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The Office - Season Five (2009)
Season Five is not just another day at The Office, delivering break-ups, corporate shake-ups, and a game-changing finale that, as with Jim (John Krasinski), should leave you ecstatic and speechless. The writers continue their masterful handling of the Jim and Pam (Jenna Fischer) romance, taking care of some unfinished business from last season's finale in the season opener with a glorious rain-swept gas station proposal. Their initial separation--while she attends art school in New York--avoids the usual sitcom mechanics ("We are not that couple," Jim states as he aborts a panicked trip to see her). The course of true love is no smoother for The Office's other soul mates, Michael Scott (Steve Carrell) and "major dork" Holly Flax (an Emmy-worthy Amy Ryan), the new HR rep. Meanwhile, Angela (Angela Kinsey) and Dwight (Rainn Wilson) are having office trysts under the nose of her fiancé, Andy (Hangover star Ed Helms, having a breakout season in a career year). On the corporate front, Michael shockingly quits after butting heads with no-nonsense new boss Charles Miner (Idris Elba). In a brilliant stroke, Jim immediately gets on Charles's bad side, much to Dwight's delight. The formation of The Michael Scott Paper Company is a highlight of the season, as Michael and his dream team, Pam and Ryan (B.J. Novak), improbably put a major dent in Dunder Mifflin's sales (but at what cost?). For everyone who wonders how the blundering and tactless Michael keeps his job, it is instructive to get a glimpse of his sales acumen in the episodes "Heavy Competition," in which Michael poaches one of Dwight's clients, and "Broke," in which he negotiates a buyout of his struggling company. The Office's own dream team got dreamier with the addition of Ellie Kemper as "Erin," the adorable and naïve new receptionist. The Office still makes for cringe-worthy discomfort television (see a reunited Michael and Holly's excruciating skit at the "Company Picnic" in the season finale), but some of the best episodes are the ones in which the Scranton branch bonds in the face of adversity. A season benchmark is the episode in which the former Michael Scott Paper Company office space is transformed into "Café Disco" and all squabbles and resentments are forgotten on the dance floor. This season is representative of why The Office is one of television's most DVR'd series. Each episode offers priceless bits of background comic business and charming character grace notes that lend themselves to repeated viewing. Among them: Andy's drunken late night phone call to Angela in "Company Trip"; Pam demonstrating her volleyball prowess in "Company Picnic"; Kelly (Mindy Kaling) setting up one of the series' very best "that's what she saids" in "Customer Survey"; and Andy and Kelly's "dance off" in "Café Disco." As Dwight notes in "Heavy Competition," "There's a lot going on" in The Office, and in that chaos, this series soars. --Donald LiebensonAlso on the discs This five-disc set works overtime with about eight episodes' worth of deleted scenes. Highlights include Pam bonding with her younger fellow students in New York, Kevin's revelation that he loves the smell of bacon on a woman, and Michael Scott on the loose with a defibrillator. The 10 audio commentaries are low-key, but informative, and some offer unique behind-the-scenes perspectives (one features craft services and catering personnel who reveal what the cast eats for breakfast). Along with the standard-issue gag reel, there are for completists two webisodes featuring the series' B+ team and synergetic promos for the Super Bowl and the Olympics. Andy Richter moderates an Academy of Television Arts & Sciences Q&A featuring the cast, key creative personnel, and crew members. A "100 Episodes, 100 Moments" countdown is open to debate (not one "that's what she said!"). --Donald Liebenson...Read More
- Cast: Steve Carell, Rainn Wilson, John Krasinski, Jenna Fischer, B.J. Novak
- Director(s): Asaad Kelada
- MPAA Rating: Unrated
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- Cast: Corey Haim, Dwight Yoakam, David Carradine, Bai Ling, Reno Wilson
- Director(s): Mark Neveldine
- MPAA Rating: R (Restricted)
