|
Oswald Morris (Cinematographer)
|
The Affair at Villa Fiorita
|
1965
|
|
Charles Lawton (Cinematographer)
|
Youngblood Hawke
|
1964
|
|
Charles Lawton (Cinematographer)
|
Spencer's Mountain
|
1963
|
|
Charles Lawton (Cinematographer)
|
Rome Adventure
|
1962
|
|
Harry Stradling (Cinematographer)
|
Parrish
|
1961
|
|
Lucien Ballard (Cinematographer)
|
Susan Slade
|
1961
|
|
Orry Kelly (Costume Designer)
|
The Hanging Tree
|
1959
|
|
Orry-Kelly (Costume Designer)
|
The Hanging Tree
|
1959
|
|
Harry Stradling (Cinematographer)
|
A Summer Place
|
1959
|
|
John F. Seitz (Cinematographer)
|
The Badlanders
|
1958
|
|
Aaron Rosenberg (Producer)
|
The Badlanders
|
1958
|
|
Charles Lawton (Cinematographer)
|
Cowboy
|
1958
|
|
Daniel L. Fapp (Cinematographer)
|
Kings Go Forth
|
1958
|
|
Charles Lawton (Cinematographer)
|
3:10 to Yuma
|
1957
|
|
Jean Louis (Costume Designer)
|
3:10 to Yuma
|
1957
|
|
Charles LeMaire (Costume Designer)
|
An Affair to Remember
|
1957
|
|
Jack Martin Smith (Art Director)
|
An Affair to Remember
|
1957
|
|
Jerry Wald (Producer)
|
An Affair to Remember
|
1957
|
|
James B. Clark (Editor)
|
An Affair to Remember
|
1957
|
|
Leo McCarey (Director)
|
An Affair to Remember
|
1957
|
|
Jean Louis (Costume Designer)
|
Jubal
|
1956
|
|
Charles Lawton (Cinematographer)
|
Jubal
|
1956
|
|
Jack Martin Smith (Art Director)
|
White Feather
|
1955
|
|
Lucien Ballard (Cinematographer)
|
White Feather
|
1955
|
|
George W. Davis (Art Director)
|
Demetrius and the Gladiators
|
1954
|
|
Dorothy Spencer (Editor)
|
Demetrius and the Gladiators
|
1954
|
|
Charles LeMaire (Costume Designer)
|
Demetrius and the Gladiators
|
1954
|
|
Alan Ladd (Producer)
|
Drum Beat
|
1954
|
|
Robert Krasker (Cinematographer)
|
Never Let Me Go
|
1953
|
|
Clarence Brown (Producer)
|
Never Let Me Go
|
1953
|
|
Charles LeMaire (Costume Designer)
|
Treasure of the Golden Condor
|
1953
|
|
Renie (Costume Designer)
|
Return of the Texan
|
1952
|
|
Lucien Ballard (Cinematographer)
|
Return of the Texan
|
1952
|
|
James B. Clark (Editor)
|
Bird of Paradise
|
1951
|
|
Harry Kurnitz (Producer)
|
A Kiss in the Dark
|
1949
|
|
Robert Burks (Cinematographer)
|
A Kiss in the Dark
|
1949
|
|
Robert Burks (Cinematographer)
|
Task Force
|
1949
|
|
Jerry Wald (Producer)
|
Task Force
|
1949
|
|
Alan Crosland, Jr. (Editor)
|
Task Force
|
1949
|
|
Jerry Wald (Producer)
|
To the Victor
|
1948
|
|
Milo Anderson (Costume Designer)
|
To the Victor
|
1948
|
|
Robert Burks (Cinematographer)
|
To the Victor
|
1948
|
|
Jack L. Warner (Executive Producer)
|
Dark Passage
|
1947
|
|
Jerry Wald (Producer)
|
Dark Passage
|
1947
|
|
Sol Lesser (Producer)
|
The Red House
|
1947
|
|
Milo Anderson (Costume Designer)
|
Pride of the Marines
|
1945
|
|
Jerry Wald (Producer)
|
Pride of the Marines
|
1945
|
|
Alex Gottlieb (Producer)
|
Hollywood Canteen
|
1944
|
|
Jack L. Warner (Executive Producer)
|
Hollywood Canteen
|
1944
|
|
Milo Anderson (Costume Designer)
|
Hollywood Canteen
|
1944
|
|
LeRoy J. Prinz (Choreography)
|
Hollywood Canteen
|
1944
|
|
Milo Anderson (Costume Designer)
|
The Very Thought of You
|
1944
|
|
Jerry Wald (Producer)
|
The Very Thought of You
|
1944
|
|
Alan Crosland, Jr. (Editor)
|
The Very Thought of You
|
1944
|
|
Jerry Wald (Producer)
|
Destination Tokyo
|
1943
|
|
Sol Lesser (Producer)
|
Stage Door Canteen
|
1943
|
|
Frank Borzage (Director)
|
Stage Door Canteen
|
1943
|
|
William Seiter (Director)
|
You Were Never Lovelier
|
1942
|
|
Ted Tetzlaff (Cinematographer)
|
You Were Never Lovelier
|
1942
|
|
Irene (Costume Designer)
|
You Were Never Lovelier
|
1942
|
|
