
|
Hans Dreier (Art Director)
|
Dear Ruth
|
1947
|
|
Hal B. Wallis (Producer)
|
Desert Fury
|
1947
|
|
Warren Low (Editor)
|
Desert Fury
|
1947
|
|
Dore Schary (Producer)
|
The Farmer's Daughter
|
1947
|
|
Albert S. D'Agostino (Art Director)
|
The Farmer's Daughter
|
1947
|
|
Elliott Nugent (Director)
|
My Favorite Brunette
|
1947
|
|
Hans Dreier (Art Director)
|
My Favorite Brunette
|
1947
|
|
Lionel Lindon (Cinematographer)
|
My Favorite Brunette
|
1947
|
|
André De Toth (Director)
|
The Other Love
|
1947
|
|
Sol C. Siegel (Producer)
|
The Perils of Pauline
|
1947
|
|
George Marshall (Director)
|
The Perils of Pauline
|
1947
|
|
Ray Rennahan (Cinematographer)
|
The Perils of Pauline
|
1947
|
|
Hans Dreier (Art Director)
|
The Perils of Pauline
|
1947
|
|
André De Toth (Director)
|
Ramrod
|
1947
|
|
Harry Sherman (Producer)
|
Ramrod
|
1947
|
|
Hans Dreier (Art Director)
|
Road to Rio
|
1947
|
|
Norman Z. McLeod (Director)
|
Road to Rio
|
1947
|
|
Harry Tugend (Producer)
|
The Trouble with Women
|
1947
|
|
Lionel Lindon (Cinematographer)
|
The Trouble with Women
|
1947
|
|
Hans Dreier (Art Director)
|
The Trouble with Women
|
1947
|
|
Sidney Lanfield (Director)
|
The Trouble with Women
|
1947
|
|
Mark Hellinger (Producer)
|
The Two Mrs. Carrolls
|
1947
|
|
Anton Grot (Art Director)
|
The Two Mrs. Carrolls
|
1947
|
|
Milo Anderson (Costume Designer)
|
The Two Mrs. Carrolls
|
1947
|
|
Lionel Lindon (Cinematographer)
|
Variety Girl
|
1947
|
|
Hans Dreier (Art Director)
|
Variety Girl
|
1947
|
|
George Marshall (Director)
|
Variety Girl
|
1947
|
|
Sol C. Siegel (Producer)
|
Welcome Stranger
|
1947
|
|
Elliott Nugent (Director)
|
Welcome Stranger
|
1947
|
|
Lionel Lindon (Cinematographer)
|
Welcome Stranger
|
1947
|
|
Hans Dreier (Art Director)
|
Where There's Life
|
1947
|
|
Sidney Lanfield (Director)
|
Where There's Life
|
1947
|
|
Lionel Lindon (Cinematographer)
|
The Blue Dahlia
|
1946
|
|
John Houseman (Producer)
|
The Blue Dahlia
|
1946
|
|
George Marshall (Producer)
|
The Blue Dahlia
|
1946
|
|
Hans Dreier (Art Director)
|
The Blue Dahlia
|
1946
|
|
George Marshall (Director)
|
The Blue Dahlia
|
1946
|
|
Hermes Pan (Choreography)
|
Blue Skies
|
1946
|
|
Stuart Heisler (Director)
|
Blue Skies
|
1946
|
|
Sol C. Siegel (Producer)
|
Blue Skies
|
1946
|
|
Hans Dreier (Art Director)
|
The Bride Wore Boots
|
1946
|
|
Hans Dreier (Art Director)
|
California
|
1946
|
|
Ray Rennahan (Cinematographer)
|
California
|
1946
|
|
John Farrow (Director)
|
California
|
1946
|
|
James Wong Howe (Cinematographer)
|
My Reputation
|
1946
|
|
Henry Blanke (Producer)
|
My Reputation
|
1946
|
|
Albert S. D'Agostino (Art Director)
|
Notorious
|
1946
|
|
Gregg Toland (Cinematographer)
|
Notorious
|
1946
|
|
Alfred Hitchcock (Director)
|
Notorious
|
1946
|
|
Ted Tetzlaff (Cinematographer)
|
Notorious
|
1946
|
|
Alfred Hitchcock (Producer)
|
Notorious
|
1946
|
|
Lionel Banks (Art Director)
|
The Perfect Marriage
|
1946
|
|
Russell Metty (Cinematographer)
|
The Perfect Marriage
|
1946
|
|
