|
Oswald Morris (Cinematographer)
|
A Farewell to Arms
|
1957
|
|
John Huston (Director)
|
A Farewell to Arms
|
1957
|
|
Charles Vidor (Director)
|
A Farewell to Arms
|
1957
|
|
Vittorio De Sica (Producer)
|
Indiscretion of an American Wife
|
1954
|
|
Vittorio De Sica (Director)
|
Indiscretion of an American Wife
|
1954
|
|
Vittorio De Sica (Director)
|
Terminal Station
|
1953
|
|
Vittorio De Sica (Producer)
|
Terminal Station
|
1953
|
|
Emeric Pressburger (Producer)
|
The Wild Heart
|
1950
|
|
Michael Powell (Producer)
|
The Wild Heart
|
1950
|
|
Emeric Pressburger (Director)
|
The Wild Heart
|
1950
|
|
Rouben Mamoulian (Director)
|
The Wild Heart
|
1950
|
|
Michael Powell (Director)
|
The Wild Heart
|
1950
|
|
Christopher G. Challis (Cinematographer)
|
The Wild Heart
|
1950
|
|
Robert Krasker (Cinematographer)
|
The Third Man
|
1949
|
|
Carol Reed (Director)
|
The Third Man
|
1949
|
|
Alexander Korda (Producer)
|
The Third Man
|
1949
|
|
Carol Reed (Producer)
|
The Third Man
|
1949
|
|
Georges Périnal (Cinematographer)
|
The Fallen Idol
|
1948
|
|
Carol Reed (Producer)
|
The Fallen Idol
|
1948
|
|
Carol Reed (Director)
|
The Fallen Idol
|
1948
|
|
Joseph H. August (Cinematographer)
|
Portrait of Jennie
|
1948
|
|
William Dieterle (Director)
|
Portrait of Jennie
|
1948
|
|
Travis Banton (Costume Designer)
|
The Paradine Case
|
1947
|
|
Alfred Hitchcock (Director)
|
The Paradine Case
|
1947
|
|
James Basevi (Art Director)
|
Duel in the Sun
|
1946
|
|
Ray Rennahan (Cinematographer)
|
Duel in the Sun
|
1946
|
|
Harold Hal Rosson (Cinematographer)
|
Duel in the Sun
|
1946
|
|
King Vidor (Director)
|
Duel in the Sun
|
1946
|
|
Alfred Hitchcock (Director)
|
Spellbound
|
1945
|
|
George Barnes (Cinematographer)
|
Spellbound
|
1945
|
|
Charles Walters (Choreography)
|
Since You Went Away
|
1944
|
|
Stanley Cortez (Cinematographer)
|
Since You Went Away
|
1944
|
|
John Cromwell (Director)
|
Since You Went Away
|
1944
|
|
George Barnes (Cinematographer)
|
Rebecca
|
1940
|
|
Alfred Hitchcock (Director)
|
Rebecca
|
1940
|
|
Ray Rennahan (Cinematographer)
|
Gone With the Wind
|
1939
|
|
Ernest Haller (Cinematographer)
|
Gone With the Wind
|
1939
|
|
Victor Fleming (Director)
|
Gone With the Wind
|
1939
|
|
Travis Banton (Costume Designer)
|
Intermezzo
|
1939
|
|
Irene (Costume Designer)
|
Intermezzo
|
1939
|
|
Gregory Ratoff (Director)
|
Intermezzo
|
1939
|
|
Gregg Toland (Cinematographer)
|
Intermezzo
|
1939
|
|
Leon Shamroy (Cinematographer)
|
Made for Each Other
|
1939
|
|
John Cromwell (Director)
|
Made for Each Other
|
1939
|
|
Travis Banton (Costume Designer)
|
Made for Each Other
|
1939
|
|
Norman Taurog (Director)
|
The Adventures of Tom Sawyer
|
1938
|
|
James Wong Howe (Cinematographer)
|
The Adventures of Tom Sawyer
|
1938
|
|
William Cameron Menzies (Art Director)
|
The Adventures of Tom Sawyer
|
1938
|
|
Leon Shamroy (Cinematographer)
|
The Young in Heart
|
1938
|
|
Richard Wallace (Director)
|
The Young in Heart
|
1938
|
|
Travis Banton (Costume Designer)
|
Nothing Sacred
|
1937
|