Lionel Banks (Art Director)
|
You Were Never Lovelier
|
1942
|
|
Fred Astaire (Choreography)
|
You Were Never Lovelier
|
1942
|
|
Hans Dreier (Art Director)
|
The Night of January 16th
|
1941
|
|
Sol C. Siegel (Producer)
|
The Night of January 16th
|
1941
|
|
Tay Garnett (Producer)
|
Unexpected Uncle
|
1941
|
|
Albert S. D'Agostino (Art Director)
|
Unexpected Uncle
|
1941
|
|
Hans Dreier (Art Director)
|
Safari
|
1940
|
|
Ted Tetzlaff (Cinematographer)
|
Safari
|
1940
|
|
Anthony Veiller (Producer)
|
Safari
|
1940
|
|
Hans Dreier (Art Director)
|
$1,000 a Touchdown
|
1939
|
|
William C. Thomas (Producer)
|
$1,000 a Touchdown
|
1939
|
|
Leo McCarey (Producer)
|
Love Affair
|
1939
|
|
Edward Dmytryk (Editor)
|
Love Affair
|
1939
|
|
Leo McCarey (Director)
|
Love Affair
|
1939
|
|
Rudolph Maté (Cinematographer)
|
Love Affair
|
1939
|
|
Edward Stevenson (Costume Designer)
|
Love Affair
|
1939
|
|
Archie J. Stout (Cinematographer)
|
Professor Beware
|
1938
|
|
Albert S. D'Agostino (Art Director)
|
Professor Beware
|
1938
|
|
Elliott Nugent (Director)
|
Professor Beware
|
1938
|
|
Harold Lloyd (Producer)
|
Professor Beware
|
1938
|
|
Adolph Zukor (Producer)
|
Professor Beware
|
1938
|
|
Sidney Buchman (Producer)
|
She Married an Artist
|
1938
|
|
Arthur Edeson (Cinematographer)
|
The Go-Getter
|
1937
|
|
Orry-Kelly (Costume Designer)
|
The Go-Getter
|
1937
|
|
Busby Berkeley (Director)
|
The Go-Getter
|
1937
|
|
William Holmes (Editor)
|
The Go-Getter
|
1937
|
|
Hal B. Wallis (Producer)
|
The Go-Getter
|
1937
|
|
Ray Enright (Director)
|
The Singing Marine
|
1937
|
|
Busby Berkeley (Choreography)
|
The Singing Marine
|
1937
|
|
Orry-Kelly (Costume Designer)
|
The Singing Marine
|
1937
|
|
Sol Polito (Cinematographer)
|
The Petrified Forest
|
1936
|
|
Orry-Kelly (Costume Designer)
|
The Petrified Forest
|
1936
|
|
Archie Mayo (Director)
|
The Petrified Forest
|
1936
|
|
Henry Blanke (Producer)
|
The Petrified Forest
|
1936
|
|
Mervyn LeRoy (Director)
|
Page Miss Glory
|
1935
|
|
Robert M. Haas (Art Director)
|
Page Miss Glory
|
1935
|
|
Orry-Kelly (Costume Designer)
|
Page Miss Glory
|
1935
|
|
Sol Polito (Cinematographer)
|
Shipmates Forever
|
1935
|
|
Orry-Kelly (Costume Designer)
|
Shipmates Forever
|
1935
|
|
Robert M. Haas (Art Director)
|
Shipmates Forever
|
1935
|
|
Frank Borzage (Director)
|
Shipmates Forever
|
1935
|
|
William Holmes (Editor)
|
Shipmates Forever
|
1935
|
|
William Holmes (Editor)
|
Stranded
|
1935
|
|
Frank Borzage (Director)
|
Stranded
|
1935
|
|
Anton Grot (Art Director)
|
Stranded
|
1935
|
|
Orry-Kelly (Costume Designer)
|
Stranded
|
1935
|
|
Busby Berkeley (Choreography)
|
Dames
|
1934
|
|
George Barnes (Cinematographer)
|
Dames
|
1934
|
|
Sol Polito (Cinematographer)
|
Dames
|
1934
|
|
Robert M. Haas (Art Director)
|
Dames
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Dames
|
1934
|
|
Ray Enright (Director)
|
Dames
|
1934
|
|
Darryl F. Zanuck (Producer)
|
Dames
|
1934
|
|
William Holmes (Editor)
|
Flirtation Walk
|
1934
|
|
Frank Borzage (Director)
|
Flirtation Walk
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Flirtation Walk
|
1934
|
|
Sol Polito (Cinematographer)
|
Flirtation Walk
|
1934
|
|
George Barnes (Cinematographer)
|
Flirtation Walk
|
1934
|
|
Joseph Kane (Editor)
|
No More Women
|
1934
|
|
Cedric Gibbons (Art Director)
|
Clear All Wires
|
1933
|
|
Oliver Marsh (Cinematographer)
|
Divorce in the Family
|
1932
|
|
Clyde de Vinna (Cinematographer)
|
Shipmates
|
1931
|
|
Cedric Gibbons (Art Director)
|
So This Is College
|
1929
|
|
Sam Wood (Director)
|
So This Is College
|
1929
|