Hal B. Wallis (Producer)
|
The Perfect Marriage
|
1946
|
|
Lionel Lindon (Cinematographer)
|
Road to Utopia
|
1946
|
|
Hans Dreier (Art Director)
|
Road to Utopia
|
1946
|
|
Hal B. Wallis (Producer)
|
The Strange Love of Martha Ivers
|
1946
|
|
Lewis Milestone (Director)
|
The Strange Love of Martha Ivers
|
1946
|
|
Hans Dreier (Art Director)
|
The Strange Love of Martha Ivers
|
1946
|
|
Mitchell Leisen (Director)
|
To Each His Own
|
1946
|
|
Charles Brackett (Producer)
|
To Each His Own
|
1946
|
|
Hans Dreier (Art Director)
|
To Each His Own
|
1946
|
|
Daniel L. Fapp (Cinematographer)
|
To Each His Own
|
1946
|
|
Hans Dreier (Art Director)
|
The Virginian
|
1946
|
|
Leo McCarey (Producer)
|
The Bells of St. Mary's
|
1945
|
|
George Barnes (Cinematographer)
|
The Bells of St. Mary's
|
1945
|
|
Leo McCarey (Director)
|
The Bells of St. Mary's
|
1945
|
|
Milo Anderson (Costume Designer)
|
Christmas in Connecticut
|
1945
|
|
Billy Wilder (Director)
|
The Lost Weekend
|
1945
|
|
Doane Harrison (Editor)
|
The Lost Weekend
|
1945
|
|
Hans Dreier (Art Director)
|
The Lost Weekend
|
1945
|
|
John F. Seitz (Cinematographer)
|
The Lost Weekend
|
1945
|
|
Charles Brackett (Producer)
|
The Lost Weekend
|
1945
|
|
William Dieterle (Director)
|
Love Letters
|
1945
|
|
Hal B. Wallis (Producer)
|
Love Letters
|
1945
|
|
Mitchell Leisen (Director)
|
Masquerade in Mexico
|
1945
|
|
Lionel Lindon (Cinematographer)
|
Masquerade in Mexico
|
1945
|
|
Karl Tunberg (Producer)
|
Masquerade in Mexico
|
1945
|
|
Hans Dreier (Art Director)
|
Masquerade in Mexico
|
1945
|
|
Hans Dreier (Art Director)
|
Out of This World
|
1945
|
|
Buddy G. DeSylva (Producer)
|
The Stork Club
|
1945
|
|
Hans Dreier (Art Director)
|
The Stork Club
|
1945
|
|
Hal B. Wallis (Producer)
|
You Came Along
|
1945
|
|
John Farrow (Director)
|
You Came Along
|
1945
|
|
Hans Dreier (Art Director)
|
You Came Along
|
1945
|
|
Daniel L. Fapp (Cinematographer)
|
You Came Along
|
1945
|
|
Fred Kohlmar (Producer)
|
And Now Tomorrow
|
1944
|
|
Daniel L. Fapp (Cinematographer)
|
And Now Tomorrow
|
1944
|
|
Hans Dreier (Art Director)
|
And Now Tomorrow
|
1944
|
|
George Marshall (Director)
|
And the Angels Sing
|
1944
|
|
Hans Dreier (Art Director)
|
And the Angels Sing
|
1944
|
|
Karl Struss (Cinematographer)
|
And the Angels Sing
|
1944
|
|
Doane Harrison (Editor)
|
Double Indemnity
|
1944
|
|
John F. Seitz (Cinematographer)
|
Double Indemnity
|
1944
|
|
Hans Dreier (Art Director)
|
Double Indemnity
|
1944
|
|
Billy Wilder (Director)
|
Double Indemnity
|
1944
|
|
Leo McCarey (Producer)
|
Going My Way
|
1944
|
|
Leo McCarey (Director)
|
Going My Way
|
1944
|
|
Hans Dreier (Art Director)
|
Going My Way
|
1944
|
|
Lionel Lindon (Cinematographer)
|
Going My Way
|
1944
|
|
Preston Sturges (Producer)
|
Hail the Conquering Hero
|
1944
|
|
John F. Seitz (Cinematographer)
|
Hail the Conquering Hero
|
1944
|
|
Hans Dreier (Art Director)
|
Hail the Conquering Hero
|
1944
|
|
Preston Sturges (Director)
|
Hail the Conquering Hero
|
1944
|
|
Dore Schary (Producer)
