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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Its characters are as entertainingly quirky as any he's given us before, and his familiar themes -- strangers in a strange land, lives reformed by chance encounters -- are played out with much higher stakes and with greater purpose. Read full review
Dead Man plays a lot of cards at the same time, and Jarmusch occasionally loses his rhythm when he allows his actors their improvisational riffs. Read full review
It's not a bad movie by any stretch of the imagination, just one that grabs your attention and then lets it go, time and time again. Read full review
Like his previous efforts, Jarmusch's sidelong take on Western conventions relies upon quirky tone, hipsterish performances and a highly refined visual style to put it over. Read full review
The film's energy begins to flag after less than an hour, and as its pulse slackens it turns into a quirky allegory, punctuated with brilliant visionary flashes that partially redeem a philosophic ham-handedness. Read full review
The film has barely started, and already we can tell what we're in for -- two hours of metaphysical drift. Read full review
Bad movies have a way of writing their own epitaphs. Read full review
After a promising beginning and an amusing middle, the movie gets stuck in limbo. Read full review
Dead Man is a strange, slow, unrewarding movie that provides us with more time to think about its meaning than with meaning. Read full review
Coy to a fault, the movie collapses under its own weight with 90 minutes to go, despite Robby Muller's impressive black-and-white photography, which puts the film on a higher artistic plane than other equally unbearable movies. [16 May 1996, Pg.06.D] Read full review