Written July 27, 2016
Awesome performances, great plot twists, lots of action. Characters were a little cartoony and one dimensional, at times, but when they were, they were funny. So far, friends and family from ages 18 to 60 have loved it!
Written May 27, 2017
Yes it's violent, but this is Tarentino at his best. The constant sense of outrage at the behaviors of the period driven characters is perfectly tempered by the absurdity of their beliefs and actions. The emotional whipsaw of hilarity; then violence and sometimes violence AS hilarity was nothing short of genius. Remember how conflicted we all felt watching the unhinged; unapologetic violence of Pulp Fiction while laughing so hard it left us dazed and confused? Well Django is an all-out thrill ride that demands you pay attention to the incredible injustice that was and in all to many instances, still is rampant. Anyone upset by the 100+ utterances of the "N" word-trust me; it's use is more than balanced by the sheer ignorance and ineptitude written into the character portrayal of the slave owners and those who supported the institution. This is the most fun I've had at a movie all year. What a way to end or start the year. See this movie; early and often! Thanks Quentin.
Written December 28, 2012
Django Unchained - cast well and superb acting, however it could have had 200-300 less N Bombs. Gunfight, N-Bomb, N-Bomb, Gunfight, N-Bomb. Tarantino is obsessed w/N-Bombs. Strike 1. After Inglorious Bastards "Nazi Hunter"... now he has a Slave turned Bounty Hunter movie. I was curious to see how this was accomplished and found he's defined a new genre: Retroactive Politically Correct Revenge flicks. If that's your thing - check it out, otherwise you can skip this one.
Written December 31, 2012
This movie is a DOG. Disguised as an homage to spaghetti westerns, it is actually a black exploitation movie in the mold of Shaft. It's a cartoon full of one dimensional white villains for Django to kill. The dialog is not only hopelessly anachronistic, everyone, including the white gentry, spout profanity as if they're from the '80s ghetto. We are presented with Django the slave, who never having ridden a horse, is instantly an expert rider, and ends the movie with Roy Rogers style dancing horse tricks. We are presented with Django the slave, who never having held a rifle or pistol, is instantly a crack shot and the "fastest gun in the South".
Because Tarantino is Tarantino, all the actors turn in outstanding performances as if there was a “there” there. The movie is embarrassing and Tarantino and all the actors in it should be ashamed of themselves.
Written December 26, 2012
This is Tarantino's political anti South, anti white propaganda film.....and this from a Tarantino fan. He has Christoph play the identical character from Inglorious Bastards and even uses the same trick of speaking a different language so that the group around him will not understand the plan. Why repeat the same scene and charter.
This is basically southern slave owners substituted for Natzis. Natzis, however, focused on the animation of the Jews and domination of other countries. While I have limited knowledge of southern slavery, I doubt this is how most slave owners treated their 'property."