|
I'll Be Seeing You
|
1944
|
|
William Dieterle (Director)
|
I'll Be Seeing You
|
1944
|
|
Mitchell Leisen (Producer)
|
The Lady in the Dark
|
1944
|
|
Ray Rennahan (Cinematographer)
|
The Lady in the Dark
|
1944
|
|
Mitchell Leisen (Costume Designer)
|
The Lady in the Dark
|
1944
|
|
Mitchell Leisen (Director)
|
The Lady in the Dark
|
1944
|
|
Hans Dreier (Art Director)
|
Ministry of Fear
|
1944
|
|
Fritz Lang (Director)
|
Ministry of Fear
|
1944
|
|
Preston Sturges (Producer)
|
The Miracle of Morgan's Creek
|
1944
|
|
Preston Sturges (Director)
|
The Miracle of Morgan's Creek
|
1944
|
|
John F. Seitz (Cinematographer)
|
The Miracle of Morgan's Creek
|
1944
|
|
Hans Dreier (Art Director)
|
The Miracle of Morgan's Creek
|
1944
|
|
Sheridan Gibney (Producer)
|
Our Hearts Were Young and Gay
|
1944
|
|
Hans Dreier (Art Director)
|
Our Hearts Were Young and Gay
|
1944
|
|
Paul Weatherwax (Editor)
|
Our Hearts Were Young and Gay
|
1944
|
|
Karl Struss (Cinematographer)
|
Rainbow Island
|
1944
|
|
Hans Dreier (Art Director)
|
Rainbow Island
|
1944
|
|
Ralph Murphy (Director)
|
Rainbow Island
|
1944
|
|
Doane Harrison (Editor)
|
The Uninvited
|
1944
|
|
Charles Brackett (Producer)
|
The Uninvited
|
1944
|
|
Hans Dreier (Art Director)
|
The Uninvited
|
1944
|
|
Doane Harrison (Editor)
|
Five Graves to Cairo
|
1943
|
|
John F. Seitz (Cinematographer)
|
Five Graves to Cairo
|
1943
|
|
Hans Dreier (Art Director)
|
Five Graves to Cairo
|
1943
|
|
Billy Wilder (Director)
|
Five Graves to Cairo
|
1943
|
|
Julien Duvivier (Producer)
|
Flesh and Fantasy
|
1943
|
|
Charles Boyer (Producer)
|
Flesh and Fantasy
|
1943
|
|
Julien Duvivier (Director)
|
Flesh and Fantasy
|
1943
|
|
Paul Ivano (Cinematographer)
|
Flesh and Fantasy
|
1943
|
|
Stanley Cortez (Cinematographer)
|
Flesh and Fantasy
|
1943
|
|
Hunt Stromberg (Producer)
|
Lady of Burlesque
|
1943
|
|
Bernard Herzbrun (Art Director)
|
Lady of Burlesque
|
1943
|
|
William Wellman (Director)
|
Lady of Burlesque
|
1943
|
|
Mitchell Leisen (Producer)
|
No Time for Love
|
1943
|
|
Mitchell Leisen (Director)
|
No Time for Love
|
1943
|
|
Hans Dreier (Art Director)
|
No Time for Love
|
1943
|
|
Irene (Costume Designer)
|
No Time for Love
|
1943
|
|
Renie (Costume Designer)
|
Tender Comrade
|
1943
|
|
Russell Metty (Cinematographer)
|
Tender Comrade
|
1943
|
|
Albert S. D'Agostino (Art Director)
|
Tender Comrade
|
1943
|
|
Edward Dmytryk (Director)
|
Tender Comrade
|
1943
|
|
Paul Weatherwax (Editor)
|
The Fleet's In
|
1942
|
|
Victor Schertzinger (Director)
|
The Fleet's In
|
1942
|
|
Hans Dreier (Art Director)
|
The Fleet's In
|
1942
|
|
Robert M. Haas (Art Director)
|
The Gay Sisters
|
1942
|
|
Sol Polito (Cinematographer)
|
The Gay Sisters
|
1942
|
|
Warren Low (Editor)
|
The Gay Sisters
|
1942
|
|
Henry Blanke (Producer)
|
The Gay Sisters
|
1942
|
|
William Wellman (Director)
|
The Great Man's Lady
|
1942
|
|
William Wellman (Producer)
|
The Great Man's Lady
|
1942
|
|
Hans Dreier (Art Director)
|
The Great Man's Lady
|
1942
|
|
