|
Russell Schoengarth (Editor)
|
Great Guy
|
1936
|
|
Wesley Ruggles (Director)
|
Accent on Youth
|
1935
|
|
Leon Shamroy (Cinematographer)
|
Accent on Youth
|
1935
|
|
Richard C. Currier (Editor)
|
People Will Talk
|
1935
|
|
King Vidor (Director)
|
So Red the Rose
|
1935
|
|
Travis Banton (Costume Designer)
|
So Red the Rose
|
1935
|
|
Hans Dreier (Art Director)
|
So Red the Rose
|
1935
|
|
Karl Struss (Cinematographer)
|
Two for Tonight
|
1935
|
|
Hans Dreier (Art Director)
|
Ladies Should Listen
|
1934
|
|
Norman Z. McLeod (Director)
|
Melody in Spring
|
1934
|
|
Richard C. Currier (Editor)
|
Melody in Spring
|
1934
|
|
Hans Dreier (Art Director)
|
Mrs. Wiggs of the Cabbage Patch
|
1934
|
|
Norman Taurog (Director)
|
Mrs. Wiggs of the Cabbage Patch
|
1934
|
|
Leo McCarey (Director)
|
Six of a Kind
|
1934
|
|
Hans Dreier (Art Director)
|
Six of a Kind
|
1934
|
|
Norman Z. McLeod (Director)
|
Mama Loves Papa
|
1933
|
|
Richard C. Currier (Editor)
|
Mama Loves Papa
|
1933
|
|
Hans Dreier (Art Director)
|
Tillie and Gus
|
1933
|
|
William Seiter (Director)
|
Caught Plastered
|
1931
|
|
William Le Baron (Producer)
|
Caught Plastered
|
1931
|
|
Edward F. Cline (Director)
|
Cracked Nuts
|
1931
|
|
William Le Baron (Producer)
|
Laugh and Get Rich
|
1931
|
|
Gregory La Cava (Director)
|
Laugh and Get Rich
|
1931
|
|
William Seiter (Director)
|
Too Many Cooks
|
1931
|