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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
One of Australian director Peter Weir's most sensitive films. Read full review
Hurrah! Poetry and passion, comedy and tragedy are fused into one absolutely marvelous affirmation of independent spirit in Dead Poets Society. [2 June 1989, Daily Notebook, p.E1] Read full review
Sure, the heroes and villains are arranged in a convenient moral gallery. But the performances, Weir's adroit direction and John Seale's superb cinematography take care of that banality. Read full review
Sings whenever Williams is onscreen. Read full review
It's a literate though strained uplifter. Read full review
Commands respect and affection. [2 June 1989, Calendar, p.6-1] Read full review
Williams is impressively restrained as well as funny, so fans need not fret. It only means that instead of Good Morning, Preppies, we're given a bittersweet, even eerie Goodbye, Mr. Hip. [2 June 1989, Life, p.1D] Read full review
A refreshing if obvious drama. [9 June 1989, Friday, p.A] Read full review
Williams, who has comparatively little screen time, has come to act, not to cut comic riffs, and he does so with forceful, ultimately compelling, simplicity. [June 5, 1989] Read full review
Not the worst of the countless recent movies about good kids and hidebound, authoritatian older people. It may, however, be the most shameless in its attempt to pander to an adolescent audience. Read full review