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AS HANNAH MONTANA'S POPULARITY BEGINS TO TAKE OVER HER LIFE, MILEY STEWART, ON THE URGING FROM HER FATHER TAKES A TRIP TO HER HOMETOWN OF CROWLEY CORNERS, TENNESSEE TO GET SOME PERSPECTIVE ON WHAT MATTERS IN LIFE THE MOST....Read More
- Cast: Miley Cyrus, Billy Ray Cyrus, Emily Osment, Jason Earles, Lucas Till
- Director(s): Peter Chelsom
- MPAA Rating: G (General Audience)
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Fringe: The Complete First Season (2009)
Teleportation, mind control, astral projection, invisibility, precognition, spontaneous combustion, reanimation: these are among the peripheral sciences--or "pseudo-sciences," as one skeptic puts it--examined during the first season of Fringe, a Fox network TV drama debuting on DVD with the full first season (twenty episodes) offered on seven extras-laden discs. The notion that those phenomena could have a genuine scientific basis is intriguing enough. But co-creator J.J. Abrams (whose bulging resume as a director, writer, and producer includes Lost, Alias, and the 2009 Star Trek feature film) has even more on his mind. Along with the weird science, the series features a multi-agency task force investigating related acts of terrorism that may very well add up to a threat of unimaginable global proportions; people who are exactly what they appear to be (i.e., insane) and others who are anything but; plot twists galore; family drama, interpersonal relationships, corporate evil, cop chases... There's a lot in play here, and while it doesn't always hold together (and like any new series, it takes a while to hit its stride), Fringe is rarely boring, and never less than impressively ambitious. The pilot introduces us to the main characters, principally FBI agent Olivia Dunham (Anna Torv, good but not great in the show's central role) and others on the task force brought in to investigate some gross goings-on aboard a jumbo jet (a "self-eradicating, airborne toxin" reduced everyone to blood and bones). Seems this is but one part of "The Pattern," a series of synchronous, similarly shocking events that unfold as the show progresses; in subsequent episodes, lots of people are killed in graphic fashion by all manner of horrors, including scary monsters (slugs as big as a football, teethed parasites that can crush your heart), a gas that freezes a busload of passengers "like insects trapped in amber," people so radioactive they can literally make your brain boil⦠it goes on. Helping Dunham and the rest of the force figure it all out are scientist Dr. Walter Bishop (an appealing John Noble), who's spent the past 17 years locked up in the loony bin and whose research may be responsible for some of the crimes we witness, and his son-babysitter Peter (Joshua Jackson). As for the "fringe" element, Dr. Bishop and other, less benign geniuses jump-start a dead man's brain, photograph another victim's cornea in order to access the last thing she saw before death, connect Dunham to her boyfriend so she can experience his memories of the incident that left him comatose, use high-frequency vibrations to enable bank robbers to pass through a solid vault wall, and much, much more. As for where and how all of this ends up, let's just that enquiring minds will have to hang in for the long, complicated run. Bonus features are many and varied; among the best are "Deciphering the Scene" (brief explications of key scenes in every episode) and "The Massive Undertaking" (detailing how certain special effects sequences were pulled off). --Sam Graham...Read More
- Cast: Anna Torv, Joshua Jackson, Lance Reddick, Kirk Acevedo, Blair Brown
- Director(s):
- MPAA Rating: Unrated
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A team of investigative reporters work alongside a police detective to try to solve the murder of a congressmans mistress. Studio: Uni Dist Corp. (mca) Release Date: 09/01/2009 Starring: Russell Crowe Rachel Mcadams Run time: 128 minutes Rating: Pg13...Read More
- Cast: Russell Crowe, Helen Mirren, Ben Affleck, Rachel McAdams, Harry J. Lennix
- Director(s): Kevin Macdonald
- MPAA Rating: PG-13 (Parental Guidance Suggested)
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AN EPIC STORY OF ADVENTURE, STARRING SOME OF THE MOST MAGNIFICENT & COURAGEOUS CREATURES ALIVE, AWAITS YOU. THIS IS A REMARKABLE STORY OF THREE ANIMAL FAMILIES ON A JOURNEY ACROSS OUR PLANET - PLOAR BEARS, ELEPHANTS & HUMPBACK WHALES....Read More
