|
Orry-Kelly (Costume Designer)
|
The Chapman Report
|
1962
|
|
George Cukor (Director)
|
The Chapman Report
|
1962
|
|
Richard D. Zanuck (Producer)
|
The Chapman Report
|
1962
|
|
Andrew Marton (Director)
|
The Longest Day
|
1962
|
|
Ken Annakin (Director)
|
The Longest Day
|
1962
|
|
Vincent Korda (Art Director)
|
The Longest Day
|
1962
|
|
Richard Fleischer (Director)
|
The Big Gamble
|
1961
|
|
Tony Richardson (Director)
|
Sanctuary
|
1961
|
|
Jack Martin Smith (Art Director)
|
Sanctuary
|
1961
|
|
Richard D. Zanuck (Producer)
|
Sanctuary
|
1961
|
|
Richard Fleischer (Director)
|
Crack in the Mirror
|
1960
|
|
John Huston (Director)
|
The Roots of Heaven
|
1958
|
|
Oswald Morris (Cinematographer)
|
The Roots of Heaven
|
1958
|
|
Freddie Young (Cinematographer)
|
Island in the Sun
|
1957
|
|
Robert Rossen (Director)
|
Island in the Sun
|
1957
|
|
Henry King (Director)
|
The Sun Also Rises
|
1957
|
|
Charles LeMaire (Costume Designer)
|
The Sun Also Rises
|
1957
|
|
Jack Martin Smith (Art Director)
|
The Man in the Gray Flannel Suit
|
1956
|
|
Charles LeMaire (Costume Designer)
|
The Man in the Gray Flannel Suit
|
1956
|
|
Charles G. Clarke (Cinematographer)
|
The Man in the Gray Flannel Suit
|
1956
|
|
Dorothy Spencer (Editor)
|
The Man in the Gray Flannel Suit
|
1956
|
|
Nunnally Johnson (Director)
|
The Man in the Gray Flannel Suit
|
1956
|
|
Michael Curtiz (Director)
|
The Egyptian
|
1954
|
|
Leon Shamroy (Cinematographer)
|
The Egyptian
|
1954
|
|
Charles LeMaire (Costume Designer)
|
The Egyptian
|
1954
|
|
George W. Davis (Art Director)
|
The Egyptian
|
1954
|
|
Charles LeMaire (Costume Designer)
|
The Snows of Kilimanjaro
|
1952
|
|
Leon Shamroy (Cinematographer)
|
The Snows of Kilimanjaro
|
1952
|
|
Henry King (Director)
|
The Snows of Kilimanjaro
|
1952
|
|
Elia Kazan (Director)
|
Viva Zapata!
|
1952
|
|
George W. Davis (Art Director)
|
David and Bathsheba
|
1951
|
|
Charles LeMaire (Costume Designer)
|
David and Bathsheba
|
1951
|
|
Edward Stevenson (Costume Designer)
|
David and Bathsheba
|
1951
|
|
Leon Shamroy (Cinematographer)
|
David and Bathsheba
|
1951
|
|
Henry King (Director)
|
David and Bathsheba
|
1951
|
|
Robert Wise (Director)
|
The Day the Earth Stood Still
|
1951
|
|
Charles LeMaire (Costume Designer)
|
People Will Talk
|
1951
|
|
Joseph L. Mankiewicz (Director)
|
People Will Talk
|
1951
|
|
George W. Davis (Art Director)
|
People Will Talk
|
1951
|
|
Joseph L. Mankiewicz (Director)
|
All About Eve
|
1950
|
|
Edith Head (Costume Designer)
|
All About Eve
|
1950
|
|
Charles LeMaire (Costume Designer)
|
All About Eve
|
1950
|
|
George W. Davis (Art Director)
|
All About Eve
|
1950
|
|
George W. Davis (Art Director)
|
No Way Out
|
1950
|
|
Joseph L. Mankiewicz (Director)
|
No Way Out
|
1950
|
|
Elia Kazan (Director)
|
Pinky
|
1949
|
|
Charles LeMaire (Costume Designer)
|
Pinky
|
1949
|
|
Leon Shamroy (Cinematographer)
|
Twelve O'Clock High
|
1949
|
|
Henry King (Director)
|
Twelve O'Clock High
|
1949
|
|
Otto Preminger (Director)
|
Forever Amber