|
William Wellman (Director)
|
Nothing Sacred
|
1937
|
|
George Cukor (Director)
|
The Prisoner of Zenda
|
1937
|
|
W.S. Van Dyke (Director)
|
The Prisoner of Zenda
|
1937
|
|
John Cromwell (Director)
|
The Prisoner of Zenda
|
1937
|
|
James Wong Howe (Cinematographer)
|
The Prisoner of Zenda
|
1937
|
|
Jack Conway (Director)
|
A Star Is Born
|
1937
|
|
William Wellman (Director)
|
A Star Is Born
|
1937
|
|
Harold Hal Rosson (Cinematographer)
|
The Garden of Allah
|
1936
|
|
Richard Boleslawski (Director)
|
The Garden of Allah
|
1936
|
|
John Cromwell (Director)
|
Little Lord Fauntleroy
|
1936
|
|
Charles Rosher Sr. (Cinematographer)
|
Little Lord Fauntleroy
|
1936
|
|
William H. Daniels (Cinematographer)
|
Anna Karenina
|
1935
|
|
Clarence Brown (Director)
|
Anna Karenina
|
1935
|
|
Cedric Gibbons (Art Director)
|
David Copperfield
|
1935
|
|
George Cukor (Director)
|
David Copperfield
|
1935
|
|
Oliver Marsh (Cinematographer)
|
David Copperfield
|
1935
|
|
Adrian (Costume Designer)
|
Reckless
|
1935
|
|
Cedric Gibbons (Art Director)
|
Reckless
|
1935
|
|
Victor Fleming (Director)
|
Reckless
|
1935
|
|
Margaret Booth (Editor)
|
Reckless
|
1935
|
|
Cedric Gibbons (Art Director)
|
A Tale of Two Cities
|
1935
|
|
Oliver Marsh (Cinematographer)
|
A Tale of Two Cities
|
1935
|
|
Jack Conway (Director)
|
A Tale of Two Cities
|
1935
|
|
William Howard (Director)
|
Vanessa, Her Love Story
|
1935
|
|
W.S. Van Dyke (Director)
|
Manhattan Melodrama
|
1934
|
|
James Wong Howe (Cinematographer)
|
Manhattan Melodrama
|
1934
|
|
Cedric Gibbons (Art Director)
|
Manhattan Melodrama
|
1934
|
|
James Wong Howe (Cinematographer)
|
Viva Villa!
|
1934
|
|
Jack Conway (Director)
|
Viva Villa!
|
1934
|
|
Howard Hawks (Director)
|
Viva Villa!
|
1934
|
|
Dorothy Arzner (Director)
|
Christopher Strong
|
1933
|
|
Van Nest Polglase (Art Director)
|
Christopher Strong
|
1933
|
|
Margaret Booth (Editor)
|
Dancing Lady
|
1933
|
|
Robert Z. Leonard (Director)
|
Dancing Lady
|
1933
|
|
Adrian (Costume Designer)
|
Dancing Lady
|
1933
|
|
Oliver Marsh (Cinematographer)
|
Dancing Lady
|
1933
|
|
Cedric Gibbons (Art Director)
|
Dancing Lady
|
1933
|
|
LeRoy J. Prinz (Choreography)
|
Dancing Lady
|
1933
|
|
Cedric Gibbons (Art Director)
|
Dinner at Eight
|
1933
|
|
William H. Daniels (Cinematographer)
|
Dinner at Eight
|
1933
|
|
Adrian (Costume Designer)
|
Dinner at Eight
|
1933
|
|
George Cukor (Director)
|
Dinner at Eight
|
1933
|
|
Ernest B. Schoedsack (Producer)
|
King Kong
|
1933
|
|
Merian C. Cooper (Producer)
|
King Kong
|
1933
|
|
Ernest B. Schoedsack (Director)
|
King Kong
|
1933
|
|
Merian C. Cooper (Director)
|
King Kong
|
1933
|
|
Vernon Walker (Cinematographer)
|
King Kong
|
1933
|
|
Van Nest Polglase (Art Director)
|
King Kong
|
1933
|
|
Roy Hunt (Cinematographer)
|
Lucky Devils
|
1933
|
|
Walter Lang (Director)
|
Meet the Baron
|
1933
|
|
Oliver Marsh (Cinematographer)
|
Night Flight
|
1933
|
|
Cedric Gibbons (Art Director)
|
Night Flight
|
1933
|
|
Clarence Brown (Director)
|
Night Flight
|
1933
|
|