- Cast: James Earl Jones, Patrick Stewart
- Director(s):
- MPAA Rating: G (General Audience)
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See Thomas & Friends⢠like never before in this new action-packed movie. Follow Thomas as he discovers Hiro, an abandoned engine from a faraway land. Fearing that Hiro will be scrapped, Thomas enlists the help of many friends, but mishaps, mistakes and one boastful engine could foil their rescue plans. Watch and find out if they can work together to help their new friend in the most heroic movie of the year! ...Read More
- Cast:
- Director(s): Greg Tiernan
- MPAA Rating: Unrated
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Heroes - Season Three (2009)
- Cast: Jack Coleman, Hayden Panettiere, Milo Ventimiglia, Masi Oka, Adrian Pasdar
- Director(s):
- MPAA Rating: Unrated
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- Cast: Wayne Allwine, Tony Anselmo, Dee Bradley Baker, Corey Burton, Jim Cummings
- Director(s): Broni Likomanov;Donovan Cook;Rob LaDuca
- MPAA Rating:
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![Fast & Furious (2-Disc Special Edition) [Blu-ray]](http://ecx.images-amazon.com/images/I/51pChTu7eTL._SL160_.jpg)
Fast & Furious is high octane torque-er porn that puts the franchise back on course after drifting in Tokyo. With the original cast once again in the driver's seat, we are good to go with a this-time-it's-personal plot and spectacular race and chase set-pieces that exceed the promise of the stripped-down title, beginning with an awesome highway hijacking of an oil truck led by former street racer Dom Toretto (Vin Diesel, at his glowering and gravel-voiced best). Dom is a fugitive in the Dominican Republic, but after a devastating personal loss, he is driven by revenge to return to Los Angeles to bring down an elusive drug smuggler. He is reunited with Brian O'Connor (Paul Walker), the undercover FBI agent who let him go eight years earlier. Brian, also on the case, must come to terms with Dom and make amends with Dom's sister (Jordana Brewster), whom he betrayed in his original pursuit of Dom. Fast & Furious is just the ticket for putting your mind on cruise control. From a see-what-you've-got racing challenge through the streets of L.A. to the illicit kicks of the street-racing subculture (this is extreme PG-13), there is nothing cheap about these thrills. A record-shattering opening weekend at the box office could mean faster and more furious action to come, but if this is the franchise's last time around the block, it goes out a winner. --Donald Liebenson Stills from Fast & Furious (Click for larger image) Click to learn more about the BD-Live Experience ...Read More
- Cast: Vin Diesel, Paul Walker, Michelle Rodriguez, Jordana Brewster, John Ortiz
- Director(s): Justin Lin
- MPAA Rating: PG-13 (Parental Guidance Suggested)
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Cheer captain lina cruz whose world is turned upside-down when her family moves from the urban streets of east los angeles to the wealthy beach town of malibu. At her new school she meets ultra-competitive avery the all-star cheer captain with attitude to spare. Studio: Uni Dist Corp. (mca) Release Date: 09/01/2009 Starring: Christina Milian Run time: 103 minutes Rating: Pg13 Director: Bille Woodruff...Read More
- Cast: Christina Milian, Cody Longo, Rachele Brooke Smith, Holland Roden, Laura Cerón
- Director(s): Bille Woodruff
- MPAA Rating: PG (Parental Guidance Suggested)
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Suit up for action with Robert Downey Jr. in the ultimate adventure movie you’ve been waiting for ,...Read More
- Cast: Robert Downey Jr., Gwyneth Paltrow, Terrence Howard, Jeff Bridges, Leslie Bibb
- Director(s): Jon Favreau
- MPAA Rating: PG-13 (Parental Guidance Suggested)