Mark Sandrich (Director)
|
Holiday Inn
|
1942
|
|
Mark Sandrich (Producer)
|
Holiday Inn
|
1942
|
|
René Clair (Producer)
|
I Married a Witch
|
1942
|
|
René Clair (Director)
|
I Married a Witch
|
1942
|
|
Preston Sturges (Producer)
|
I Married a Witch
|
1942
|
|
Ted Tetzlaff (Cinematographer)
|
I Married a Witch
|
1942
|
|
Hans Dreier (Art Director)
|
I Married a Witch
|
1942
|
|
Fred Kohlmar (Producer)
|
Lucky Jordan
|
1942
|
|
John F. Seitz (Cinematographer)
|
Lucky Jordan
|
1942
|
|
Doane Harrison (Editor)
|
The Major and the Minor
|
1942
|
|
Billy Wilder (Director)
|
The Major and the Minor
|
1942
|
|
Arthur Hornblow, Jr. (Producer)
|
The Major and the Minor
|
1942
|
|
Hans Dreier (Art Director)
|
The Remarkable Andrew
|
1942
|
|
Stuart Heisler (Director)
|
The Remarkable Andrew
|
1942
|
|
David Butler (Director)
|
The Road to Morocco
|
1942
|
|
Hans Dreier (Art Director)
|
The Road to Morocco
|
1942
|
|
George Marshall (Director)
|
Star Spangled Rhythm
|
1942
|
|
Hans Dreier (Art Director)
|
Star Spangled Rhythm
|
1942
|
|
Paul Weatherwax (Editor)
|
Star Spangled Rhythm
|
1942
|
|
Hans Dreier (Art Director)
|
Young and Willing
|
1942
|
|
Samuel Goldwyn (Producer)
|
Ball of Fire
|
1941
|
|
Gregg Toland (Cinematographer)
|
Ball of Fire
|
1941
|
|
Howard Hawks (Director)
|
Ball of Fire
|
1941
|
|
Buddy G. DeSylva (Producer)
|
Birth of the Blues
|
1941
|
|
Paul Weatherwax (Editor)
|
Birth of the Blues
|
1941
|
|
Victor Schertzinger (Director)
|
Birth of the Blues
|
1941
|
|
Hans Dreier (Art Director)
|
Birth of the Blues
|
1941
|
|
Buddy G. DeSylva (Producer)
|
Caught in the Draft
|
1941
|
|
Karl Struss (Cinematographer)
|
Caught in the Draft
|
1941
|
|
David Butler (Director)
|
Caught in the Draft
|
1941
|
|
Lionel Banks (Art Director)
|
Here Comes Mr. Jordan
|
1941
|
|
Arthur Hornblow, Jr. (Producer)
|
Hold Back the Dawn
|
1941
|
|
Doane Harrison (Editor)
|
Hold Back the Dawn
|
1941
|
|
Hans Dreier (Art Director)
|
Hold Back the Dawn
|
1941
|
|
Mitchell Leisen (Director)
|
Hold Back the Dawn
|
1941
|
|
Hans Dreier (Art Director)
|
The Lady Eve
|
1941
|
|
Preston Sturges (Director)
|
The Lady Eve
|
1941
|
|
Anthony Veiller (Producer)
|
New York Town
|
1941
|
|
Charles Vidor (Director)
|
New York Town
|
1941
|
|
Hans Dreier (Art Director)
|
New York Town
|
1941
|
|
Doane Harrison (Editor)
|
New York Town
|
1941
|
|
Hans Dreier (Art Director)
|
Nothing But the Truth
|
1941
|
|
Arthur Hornblow, Jr. (Producer)
|
Nothing But the Truth
|
1941
|
|
Elliott Nugent (Director)
|
Nothing But the Truth
|
1941
|
|
Victor Schertzinger (Director)
|
Road to Zanzibar
|
1941
|
|
Ted Tetzlaff (Cinematographer)
|
Road to Zanzibar
|
1941
|
|
Hans Dreier (Art Director)
|
Road to Zanzibar
|
1941
|
|
LeRoy J. Prinz (Choreography)
|
Road to Zanzibar
|
1941
|
|
Hans Dreier (Art Director)
|
Sullivan's Travels
|
1941
|
|
John F. Seitz (Cinematographer)
|
Sullivan's Travels
|
1941
|
|
Preston Sturges (Director)
|
Sullivan's Travels
|
1941
|
|
Preston Sturges (Producer)
|
Sullivan's Travels
|
1941
|
|
