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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Effortlessly graceful and burnished to a glow, Dinner Rush is surely as satisfying as any of the delicious-looking food served at Louis' restaurant -- and is as full of surprises as any dish Udo ever concocted. Read full review
Serves up its scattershot plots as if they were lined up on a menu, moving from appetizer to entree: there are more intrigues here than in the court of the Medicis. Read full review
It's rare to find an American movie that works so well structurally from beginning to end, including a second act that withstands the plethora of fast-moving action, and a climax that is satisfying and well earned. Read full review
The cast never skips a beat, particularly Mark Margolis as the most obnoxious dinner customer in cinema history and Summer Phoenix as his unfazed waitress. Read full review
It's fitting, then, that Dinner Rush boasts Hawks-ian virtues: fiery energy, swift, character-driven chitchat and a tough, upbeat sense of how the world works. Read full review
Benefits enormously from Aiello's down-to-earth magnificence. Read full review
There are enough plots here to challenge a Robert Altman, specialist in interlocking stories, but the director, Bob Giraldi, masters the complexities as if he knows the territory. He does. Read full review
As tension mounts through the evening, Giraldi cleverly sweeps in and out of conversations -- and brings it all together in a climax that is as hard to see coming as it is to resist. Read full review
"Big Night" meets "The Sopranos" in Dinner Rush. Read full review
A pleasant and often surprising ensemble dramedy set almost entirely within the walls of a busy, fashionable Tribeca trattoria on a spectacularly busy Tuesday night. Read full review