• Released
  • April 20, 2012
  • 1 hr 30 min
  • Romance
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Slant Magazine

By Joseph Jon Lanthier
The movie's final act tries, somewhat admirably, to consolidate the plot's myriad interpersonal conflicts.
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New York Daily News

By Elizabeth Weitzman
Grubin is an experienced documentarian, and he plays to his strengths here. He certainly makes the most of the Manhattan setting, whether his characters are practicing at Juilliard or playing for cash in the Times Square subway station.
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The New York Times

By Jeannette Catsoulis
Little more than a showcase for Mr. Quint - whose acting is almost as toneless as his playing is sublime - this trite, sunny drama pins lengthy musical interludes onto the flimsiest of narratives and hopes for the best.
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The Hollywood Reporter

By Frank Scheck
While Downtown Express suffers from a derivative storyline, it offers enough musical authenticity to provide ample compensations.
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Village Voice

By Nick Schager
Whether to let go and follow your own path is a stock dilemma, and an implausibly hopeful conclusion winds up undercutting the realism of this immigrant song.
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Time Out New York

The use of real musicians (both professionals, like Nellie McKay, and street performers) provides a certain authenticity to the performances, but the film's wide-eyed view of New York as a wonderland of harmonic diversity soon grows as tiresome as the film's trite romantic shuffling.
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53 out of 100
Mixed or average reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.