Wesley Ruggles (Producer)
|
You Belong to Me
|
1941
|
|
Lionel Banks (Art Director)
|
You Belong to Me
|
1941
|
|
Wesley Ruggles (Director)
|
You Belong to Me
|
1941
|
|
Mark Sandrich (Producer)
|
Buck Benny Rides Again
|
1940
|
|
Mark Sandrich (Director)
|
Buck Benny Rides Again
|
1940
|
|
LeRoy J. Prinz (Choreography)
|
Buck Benny Rides Again
|
1940
|
|
Hans Dreier (Art Director)
|
Buck Benny Rides Again
|
1940
|
|
George Marshall (Director)
|
The Ghost Breakers
|
1940
|
|
Hans Dreier (Art Director)
|
The Ghost Breakers
|
1940
|
|
Arthur Hornblow, Jr. (Producer)
|
The Ghost Breakers
|
1940
|
|
Preston Sturges (Director)
|
The Great McGinty
|
1940
|
|
Hans Dreier (Art Director)
|
The Great McGinty
|
1940
|
|
Doane Harrison (Editor)
|
Remember the Night
|
1940
|
|
Mitchell Leisen (Director)
|
Remember the Night
|
1940
|
|
Mitchell Leisen (Producer)
|
Remember the Night
|
1940
|
|
Hans Dreier (Art Director)
|
Remember the Night
|
1940
|
|
Ted Tetzlaff (Cinematographer)
|
Remember the Night
|
1940
|
|
Hans Dreier (Art Director)
|
Rhythm on the River
|
1940
|
|
Ted Tetzlaff (Cinematographer)
|
Rhythm on the River
|
1940
|
|
Victor Schertzinger (Director)
|
Rhythm on the River
|
1940
|
|
William Le Baron (Producer)
|
Rhythm on the River
|
1940
|
|
Hans Dreier (Art Director)
|
Honeymoon in Bali
|
1939
|
|
Ted Tetzlaff (Cinematographer)
|
Honeymoon in Bali
|
1939
|
|
Wesley Ruggles (Producer)
|
Invitation to Happiness
|
1939
|
|
Wesley Ruggles (Director)
|
Invitation to Happiness
|
1939
|
|
Hans Dreier (Art Director)
|
Invitation to Happiness
|
1939
|
|
Arthur Hornblow, Jr. (Producer)
|
Man About Town
|
1939
|
|
Ted Tetzlaff (Cinematographer)
|
Man About Town
|
1939
|
|
LeRoy J. Prinz (Choreography)
|
Man About Town
|
1939
|
|
Mark Sandrich (Director)
|
Man About Town
|
1939
|
|
Sol C. Siegel (Producer)
|
Man of Conquest
|
1939
|
|
Joseph H. August (Cinematographer)
|
Man of Conquest
|
1939
|
|
Hans Dreier (Art Director)
|
Never Say Die
|
1939
|
|
Elliott Nugent (Director)
|
Never Say Die
|
1939
|
|
Karl Struss (Cinematographer)
|
The Star Maker
|
1939
|
|
Charles R. Rogers (Producer)
|
The Star Maker
|
1939
|
|
Hans Dreier (Art Director)
|
The Star Maker
|
1939
|
|
Roy Del Ruth (Director)
|
The Star Maker
|
1939
|
|
William C. Thomas (Producer)
|
Sudden Money
|
1939
|
|
Arthur Hornblow, Jr. (Producer)
|
Artists and Models Abroad
|
1938
|
|
Mitchell Leisen (Director)
|
Artists and Models Abroad
|
1938
|
|
Doane Harrison (Editor)
|
Artists and Models Abroad
|
1938
|
|
Hans Dreier (Art Director)
|
Artists and Models Abroad
|
1938
|
|
Ted Tetzlaff (Cinematographer)
|
Artists and Models Abroad
|
1938
|
|
LeRoy J. Prinz (Choreography)
|
Artists and Models Abroad
|
1938
|
|
LeRoy J. Prinz (Choreography)
|
College Swing
|
1938
|
|
Hans Dreier (Art Director)
|
College Swing
|
1938
|
|
Raoul Walsh (Director)
|
College Swing
|
1938
|
|
Hans Dreier (Art Director)
|
Her Jungle Love
|
1938
|
|
Ray Rennahan (Cinematographer)
|
Her Jungle Love
|
1938
|
|
Frank Lloyd (Producer)
|
If I Were King
|