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A dark and creepy film about family relationships directed by Henry Selick of Nightmare Before Christmas and James and the Giant Peach fame , Coraline is based on the haunting book Coraline by Neil Gaiman. The first stop-motion feature shot in stereoscopic 3-D, Coraline features big-headed, stick-bodied animated characters with huge eyes and demonic grins set against menacing backgrounds and an undercurrent of spooky music. Coraline is a teenager who has just moved to an old house in the middle of nowhere with her writer parents and she is bored, bored, bored. Her only companions are an annoyingly talkative boy Wybie (short for Why Born), some eccentric neighbors from the theater and circus, and a strange, button-eyed doll with a marked resemblance to Coraline which Wybie found in an old trunk of his grandmother's. When Coraline finds an old door hidden behind an armoire and papered over with wallpaper, she convinces her mother to unlock it, only to find a wall of bricks. When Coraline revisits the door later that night, the bricks magically disappear and she discovers a strange pathway to another world where everything is just what she wishes for. In stark contrast to the real world where Coraline's parents just don't have time for her, her "Other Mother" and "Other Father" in this alternate world are the perfect loving, attentive parents who anticipate her every need and desire. Initially comforted and quite happy in this new world, suspicion that things may not be quite as they seem grows inside Coraline and her disquiet is furthered by the mute "Other Wybie" and a strange-talking cat that seems to move between both worlds. Eventually, Coraline discovers some dark secrets about her "other parents" and the seemingly perfect "other world," but it may be too late for her to escape back to the real world. Teri Hatcher is especially effective in her dual (voice) role as Mom and "Other Mom" and Dakota Fanning also gives a great performance as Coraline. Coraline is a disturbing, intriguing film that both captivates and frightens. (Ages 11 and older) --Tami Horiuchi Stills from Coraline (Click for larger image) ...Read More
- Cast: Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders, Dawn French
- Director(s): Henry Selick
- MPAA Rating: PG (Parental Guidance Suggested)
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Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} At once sweet, genuinely funny, and painfully awkward, I Love You, Man is that type of film that used to feel like a rare event, but these days is a lot more common thanks to Judd Apatow’s new hit factory. His stock ensemble of actors, writers, and directors have managed to hone in on the perfect formula of raunchy and sweet. Apatow wasn't involved in this production, but his mark is all over it just the same. Paul Rudd has to be the most infinitely likeable man in Hollywood; he manages to capture the ideal blend of sincerity and awkwardness but never comes off as annoying. As Sidney, Jason Segal departs from the neurotic and insecure roles that have nearly made him a household name in Freaks and Geeks and Forgetting Sarah Marshall. He channels instead the endearingly arrogant and emotionally stunted man-boy who is both life of the party and sad clown. The story is pretty simple--making friends tends to get more and more challenging as we get older and more settled into our lives. That's never been truer than for Peter Klaven, a so-called "Girlfriend Guy" who's never really had a best guy friend. As Peter begins to plan the rest of his life with the girl of his dreams (Parks and Recreation's Rashida Jones), the pressure to find a best man and not feel like a friendless freak becomes more intense. Enter Sidney, a Venice Beach-dwelling, super-laid-back, Rush-loving, vaguely employed (but clearly successful) financial planner with no desire to commit, a room in his house dedicated to all things masculine and an intense desire to have a good time as often as possible. Soul mates, right? As directed by John Hamburg (Along Came Polly, Stella), I Love You, Man is consistently funny and totally relatable. With strong supporting performances from Jones, Andy Samberg, Jon Favreau, Jamie Pressely, and even Lou Ferrigno (!), I Love You, Man is a little less raunch and a lot more sweet than some of this crew's other hits, with quite a few laugh-out-loud moments. –Kira Canny Stills from I Love You, Man (Click for larger image) ...Read More
- Cast: Paul Rudd, Jason Segel
- Director(s):
- MPAA Rating: R (Restricted)
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Supernatural: The Complete Fourth Season (2009)
- Cast: Jared Padalecki, Jensen Ackles, Jim Beaver, Misha Collins, Genevieve Cortese
- Director(s): Adam Kane
- MPAA Rating: Unrated
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![Watchmen (Director's Cut + BD-Live) [Blu-ray]](http://ecx.images-amazon.com/images/I/514KBN4XDrL._SL160_.jpg)