|
1947
|
|
William Perlberg (Producer)
|
Forever Amber
|
1947
|
|
Leon Shamroy (Cinematographer)
|
Forever Amber
|
1947
|
|
Charles LeMaire (Costume Designer)
|
Forever Amber
|
1947
|
|
Arthur C. Miller (Cinematographer)
|
Gentleman's Agreement
|
1947
|
|
Elia Kazan (Director)
|
Gentleman's Agreement
|
1947
|
|
Joseph L. Mankiewicz (Director)
|
Dragonwyck
|
1946
|
|
Dorothy Spencer (Editor)
|
Dragonwyck
|
1946
|
|
Arthur C. Miller (Cinematographer)
|
Dragonwyck
|
1946
|
|
Charles LeMaire (Costume Designer)
|
The Razor's Edge
|
1946
|
|
Arthur C. Miller (Cinematographer)
|
The Razor's Edge
|
1946
|
|
Edmund Goulding (Director)
|
The Razor's Edge
|
1946
|
|
Lewis Milestone (Director)
|
The Purple Heart
|
1944
|
|
Arthur C. Miller (Cinematographer)
|
The Purple Heart
|
1944
|
|
James Basevi (Art Director)
|
The Purple Heart
|
1944
|
|
James Basevi (Art Director)
|
Wilson
|
1944
|
|
Leon Shamroy (Cinematographer)
|
Wilson
|
1944
|
|
Henry King (Director)
|
Wilson
|
1944
|
|
George Cukor (Director)
|
Winged Victory
|
1944
|
|
John Ford (Director)
|
At the Front
|
1943
|
|
John Cromwell (Director)
|
Son of Fury
|
1942
|
|
Arthur C. Miller (Cinematographer)
|
Son of Fury
|
1942
|
|
James Basevi (Art Director)
|
Son of Fury
|
1942
|
|
Arthur C. Miller (Cinematographer)
|
This Above All
|
1942
|
|
Anatole Litvak (Director)
|
This Above All
|
1942
|
|
William Wellman (Director)
|
Thunder Birds
|
1942
|
|
Lamar Trotti (Producer)
|
Thunder Birds
|
1942
|
|
James Basevi (Art Director)
|
Thunder Birds
|
1942
|
|
H. Bruce Humberstone (Director)
|
To the Shores of Tripoli
|
1942
|
|
Travis Banton (Costume Designer)
|
Blood and Sand
|
1941
|
|
Rouben Mamoulian (Director)
|
Blood and Sand
|
1941
|
|
Budd Boetticher (Choreography)
|
Blood and Sand
|
1941
|
|
Hermes Pan (Choreography)
|
Blood and Sand
|
1941
|
|
Ray Rennahan (Cinematographer)
|
Blood and Sand
|
1941
|
|
Archie Mayo (Director)
|
The Great American Broadcast
|
1941
|
|
Leon Shamroy (Cinematographer)
|
The Great American Broadcast
|
1941
|
|
Travis Banton (Costume Designer)
|
The Great American Broadcast
|
1941
|
|
John Ford (Director)
|
How Green Was My Valley
|
1941
|
|
Arthur C. Miller (Cinematographer)
|
How Green Was My Valley
|
1941
|
|
James B. Clark (Editor)
|
How Green Was My Valley
|
1941
|
|
John Ford (Director)
|
Sex Hygiene
|
1941
|
|
Fred Kohlmar (Producer)
|
That Night in Rio
|
1941
|
|
Ray Rennahan (Cinematographer)
|
That Night in Rio
|
1941
|
|
Irving Cummings (Director)
|
That Night in Rio
|
1941
|
|
Hermes Pan (Choreography)
|
That Night in Rio
|
1941
|
|
Travis Banton (Costume Designer)
|
That Night in Rio
|
1941
|
|
Leon Shamroy (Cinematographer)
|
That Night in Rio
|
1941
|
|
Arthur C. Miller (Cinematographer)
|
Tobacco Road
|
1941
|
|
John Ford (Director)
|
Tobacco Road
|
1941
|
|
James Basevi (Art Director)
|
Tobacco Road
|
1941
|
|
Fritz Lang (Director)
|
Western Union
|
1941
|
|
Travis Banton (Costume Designer)
|
Western Union
|
1941
|
|
James Basevi (Art Director)
|
A Yank in the R.A.F.
