|
Nicholas Meyer (Director)
|
The Day After
|
1983
|
|
John Newland (Director)
|
The Suicide's Wife
|
1979
|
|
Steven Hilliard Stern (Director)
|
The Ghost of Flight 401
|
1978
|
|
Curtis Harrington (Director)
|
What's the Matter with Helen?
|
1971
|
|
Lucien Ballard (Cinematographer)
|
What's the Matter with Helen?
|
1971
|
|
Danny Thomas (Executive Producer)
|
The Over-the-Hill Gang Rides Again
|
1970
|
|
Aaron Spelling (Executive Producer)
|
The Over-the-Hill Gang Rides Again
|
1970
|
|
Lucien Ballard (Cinematographer)
|
Will Penny
|
1967
|
|
Warren Low (Editor)
|
Will Penny
|
1967
|
|
Fielder Cook (Director)
|
A Big Hand for the Little Lady
|
1966
|
|
Fielder Cook (Producer)
|
A Big Hand for the Little Lady
|
1966
|
|
Edith Head (Costume Designer)
|
Love Has Many Faces
|
1965
|
|
Jerry Bresler (Producer)
|
Love Has Many Faces
|
1965
|
|
Gordon M. Douglas (Director)
|
Sylvia
|
1965
|
|
Edith Head (Costume Designer)
|
Sylvia
|
1965
|
|
Richard Wilson (Director)
|
Invitation to a Gunfighter
|
1964
|
|
Richard Wilson (Producer)
|
Invitation to a Gunfighter
|
1964
|
|
Edith Head (Costume Designer)
|
The Patsy
|
1964
|
|
Jerry Lewis (Director)
|
The Patsy
|
1964
|
|
Vincente Minnelli (Director)
|
Two Weeks in Another Town
|
1962
|
|
John Houseman (Producer)
|
Two Weeks in Another Town
|
1962
|
|
George W. Davis (Art Director)
|
Two Weeks in Another Town
|
1962
|
|
Curtis Harrington (Director)
|
Night Tide
|
1961
|
|
Edith Head (Costume Designer)
|
Too Late Blues
|
1961
|
|
John Cassavetes (Director)
|
Too Late Blues
|
1961
|
|
Lionel Lindon (Cinematographer)
|
Too Late Blues
|
1961
|
|
John Cassavetes (Producer)
|
Too Late Blues
|
1961
|
|
Lucien Ballard (Cinematographer)
|
Pay or Die
|
1960
|
|
Richard Wilson (Producer)
|
Pay or Die
|
1960
|
|
Richard Wilson (Director)
|
Pay or Die
|
1960
|
|
Richard Wilson (Director)
|
Al Capone
|
1959
|
|
Lucien Ballard (Cinematographer)
|
Al Capone
|
1959
|
|
Harold Hecht (Producer)
|
Separate Tables
|
1958
|
|
Edith Head (Costume Designer)
|
Separate Tables
|
1958
|
|
Delbert Mann (Director)
|
Separate Tables
|
1958
|
|
Tony Martinelli (Editor)
|
Twilight for the Gods
|
1958
|
|
Sol C. Siegel (Producer)
|
Man on Fire
|
1957
|
|
Robert Wise (Director)
|
Until They Sail
|
1957
|
|
Harold Kress (Editor)
|
Until They Sail
|
1957
|
|
Edwin H. Knopf (Producer)
|
The Vintage
|
1957
|
|
Tay Garnett (Director)
|
7 Wonders of the World
|
1956
|
|
Andrew Marton (Director)
|
7 Wonders of the World
|
1956
|
|
Ted Tetzlaff (Director)
|
7 Wonders of the World
|
1956
|
|
Nicholas Ray (Director)
|
Bigger Than Life
|
1956
|
|
Charles LeMaire (Costume Designer)
|
Bigger Than Life
|
1956
|
|
Jack Martin Smith (Art Director)
|
Bigger Than Life
|
1956
|
|
James Mason (Producer)
|
Bigger Than Life
|
1956
|
|
Charles LeMaire (Costume Designer)
|
Hilda Crane
|
1956
|
|
Philip Dunne (Director)
|
Hilda Crane
|
1956
|
|
Delmer Daves (Director)
|
Jubal
|
1956
|
|
Jean Louis (Costume Designer)
|
Jubal
|
1956
|
|
Charles Lawton (Cinematographer)
|
Jubal
|
1956
|
|
Joseph H. Lewis (Director)
|
The Big Combo
|
1955
|
|
Harold Hecht (Producer)
|
Apache
|
1954
|
|
Robert Aldrich (Director)
|
Apache
|
1954
|
|
Alan Crosland, Jr. (Editor)
|
Apache
|
1954
|
|
Van Nest Polglase (Art Director)
|
Passion
|
1954
|
|
Benedict E. Bogeaus (Producer)
|
Passion
|
1954
|
|
Allan Dwan (Director)
|
Passion
|
1954
