Written December 28, 2012
Django Unchained - cast well and superb acting, however it could have had 200-300 less N Bombs. Gunfight, N-Bomb, N-Bomb, Gunfight, N-Bomb. Tarantino is obsessed w/N-Bombs. Strike 1. After Inglorious Bastards "Nazi Hunter"... now he has a Slave turned Bounty Hunter movie. I was curious to see how this was accomplished and found he's defined a new genre: Retroactive Politically Correct Revenge flicks. If that's your thing - check it out, otherwise you can skip this one.
Written October 28, 2014
Very funny movie, and for a two hour movie you would never know because if keeps moving. There are no lag spots like some movies of this length. DO NOT take young children to see the movie very adult well some adults
Written July 01, 2015
QT does it again. I will admit, this movie is not for everyone but if you have seen other QT movies, you will enjoy. The way the movie was shot, the soundtrack which is probably one of the best I have ever heard, and the casting was all great! Jamie Foxx and Chris Waltz are a great team and Samuel Jackson is to die for. It is very graphic as all of his movies are so leave the kids at home. This is worth seeing on the big screen and I know that others will agree.
Written December 26, 2012
This is Tarantino's political anti South, anti white propaganda film.....and this from a Tarantino fan. He has Christoph play the identical character from Inglorious Bastards and even uses the same trick of speaking a different language so that the group around him will not understand the plan. Why repeat the same scene and charter.
This is basically southern slave owners substituted for Natzis. Natzis, however, focused on the animation of the Jews and domination of other countries. While I have limited knowledge of southern slavery, I doubt this is how most slave owners treated their 'property."
Written December 31, 2012
This movie is a DOG. Disguised as an homage to spaghetti westerns, it is actually a black exploitation movie in the mold of Shaft. It's a cartoon full of one dimensional white villains for Django to kill. The dialog is not only hopelessly anachronistic, everyone, including the white gentry, spout profanity as if they're from the '80s ghetto. We are presented with Django the slave, who never having ridden a horse, is instantly an expert rider, and ends the movie with Roy Rogers style dancing horse tricks. We are presented with Django the slave, who never having held a rifle or pistol, is instantly a crack shot and the "fastest gun in the South".
Because Tarantino is Tarantino, all the actors turn in outstanding performances as if there was a “there” there. The movie is embarrassing and Tarantino and all the actors in it should be ashamed of themselves.