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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
A very smart, very shrewd movie, and the smartest, shrewdest thing about it is the way it masquerades as just a fluffy comedy, a diversion, a trifle. Read full review
No better or worse than the movies that inspired it, but that is a compliment, I think. Read full review
Could have used more of the shimmering elegance of the Day-Hudson comedies. Those movies had a true sparkle. This one's a likable piece of costume jewelry. Read full review
Works hard to earn it and is, for the most part, intelligent and amusing, even if it never achieves the full-tilt zany desperation of Delbert Mann's "Lover Come Back," the best of the real Hudson-Day movies. Read full review
Dragging on too long is a more serious flaw in a romantic comedy than it might be in a complex drama. We don't ask much of a movie like this, but we do require it to be snappy, clever and quick. Read full review
It's like a "Saturday Night Live" sketch on a $60 million budget. Read full review
What starts as freshly spun cotton candy ends as something pink, sticky and indigestible. You leave the theater wanting to puke it up. Read full review
Director Peyton Reed gets the film's look and, in moments, its disingenuous innocence, but you have to wonder what he and the screenwriters, Eve Ahlert and Dennis Drake, thought they were parodying. The actors clearly haven't a clue. Read full review
Stars Zellweger and McGregor are too knowingly nudge-wink in their performances, too much contrived constructs to become real characters, let alone fuel the romantic comedy engine and make an audience care much whether they end up together. Read full review
The parodistic romantic comedy makes the fatal mistake of so much middlebrow satire: It becomes that which it mocks. Read full review