|
|
Charles G. Clarke (Cinematographer)
|
Suddenly
|
1954
|
|
John Houseman (Producer)
|
The Bad and the Beautiful
|
1952
|
|
Vincente Minnelli (Director)
|
The Bad and the Beautiful
|
1952
|
|
Cedric Gibbons (Art Director)
|
The Bad and the Beautiful
|
1952
|
|
Robert Surtees (Cinematographer)
|
The Bad and the Beautiful
|
1952
|
|
George Jessel (Producer)
|
Bloodhounds of Broadway
|
1952
|
|
Edith Head (Costume Designer)
|
Carrie
|
1952
|
|
William Wyler (Director)
|
Carrie
|
1952
|
|
William Wyler (Producer)
|
Carrie
|
1952
|
|
Robert Swink (Editor)
|
Carrie
|
1952
|
|
John Sturges (Director)
|
The Girl in White
|
1952
|
|
Cedric Gibbons (Art Director)
|
The Girl in White
|
1952
|
|
William H. Daniels (Cinematographer)
|
Pat and Mike
|
1952
|
|
Cedric Gibbons (Art Director)
|
Pat and Mike
|
1952
|
|
George Cukor (Director)
|
Pat and Mike
|
1952
|
|
Orry-Kelly (Costume Designer)
|
Pat and Mike
|
1952
|
|
James Basevi (Art Director)
|
Across the Wide Missouri
|
1951
|
|
Cedric Gibbons (Art Director)
|
Across the Wide Missouri
|
1951
|
|
William Wellman (Director)
|
Across the Wide Missouri
|
1951
|
|
John Sturges (Director)
|
Kind Lady
|
1951
|
|
Cedric Gibbons (Art Director)
|
Kind Lady
|
1951
|
|
Cedric Gibbons (Art Director)
|
The Man with a Cloak
|
1951
|
|
Robert Z. Leonard (Director)
|
Grounds for Marriage
|
1950
|
|
Samuel Marx (Producer)
|
Grounds for Marriage
|
1950
|
|
Cedric Gibbons (Art Director)
|
Grounds for Marriage
|
1950
|
|
Cedric Gibbons (Art Director)
|
It's a Big Country
|
1950
|
|
William Wellman (Director)
|
It's a Big Country
|
1950
|
|
Don Weis (Director)
|
It's a Big Country
|
1950
|
|
Clarence Brown (Director)
|
It's a Big Country
|
1950
|
|
Charles Vidor (Director)
|
It's a Big Country
|
1950
|
|
John Sturges (Director)
|
It's a Big Country
|
1950
|
|
Richard Thorpe (Director)
|
It's a Big Country
|
1950
|
|
Cedric Gibbons (Art Director)
|
A Lady without Passport
|
1950
|
|
Samuel Marx (Producer)
|
A Lady without Passport
|
1950
|
|
Joseph H. Lewis (Director)
|
A Lady without Passport
|
1950
|
|
Cedric Gibbons (Art Director)
|
The Magnificent Yankee
|
1950
|
|
John Sturges (Director)
|
The Magnificent Yankee
|
1950
|
|
Cedric Gibbons (Art Director)
|
The Next Voice You Hear
|
1950
|
|
Dore Schary (Producer)
|
The Next Voice You Hear
|
1950
|
|
William Wellman (Director)
|
The Next Voice You Hear
|
1950
|
|
Melvin Frank (Director)
|
The Reformer and the Redhead
|
1950
|
|
Cedric Gibbons (Art Director)
|
The Reformer and the Redhead
|
1950
|
|
Melvin Frank (Producer)
|
The Reformer and the Redhead
|
1950
|
|
Norman Panama (Director)
|
The Reformer and the Redhead
|
1950
|
|
Norman Panama (Producer)
|
The Reformer and the Redhead
|
1950
|
|
John Sturges (Director)
|
Right Cross
|
1950
|
|
Cedric Gibbons (Art Director)
|
Right Cross
|
1950
|
|
Norbert F. Brodin (Cinematographer)
|
Right Cross
|
1950
|
|
Charles LeMaire (Costume Designer)
|
Whirlpool
|
1949
|
|
Arthur C. Miller (Cinematographer)
|
Whirlpool
|
1949
|
|
Otto Preminger (Director)
|
Whirlpool
|
1949
|
|
Otto Preminger (Producer)
|
Whirlpool
|
1949
|
|
William Perlberg (Producer)
|
Apartment for Peggy
|
1948
|
|
George Seaton (Director)
|
Apartment for Peggy
|
1948
|
|
George Barnes (Cinematographer)
|
Force of Evil
|
1948
|
|
Abraham Polonsky (Director)
|
Force of Evil
|
1948
|
|
H. Bruce Humberstone (Director)
|