Everybody's favorite graphic novel comes to the screen (after years of rumors and false starts), less a roaring work of adaptation than a respectful and faithful take on a radical original. Watchmen is set in the mid-1980s, a time of increased nuclear tension between the United States and the Soviet Union, as Richard Nixon is enjoying his fifth term as president and the world's superheroes have been forcibly retired. (As you can probably tell, the mix of authentic history and alternate reality is heady.) Things begin with a bang: the mysterious high-rise murder of the Comedian (Jeffrey Dean Morgan), a masked hero with a checkered past, puts the rest of the retired superhero community on alert. The credits sequence, a series of tableaux that wittily catches us up on crime-fighting backstory, actually turns out to be the high point of the movie. Thereafter we meet the other caped and hooded avengers: the furious Rorschach (Jackie Earle Haley), the inexplicably naked Dr. Manhattan (Billy Crudup, amidst much blue-skinned, genital-swinging digital work), Silk Spectre II (Malin Akerman), Nite Owl II (Patrick Wilson), and Ozymandias (Matthew Goode). The corkscrewing storytelling, which worked well in the comic book, gives the movie the strange sense of never quite getting in gear, even as some of the episodes are arresting. Director Zack Snyder (300) doesn't try to approximate the electric impact of the original (written by Alan Moore--who declined to be credited on the movie--and illustrated by Dave Gibbons) but retains careful fidelity to his source material. That doesn't feel right, even with the generally enjoyable roll-out of anecdotes. Even less forgivable is the blah acting, excepting Jeffrey Dean Morgan (lusty) and Patrick Wilson (mellow). Watchmen certainly fills the eyes, although less so the ears: the song choices are regrettable, especially during an embarrassing mid-air coupling between Nite Owl II and Silk Spectre II as they unite their--ah--Roman numerals. In the end it feels as though a huge work of transcription has been successfully completed, which isn't the same as making a full-blooded movie experience. --Robert HortonAlso on the Blu-ray disc The extended director's cut restores 24 minutes of connective tissue to the 162-minute film, most significantly the last scene of Hollis Mason, the first Nite Owl. Other elements help restore and fill in details that had been in the graphic novel. Fans of the film will be glad for the extra footage but there's nothing momentous that will change anyone's basic like or dislike of the film. By far the most interesting Blu-ray feature (in addition to the great picture and DTS-HD Master Audio sound) is the Maximum Movie Mode, which incorporates several features into the viewing experience. Director Zack Snyder periodically appears on screen in front of two large monitors, one continuing to play the movie and the other displaying special-effects shots or scenes from the graphic novel. Snyder talks about how he shot the film and points out details in a variety of scenes: the opening with the Comedian, Dr. Manhattan's lab, the Nite Owl ship, Mars, Antarctica, and the ending (and why it was changed for the movie). This feature is much more interesting than an audio commentary or a standard picture-in-picture commentary so it'd be nice if it had been done for more scenes. Also appearing in Maximum Movie Mode is a timeline contrasting events in the Watchmen world with the "real world," occasional picture-in-picture comments by cast and crew, still galleries, and a series of 11 "focus points" that allow you to exit the film to watch these three-minute featurettes (sets, costumes, the Minutemen, etc.). Worthy of mention is how easy the Maximum Movie Mode material is to find: Snyder's footage and the focus points are very visible (even in fast-forward), and you can also access the focus points directly from the main menu. The second disc has three documentaries. The first, "The Phenomenon: The Comic That Changed Comics," 29 min.), looks at the original graphic novel and its themes, and interviews artist Dave Gibbons, DC Comics executives Jenette Kahn and Paul Levitz, and cast and crew, illustrating its points with scenes from the movie, panels from the graphic novel, and parts of the motion comic. The next two are only on the Blu-ray disc but