Written December 28, 2012
Django Unchained - cast well and superb acting, however it could have had 200-300 less N Bombs. Gunfight, N-Bomb, N-Bomb, Gunfight, N-Bomb. Tarantino is obsessed w/N-Bombs. Strike 1. After Inglorious Bastards "Nazi Hunter"... now he has a Slave turned Bounty Hunter movie. I was curious to see how this was accomplished and found he's defined a new genre: Retroactive Politically Correct Revenge flicks. If that's your thing - check it out, otherwise you can skip this one.
Written October 28, 2014
Very funny movie, and for a two hour movie you would never know because if keeps moving. There are no lag spots like some movies of this length. DO NOT take young children to see the movie very adult well some adults
Written July 31, 2014
lots of different emotions and feelings this movie gave to my husband and I quentin does it again with an attention grabber movie, but forgot how it'd make certain people feel walking out of the movie haha 5 stars..
Written December 26, 2012
This is Tarantino's political anti South, anti white propaganda film.....and this from a Tarantino fan. He has Christoph play the identical character from Inglorious Bastards and even uses the same trick of speaking a different language so that the group around him will not understand the plan. Why repeat the same scene and charter.
This is basically southern slave owners substituted for Natzis. Natzis, however, focused on the animation of the Jews and domination of other countries. While I have limited knowledge of southern slavery, I doubt this is how most slave owners treated their 'property."
Written December 31, 2012
This movie is a DOG. Disguised as an homage to spaghetti westerns, it is actually a black exploitation movie in the mold of Shaft. It's a cartoon full of one dimensional white villains for Django to kill. The dialog is not only hopelessly anachronistic, everyone, including the white gentry, spout profanity as if they're from the '80s ghetto. We are presented with Django the slave, who never having ridden a horse, is instantly an expert rider, and ends the movie with Roy Rogers style dancing horse tricks. We are presented with Django the slave, who never having held a rifle or pistol, is instantly a crack shot and the "fastest gun in the South".
Because Tarantino is Tarantino, all the actors turn in outstanding performances as if there was a “there” there. The movie is embarrassing and Tarantino and all the actors in it should be ashamed of themselves.