Fury at Furnace Creek
|
1948
|
|
Fred Kohlmar (Producer)
|
Fury at Furnace Creek
|
1948
|
|
George W. Davis (Art Director)
|
Daisy Kenyon
|
1947
|
|
Charles LeMaire (Costume Designer)
|
Daisy Kenyon
|
1947
|
|
Leon Shamroy (Cinematographer)
|
Daisy Kenyon
|
1947
|
|
Otto Preminger (Director)
|
Daisy Kenyon
|
1947
|
|
Otto Preminger (Producer)
|
Daisy Kenyon
|
1947
|
|
Otto Preminger (Director)
|
Forever Amber
|
1947
|
|
William Perlberg (Producer)
|
Forever Amber
|
1947
|
|
Darryl F. Zanuck (Executive Producer)
|
Forever Amber
|
1947
|
|
Leon Shamroy (Cinematographer)
|
Forever Amber
|
1947
|
|
Charles LeMaire (Costume Designer)
|
Forever Amber
|
1947
|
|
James Basevi (Art Director)
|
The Homestretch
|
1947
|
|
Arthur E. Arling (Cinematographer)
|
The Homestretch
|
1947
|
|
H. Bruce Humberstone (Director)
|
The Homestretch
|
1947
|
|
Norman Z. McLeod (Director)
|
The Secret Life of Walter Mitty
|
1947
|
|
Samuel Goldwyn (Producer)
|
The Secret Life of Walter Mitty
|
1947
|
|
Irene Sharaff (Costume Designer)
|
The Secret Life of Walter Mitty
|
1947
|
|
Leon Shamroy (Cinematographer)
|
The Shocking Miss Pilgrim
|
1947
|
|
James Basevi (Art Director)
|
The Shocking Miss Pilgrim
|
1947
|
|
Hermes Pan (Choreography)
|
The Shocking Miss Pilgrim
|
1947
|
|
William Perlberg (Producer)
|
The Shocking Miss Pilgrim
|
1947
|
|
George Seaton (Director)
|
The Shocking Miss Pilgrim
|
1947
|
|
Louis King (Director)
|
Smoky
|
1946
|
|
Charles G. Clarke (Cinematographer)
|
Smoky
|
1946
|
|
William Le Baron (Producer)
|
Don Juan Quilligan
|
1945
|
|
Norbert F. Brodin (Cinematographer)
|
Don Juan Quilligan
|
1945
|
|
Otto Preminger (Director)
|
Fallen Angel
|
1945
|
|
Otto Preminger (Producer)
|
Fallen Angel
|
1945
|
|
Leon Shamroy (Cinematographer)
|
Where Do We Go from Here?
|
1945
|
|
Gregory Ratoff (Director)
|
Where Do We Go from Here?
|
1945
|
|
William Perlberg (Producer)
|
Where Do We Go from Here?
|
1945
|
|
Otto Preminger (Director)
|
Laura
|
1944
|
|
Otto Preminger (Producer)
|
Laura
|
1944
|
|
Charles G. Clarke (Cinematographer)
|
Tampico
|
1944
|
|
James Basevi (Art Director)
|
Tampico
|
1944
|
|
B.P. Schulberg (Producer)
|
City without Men
|
1943
|
|
Busby Berkeley (Choreography)
|
The Gang's All Here
|
1943
|
|
William Le Baron (Producer)
|
The Gang's All Here
|
1943
|
|
Busby Berkeley (Director)
|
The Gang's All Here
|
1943
|
|
Gregory Ratoff (Producer)
|
Something to Shout About
|
1943
|
|
Gregory Ratoff (Director)
|
Something to Shout About
|
1943
|
|
Lionel Banks (Art Director)
|
Something to Shout About
|
1943
|
|
Sol Wurtzel (Producer)
|
Dr. Renault's Secret
|
1942
|
|
Fred Allen (Editor)
|
Dr. Renault's Secret
|
1942
|
|
Harry Lachman (Director)
|
Dr. Renault's Secret
|
1942
|
|
Sol Wurtzel (Producer)
|
Just off Broadway
|
1942
|
|
Lucien Andriot (Cinematographer)
|
Just off Broadway
|
1942
|
|
Fred Allen (Editor)
|
The Man Who Wouldn't Die
|
1942
|
|
Sol Wurtzel (Producer)
|
The Man Who Wouldn't Die
|
1942
|
|
Sol Wurtzel (Producer)
|
Manila Calling
|
1942
|
|
Lucien Andriot (Cinematographer)
|
Manila Calling
|
1942
|
|
Lucien Ballard (Cinematographer)
|
The Undying Monster
|
1942
|
|
John Brahm (Director)
|
The Undying Monster
|
1942
|
|
Lucien Ballard (Cinematographer)
|
Whispering Ghosts
|
1942
|
|
Sol Wurtzel (Producer)
|
Whispering Ghosts
|
1942
|
|
Sol Wurtzel (Producer)
|
Who Is Hope Schuyler?