are less interesting and of varying relevance to the movie. "Real Superheroes, Real Vigilantes" (26 min.) examines real-life vigilantes including the Guardian Angels and New York subway gunman Bernard Goetz and compares them to Rorschach. "Mechanics: Technologies of a Future World" (17 min.) spotlights a physicist who served as a consultant on the movie. He talks about his experiences then discusses whether elements from the movie, such as Dr. Manhattan, the Owl Ship, and Rorschach's mask could really work. There's also My Chemical Romance's "Desolation Row" music video , and BD-Live offers even more making-of material. A third disc with a Digital Copy of the film (compatible with both iTunes and Windows Media; download code expires July 21, 2010) was included with early shipments of the Blu-ray disc but is no longer available. --David Horiuchi...Read More
- Cast: Billy Crudup, Matthew Goode, Malin Akerman, Carla Gugino, Jackie Earle Haley
- Director(s): Zack Snyder
- MPAA Rating: R (Restricted)
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True Blood: The Complete First Season (HBO Series) (2009)
Alan Ball’s True Blood series works well for television, as it has enough sensationalism to tantalize and enough story girth to make the viewer care about the characters. That one can finally invest emotion into monsters, including an undead Civil War victim, a transformer who can shapeshift into various animals, and a female mind reader, speaks volumes about America’s willingness to accept fantasy. Of course, television has always produced good fantasy shows (I Dream of Jeannie), but True Blood’s Southern Goth brand of fun horror is more macabre and more perverse, not to mention gorier, than most shows of its kind to date. Adapted from Charlaine Harris’ Sookie Stackhouse novels, True Blood thrills because of its equal blend in each episode of erotica, humor, tragedy, mystery, and fantasy. Set in a rural, swampy Louisiana parrish, the show centers around Sookie Stackhouse (Anna Paquin) and her clan, sweet grandmother Adele (Lois Smith) and air-headed brother Jason (Ryan Kwanten). Illicit love is spawned early on, when Sookie saves vampire Bill Compton (Stephen Moyer) from having his blood stolen in the parking lot of Merlotte’s diner, owned by Sam Merlotte (Sam Trammell) who completes what will form a complex love triangle. As tensions between Sookie’s suitors loosen or tighten, many side plots, such as her African American best friend Tara’s (Rutina Wesley) struggle with an alcoholic, Bible-thumping mother and her brother’s dangerous crush on drug addicted hippie, Amy Burley (Lizzy Caplan), keep one wondering who will succeed in this podunk place. The main tension throughout, however, is a race war waged between vampires and humans. As murders of “fang bangers” occur (human girls who let vampires bite them) and dumb policeman Andy Bellefleur (Chris Bauer) fails to find clues, one sees the metaphorical implications of vampirism and feels deeper resonance with what can be a downright trashy show. Gossip galore, especially about what kinds of babies interbreeding will produce, is rampant. One of the funniest characters is Tara’s flamboyant cousin, Lafayette (Nelsan Ellis), who deals drugs, works as a fry cook, and services the local white politicians, while making sure he’s always up in everyone’s business. What makes True Blood smarter than pure soap opera is the parallels it draws between its monster mash and actual, familiar societal problems. Sookie and her friends watch the news, where Evangelicals bash vampires and prohibit mixed marriage, and everyone is addicted to V, a.k.a vampire blood, that effects like psychedelic heroin. Even its gore reflects a mix of serious and silly, as vampires explode into red, sticky goop. Though it may not be attempting to qualify for the best vampire footage ever shot, True Blood is as addictive as that substance the town’s youth obsesses over, which is a metaphor in itself. --Trinie Dalton Stills from True Blood (Click for larger image) ...Read More
- Cast: Anna Paquin, Stephen Moyer, Sam Trammell, Rutina Wesley, Ryan Kwanten
- Director(s):
- MPAA Rating: NR (Not Rated)
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ABOUT A GUY WHOSE LIFE DIDN'T QUITE TURN OUT HOW HE WANTED IT TO AND WISHES HE COULD GO BACK TO HIGH SCHOOL AND CHANGE IT. HE WAKES UP ONE DAY AND IS SEVENTEEN AGAIN AND GETS THE CHANCE TO REWRITE HIS LIFE....Read More
