Drive (2011)Movie Reviews

Poster art for "Drive."

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Avg. Critic Score: 79 out of 100 Generally favorable reviews Metascore® based on all critic reviews
Information for Parents:
17 Iffy for 17+
Read Common Sense Media review

Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 100
    Time Out New York | Joshua Rothkopf

    Drive feels like some kind of masterpiece - it's as pure a version of the essentials as you're likely to see. Read full review

  • 100
    Washington Post | Ann Hornaday

    Low-key, sleek and sophisticated, Drive provides the visceral pleasures of pulp without sacrificing art. It's cool and smart. Some critics might even call it European. Read full review

  • 100
    Wall Street Journal | Joe Morgenstern

    Few actors working today could make emotional sense of such a protean character, but Ryan Gosling does so with calm authority. He's a formidable presence in a film that grabs your gaze and won't let go except for moments when you can't help but look away. Read full review

  • 88
    USA Today | Claudia Puig

    The look is artfully stylized, influenced by classic film noir; the mood is dark; the performances nuanced; and the story unnervingly exciting. Read full review

  • 88
    Chicago Sun-Times | Roger Ebert

    The entire film, in fact, seems much more real than the usual action-crime-chase concoctions we've grown tired of. Here is a movie with respect for writing, acting and craft. It has respect for knowledgable moviegoers. Read full review

  • 88
    ReelViews | James Berardinelli

    From the beginning, it's clear this is not a standard-order action film. It takes its characters as seriously as its chases, shootouts, and fights. Read full review

  • 83
    Entertainment Weekly | Lisa Schwarzbaum

    Among Gosling's many star-making qualities is his nuanced mastery, since "The Believer," of a facial expression of infinitely adaptable, imperturbable, sustained calm that can read as chilling or ardent, hard or soft, as the role demands. Read full review

  • 80
    Variety |

    Starring Ryan Gosling as a Hollywood stuntman/getaway driver, Drive takes the tired heist-gone-bad genre out for a spin, delivering fresh guilty-pleasure thrills in the process. Read full review

  • 60
    Los Angeles Times | Kenneth Turan

    Drive is a Los Angeles neo-noir, a neon-lit crime story made with lots of visual style. It's a film in love with both traditional noir mythology and ultra-modern violence, a combination that is not ideal. Read full review

  • 50
    The New York Times | A.O. Scott

    The virtuosity on display is also the director's, of course, and that, for better and for worse, is pretty much the point of Drive, the coolest movie around and therefore the latest proof that cool is never cool enough. Read full review


Information for Parents
Common Sense Media says Iffy for 17+ Crime drama is exciting, well-made, and shockingly violent.
What Parents Need to Know Parents need to know that this superbly made crime drama (which won the prestigious Best Director award at the Cannes Film Festival) starts off quietly but eventually contains shocking amounts of violence, including a woman's head getting blown apart by a shotgun blast and the main character stomping a man's head until it squashes like a pumpkin. Language is also very strong, with multiple uses of "f--k," "s--t," and "p---y." Several women are topless in one long scene, and the two main characters have a romantic relationship even though she's already married. The main character is a criminal without many redeeming qualities, but he's still fascinating.
  • Families can talk about the impact of the movie's extreme violence. How does it compare to what you see in horror movies? Which is more upsetting? Why?
  • Is the main character a "hero"? Are viewers meant to find him sympathetic even though he's a criminal? What makes "bad guy" characters compelling?
  • What is the movie's attitude toward women? What are the female characters like? Are they three-dimensional?
  • Is the little boy in this movie ever in true danger, or is the danger only suggested? What's the difference?
The good stuff
  • message true-1 Positive messages: "The best laid plans of mice and men oft go awry" seems to the best way to describe the movie's message, such that it is, and it's not very hopeful. The main character upsets his stripped-down, carefully planned life and opens his heart just a bit but finds that it results in nothing but pain and violence.
  • rolemodels true-1 Positive role models: The main character leads a life of crime, and his only good deed involves more crime. He also falls in love with a married woman, and all of his actions result in violence.
What to watch for
  • violence false5 Violence: This movie starts off slowly and quietly, but soon there are astonishing amounts of bloody, gory, shocking violence. A woman's head is blown off with a shotgun. The main character beats up a man and stomps on his head until it squashes like a pumpkin. He slaps and threatens a woman. He also threatens a man with a claw hammer and a bullet. Also slicing and stabbing, shooting, murders, and characters beaten up and bloodied. A small boy isn't exactly shown to be in danger, but in one scene, he displays a bullet that some bad guys have given him as a warning.
  • sex false4 Sex: Two or three topless women are on view for a long time during a nightclub scene. The main characters kiss, even though the woman is already married. Some minor flirting and/or innuendo.  
  • language false4 Language: The main character doesn't swear, but other characters do frequently, using words like "f--k," "s--t," "p---y," "a--hole," "hell," and more. Characters also use the middle finger gesture and racial slurs like "chink" and "kike."
  • consumerism false1 Consumerism: Some products appear or are mentioned as background. A Coca-Cola sign is shown more than once in a pizza parlor. A scene takes place at a Denny's restaurant, and the name of the character's car, a Chevy Impala, is mentioned several times over a police scanner.
  • drugsalcoholtobacco false2 Drinking, drugs and smoking: The main character doesn't drink or smoke, but supporting characters are occasionally seen smoking cigarettes or drinking socially. One key character mentions several types of drugs -- offering them to the main character -- but they're never shown.

Looking for more reviews? Movies.com Critics Say:

Dave White

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To Live and Die in L.A. Read full review See Dave White's on MOVIENAME on Movies.com

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