|
1942
|
|
Harry Lachman (Director)
|
Dead Men Tell
|
1941
|
|
Charles G. Clarke (Cinematographer)
|
Dead Men Tell
|
1941
|
|
Gregory Ratoff (Producer)
|
The Men in Her Life
|
1941
|
|
Gregory Ratoff (Director)
|
The Men in Her Life
|
1941
|
|
Arthur C. Miller (Cinematographer)
|
The Men in Her Life
|
1941
|
|
Harry Stradling (Cinematographer)
|
The Men in Her Life
|
1941
|
|
Sol Wurtzel (Producer)
|
Ride on Vaquero
|
1941
|
|
Lucien Andriot (Cinematographer)
|
Ride on Vaquero
|
1941
|
|
Leon Shamroy (Cinematographer)
|
The Adventures of Sherlock Holmes
|
1939
|
|
Darryl F. Zanuck (Producer)
|
The Adventures of Sherlock Holmes
|
1939
|
|
Allan Dwan (Director)
|
Frontier Marshal
|
1939
|
|
Sol Wurtzel (Producer)
|
Frontier Marshal
|
1939
|
|
Charles G. Clarke (Cinematographer)
|
Frontier Marshal
|
1939
|
|
Darryl F. Zanuck (Producer)
|
Hollywood Cavalcade
|
1939
|
|
Irving Cummings (Director)
|
Hollywood Cavalcade
|
1939
|
|
Malcolm St. Clair (Director)
|
Hollywood Cavalcade
|
1939
|
|
Sol Wurtzel (Producer)
|
Mr. Moto's Last Warning
|
1939
|
|
Bernard Herzbrun (Art Director)
|
Mr. Moto's Last Warning
|
1939
|
|
William S. Darling (Art Director)
|
Stanley and Livingstone
|
1939
|
|
George Barnes (Cinematographer)
|
Stanley and Livingstone
|
1939
|
|
Darryl F. Zanuck (Producer)
|
Stanley and Livingstone
|
1939
|
|
Henry King (Director)
|
Stanley and Livingstone
|
1939
|
|
Pandro S. Berman (Executive Producer)
|
The Story of Vernon and Irene Castle
|
1939
|
|
Van Nest Polglase (Art Director)
|
The Story of Vernon and Irene Castle
|
1939
|
|
Hermes Pan (Choreography)
|
The Story of Vernon and Irene Castle
|
1939
|
|
Irene Castle (Costume Designer)
|
The Story of Vernon and Irene Castle
|
1939
|
|
Edward Stevenson (Costume Designer)
|
The Story of Vernon and Irene Castle
|
1939
|
|
Darryl F. Zanuck (Producer)
|
Suez
|
1938
|
|
Allan Dwan (Director)
|
Suez
|
1938
|
|
Walter Wanger (Producer)
|
52nd Street
|
1937
|
|
Edward N. Buzzell (Director)
|
As Good As Married
|
1937
|
|
B. Reeves "Breezy" Eason (Director)
|
The Kid Comes Back
|
1937
|
|
Arthur Edeson (Cinematographer)
|
The Kid Comes Back
|
1937
|
|
Warren Low (Editor)
|
The Kid Comes Back
|
1937
|
|
John Rawlins (Editor)
|
Let Them Live
|
1937
|
|
Jack L. Warner (Producer)
|
Marked Woman
|
1937
|
|
Lloyd Bacon (Director)
|
Marked Woman
|
1937
|
|
George Barnes (Cinematographer)
|
Marked Woman
|
1937
|
|
Orry-Kelly (Costume Designer)
|
Marked Woman
|
1937
|
|
Hal B. Wallis (Producer)
|
Marked Woman
|
1937
|
|
Harry Joe Brown (Producer)
|
Marry the Girl
|
1937
|
|
Warren Low (Editor)
|
Marry the Girl
|
1937
|
|
Mervyn LeRoy (Producer)
|
Marry the Girl
|
1937
|
|
Frank McDonald (Director)
|
Midnight Court
|
1937
|
|
Lewis D. Collins (Director)
|
The Mighty Treve
|
1937
|
|
William Holmes (Editor)
|
San Quentin
|
1937
|
|
Lloyd Bacon (Director)
|
San Quentin
|
1937
|
|
Charles R. Rogers (Producer)
|
Wings over Honolulu
|
1937
|
|
Charles Chaplin (Producer)
|
Modern Times
|
1936
|
|
Charles Chaplin (Director)
|
Modern Times
|
1936
|