Charles Rosher Sr. (Cinematographer)
|
Our Betters
|
1933
|
|
Van Nest Polglase (Art Director)
|
Our Betters
|
1933
|
|
George Cukor (Director)
|
Our Betters
|
1933
|
|
Van Nest Polglase (Art Director)
|
Sweepings
|
1933
|
|
John Cromwell (Director)
|
Sweepings
|
1933
|
|
Van Nest Polglase (Art Director)
|
Topaze
|
1933
|
|
Lucien Andriot (Cinematographer)
|
Topaze
|
1933
|
|
Gregory La Cava (Director)
|
The Age of Consent
|
1932
|
|
Roy Hunt (Cinematographer)
|
The Age of Consent
|
1932
|
|
George Cukor (Director)
|
The Animal Kingdom
|
1932
|
|
George Cukor (Director)
|
A Bill of Divorcement
|
1932
|
|
King Vidor (Director)
|
Bird of Paradise
|
1932
|
|
Clyde de Vinna (Cinematographer)
|
Bird of Paradise
|
1932
|
|
Lucien Andriot (Cinematographer)
|
Bird of Paradise
|
1932
|
|
Busby Berkeley (Choreography)
|
Bird of Paradise
|
1932
|
|
William Wellman (Director)
|
The Conquerors
|
1932
|
|
Roy Hunt (Cinematographer)
|
Girl Crazy
|
1932
|
|
William Seiter (Director)
|
Girl Crazy
|
1932
|
|
William Le Baron (Producer)
|
Girl Crazy
|
1932
|
|
Gregory La Cava (Director)
|
The Half-Naked Truth
|
1932
|
|
Norman Taurog (Director)
|
Hold 'em Jail
|
1932
|
|
William Seiter (Director)
|
Is My Face Red?
|
1932
|
|
Joseph Kane (Editor)
|
Is My Face Red?
|
1932
|
|
Merian C. Cooper (Producer)
|
The Most Dangerous Game
|
1932
|
|
Ernest B. Schoedsack (Director)
|
The Most Dangerous Game
|
1932
|
|
Ernest B. Schoedsack (Producer)
|
The Most Dangerous Game
|
1932
|
|
George Cukor (Director)
|
Rockabye
|
1932
|
|
Charles Rosher Sr. (Cinematographer)
|
Rockabye
|
1932
|
|
Gregory La Cava (Director)
|
Symphony of Six Million
|
1932
|
|
Lucien Andriot (Cinematographer)
|
Westward Passage
|
1932
|
|
George Cukor (Director)
|
What Price Hollywood?
|
1932
|
|
Charles Rosher Sr. (Cinematographer)
|
What Price Hollywood?
|
1932
|
|
Joseph Kane (Editor)
|
Young Bride
|
1932
|
|
Harry Joe Brown (Producer)
|
Young Bride
|
1932
|
|
William Seiter (Director)
|
Young Bride
|
1932
|
|
Arthur C. Miller (Cinematographer)
|
Young Bride
|
1932
|
|
Gerald Geraghty (Editor)
|
Street of Chance
|
1930
|
|
John Cromwell (Director)
|
Street of Chance
|
1930
|
|
Travis Banton (Costume Designer)
|
Street of Chance
|
1930
|
|
Lewis Milestone (Director)
|
Betrayal
|
1929
|
|
Hans Dreier (Art Director)
|
Betrayal
|
1929
|
|
William Wellman (Director)
|
Chinatown Nights
|
1929
|
|
Edward Sutherland (Director)
|
The Dance of Life
|
1929
|
|
John Cromwell (Director)
|
The Dance of Life
|
1929
|
|
Roy Hunt (Cinematographer)
|
The Dance of Life
|
1929
|
|
William Wellman (Director)
|
The Man I Love
|
1929
|
|
Victor Schertzinger (Director)
|
Forgotten Faces
|
1928
|
|
Roy Hunt (Cinematographer)
|
Forgotten Faces
|
1928
|
|
Ernest B. Schoedsack (Editor)
|
The Four Feathers
|
1928
|
|
Merian C. Cooper (Director)
|
The Four Feathers
|
1928
|
|
Ernest B. Schoedsack (Director)
|
The Four Feathers
|
1928
|
|
Ernest B. Schoedsack (Cinematographer)
|
The Four Feathers
|
1928
|
|
Merian C. Cooper (Cinematographer)
|
The Four Feathers
|
1928
|