1938
|
|
Frank Lloyd (Director)
|
If I Were King
|
1938
|
|
Arthur Hornblow, Jr. (Producer)
|
Tropic Holiday
|
1938
|
|
Ted Tetzlaff (Cinematographer)
|
Tropic Holiday
|
1938
|
|
LeRoy J. Prinz (Choreography)
|
Tropic Holiday
|
1938
|
|
LeRoy J. Prinz (Choreography)
|
The Big Broadcast of 1938
|
1937
|
|
Mitchell Leisen (Director)
|
The Big Broadcast of 1938
|
1937
|
|
Hans Dreier (Art Director)
|
The Big Broadcast of 1938
|
1937
|
|
Hans Dreier (Art Director)
|
Double or Nothing
|
1937
|
|
Karl Struss (Cinematographer)
|
Double or Nothing
|
1937
|
|
LeRoy J. Prinz (Choreography)
|
Double or Nothing
|
1937
|
|
Edward Dmytryk (Editor)
|
Double or Nothing
|
1937
|
|
Ray Rennahan (Cinematographer)
|
Ebb Tide
|
1937
|
|
Travis Banton (Costume Designer)
|
Sophie Lang Goes West
|
1937
|
|
Ted Tetzlaff (Cinematographer)
|
Sophie Lang Goes West
|
1937
|
|
Hans Dreier (Art Director)
|
Souls at Sea
|
1937
|
|
Henry Hathaway (Director)
|
Souls at Sea
|
1937
|
|
Henry Hathaway (Producer)
|
Souls at Sea
|
1937
|
|
Robert Florey (Director)
|
This Way Please
|
1937
|
|
Hans Dreier (Art Director)
|
This Way Please
|
1937
|
|
LeRoy J. Prinz (Choreography)
|
This Way Please
|
1937
|
|
Paul Weatherwax (Editor)
|
Waikiki Wedding
|
1937
|
|
Arthur Hornblow, Jr. (Producer)
|
Waikiki Wedding
|
1937
|
|
LeRoy J. Prinz (Choreography)
|
Waikiki Wedding
|
1937
|
|
Karl Struss (Cinematographer)
|
Waikiki Wedding
|
1937
|
|
Frank Lloyd (Producer)
|
Wells Fargo
|
1937
|
|
Frank Lloyd (Director)
|
Wells Fargo
|
1937
|
|
Hans Dreier (Art Director)
|
Wells Fargo
|
1937
|
|
Hans Dreier (Art Director)
|
Early to Bed
|
1936
|
|
Norman Z. McLeod (Director)
|
Early to Bed
|
1936
|
|
Charles Barton (Director)
|
Murder With Pictures
|
1936
|
|
Ted Tetzlaff (Cinematographer)
|
Murder With Pictures
|
1936
|
|
Hans Dreier (Art Director)
|
Murder With Pictures
|
1936
|
|
William Le Baron (Producer)
|
Poppy
|
1936
|
|
Stuart Heisler (Editor)
|
Poppy
|
1936
|
|
Hans Dreier (Art Director)
|
Poppy
|
1936
|
|
Bernard Herzbrun (Art Director)
|
Poppy
|
1936
|
|
Edward Sutherland (Director)
|
Poppy
|
1936
|
|
Norman Taurog (Director)
|
Rhythm on the Range
|
1936
|
|
Karl Struss (Cinematographer)
|
Rhythm on the Range
|
1936
|
|
Hans Dreier (Art Director)
|
Rhythm on the Range
|
1936
|
|
Hans Dreier (Art Director)
|
Death Takes a Holiday
|
1934
|
|
Travis Banton (Costume Designer)
|
Death Takes a Holiday
|
1934
|
|
Mitchell Leisen (Director)
|
Death Takes a Holiday
|
1934
|
|
Elliott Nugent (Director)
|
She Loves Me Not
|
1934
|
|
Mitchell Leisen (Director)
|
Cradle Song
|
1933
|
|
William Le Baron (Producer)
|
She Done Him Wrong
|
1933
|
|
Harold Hecht (Choreography)
|
She Done Him Wrong
|
1933
|
|
Lowell Sherman (Director)
|
She Done Him Wrong
|
1933
|
|
Rouben Mamoulian (Producer)
|
Love Me Tonight
|
1932
|
|
Rouben Mamoulian (Director)
|
Love Me Tonight
|
1932
|
|
Hans Dreier (Art Director)
|
Love Me Tonight
|
1932
|
|
Travis Banton (Costume Designer)
|
Love Me Tonight
|
1932
|
|
William Wellman (Director)
|
Wings
|
1927
|