- Cast: Zac Efron, Matthew Perry, Leslie Mann, Thomas Lennon, Michelle Trachtenberg
- Director(s): Burr Steers
- MPAA Rating: PG-13 (Parental Guidance Suggested)
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A hot-button topic in the horror community from the minute it was announced, the 2009 remake of Wes Craven and Sean Cunningham’s controversial Last House on the Left will undoubtedly leave audiences polarized in regard to both its treatment of the source material and its level of violence. As with the original film, which drew inspiration from Ingmar Bergman’s The Virgin Spring (and was itself based on 13th century Scandinavian legend), director Dennis Illadis’ film traces the downward spiral of two teenage girls (Sara Paxton and Martha MacIsaac from Superbad) who fall prey to a quartet of degenerates. The perpetrators then seek refuge in a nearby vacation home--which happens to be occupied by Paxton’s parents. Both versions spare no quarter in detailing the torments inflicted on the two girls, as well as the ruthlessly efficient revenge metered out to the killers by the parents; the difference, however, lies with the intent. Craven and Cunningham (who serve as executive producers for the remake) sought to shock Nixon/Vietnam-era audiences by showing the limits to which the "average" citizen could be pushed by violent acts; Illadis, however, is simply content to deliver a glossy, overamped thriller that neither delights in nor condemns the atrocities committed by its characters. The result is a flat, often tedious exercise in nihilism buoyed only by its cast, especially Paxton, Tony Goldwyn and Monica Potter as her parents, and Garrett Dillahunt (No Country for Old Men) as the malevolent leader of the depraved foursome. Fans of the original need not bother with this version; newcomers should seek out Craven’s version, which has lost none of its power to overwhelm. --Paul GaitaAmazon.comThe legendarily scuzzy 1972 shocker Last House on the Left gets all dressed up in this slick remake, which retro-fits the original storyline to an isolated lakeside cabin. This time out, unsuspecting teen Mari (Sara Paxton) makes the crucial mistake of going to buy some weed at a rundown motel room with a stranger (Spencer Treat Clark). It must have sounded like a good idea at the time. Soon Mari and her pal (Martha MacIsaac) are confronted by the stranger's diseased posse, and the real trouble begins. The set-up of the 1972 picture, which director Wes Craven borrowed from Ingmar Bergman's The Virgin Spring, is a blunt exercise in brutality followed by revenge, the twist being that the revenge is as savage as the initial transgression. This structure remains in the remake, although a few key plot points are changed, with little improvement. Monica Potter and Tony Goldwyn play Mari's parents, who at some point will be called upon to put aside their merlot and their civilized constraints and get to it; Garret Dillahunt, coming off his strong work in Deadwood and No Country for Old Men, is far too qualified to be playing the stock role of the creep-in-chief. There is something distinctly strange about watching a film that took much of its original power from its cheapness, an outlaw energy that is completely lost in this dressed-up, professionally made remake. Here the scenes of rape and murder are presented not as pulpy shouts from the subculture but as necessary ingredients in a respectable machinery, which somehow makes them more dispiriting and unpleasant to watch. That this film is a technical advance on the original film on every level--acting, writing, photography--does not make it a better film. --Robert Horton...Read More
- Cast: Garret Dillahunt, Monica Potter, Tony Goldwyn, Aaron Paul, Spencer Treat Clark
- Director(s): Dennis Iliadis
- MPAA Rating: Unrated
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A pair of corporate spies who share a steamy past hook up to pull off the ultimate con job on their respective bosses. Studio: Uni Dist Corp. (mca) Release Date: 08/25/2009 Starring: Julia Roberts Clive Owen Run time: 125 minutes Rating: Pg13...Read More
- Cast: Clive Owen, Tom Wilkinson, Paul Giamatti, Julia Roberts
- Director(s): Tony Gilroy
- MPAA Rating: PG-13 (Parental Guidance Suggested)
Check back next week for the latest DVD bestsellers.