|
1941
|
|
Henry King (Director)
|
A Yank in the R.A.F.
|
1941
|
|
Leon Shamroy (Cinematographer)
|
A Yank in the R.A.F.
|
1941
|
|
Ronald Neame (Cinematographer)
|
A Yank in the R.A.F.
|
1941
|
|
Travis Banton (Costume Designer)
|
A Yank in the R.A.F.
|
1941
|
|
Ray Rennahan (Cinematographer)
|
The Blue Bird
|
1940
|
|
Arthur C. Miller (Cinematographer)
|
The Blue Bird
|
1940
|
|
Walter Lang (Director)
|
The Blue Bird
|
1940
|
|
William S. Darling (Art Director)
|
Brigham Young
|
1940
|
|
Arthur C. Miller (Cinematographer)
|
Brigham Young
|
1940
|
|
Henry Hathaway (Director)
|
Brigham Young
|
1940
|
|
Nunnally Johnson (Producer)
|
Chad Hanna
|
1940
|
|
Henry King (Director)
|
Chad Hanna
|
1940
|
|
Ray Rennahan (Cinematographer)
|
Chad Hanna
|
1940
|
|
Ray Rennahan (Cinematographer)
|
Down Argentine Way
|
1940
|
|
William Witney (Director)
|
Down Argentine Way
|
1940
|
|
Leon Shamroy (Cinematographer)
|
Down Argentine Way
|
1940
|
|
Nick Castle (Choreography)
|
Down Argentine Way
|
1940
|
|
Harry Joe Brown (Producer)
|
Down Argentine Way
|
1940
|
|
Irving Cummings (Director)
|
Down Argentine Way
|
1940
|
|
Archie Mayo (Director)
|
Four Sons
|
1940
|
|
Harry Joe Brown (Producer)
|
Four Sons
|
1940
|
|
Leon Shamroy (Cinematographer)
|
Four Sons
|
1940
|
|
Gregg Toland (Cinematographer)
|
The Grapes of Wrath
|
1940
|
|
John Ford (Director)
|
The Grapes of Wrath
|
1940
|
|
Raymond Griffith (Producer)
|
The Great Profile
|
1940
|
|
Walter Lang (Director)
|
The Great Profile
|
1940
|
|
James B. Clark (Editor)
|
He Married His Wife
|
1940
|
|
Raymond Griffith (Producer)
|
He Married His Wife
|
1940
|
|
Roy Del Ruth (Director)
|
He Married His Wife
|
1940
|
|
Gregory Ratoff (Director)
|
I Was an Adventuress
|
1940
|
|
Leon Shamroy (Cinematographer)
|
I Was an Adventuress
|
1940
|
|
Henry Hathaway (Director)
|
Johnny Apollo
|
1940
|
|
Yves Allégret (Director)
|
Johnny Apollo
|
1940
|
|
Harry Joe Brown (Producer)
|
Johnny Apollo
|
1940
|
|
Arthur C. Miller (Cinematographer)
|
Johnny Apollo
|
1940
|
|
Leon Shamroy (Cinematographer)
|
Lillian Russell
|
1940
|
|
Irving Cummings (Director)
|
Lillian Russell
|
1940
|
|
Travis Banton (Costume Designer)
|
Lillian Russell
|
1940
|
|
Leon Shamroy (Cinematographer)
|
Little Old New York
|
1940
|
|
Henry King (Director)
|
Little Old New York
|
1940
|
|
Travis Banton (Costume Designer)
|
The Man I Married
|
1940
|
|
Arthur C. Miller (Cinematographer)
|
The Mark of Zorro
|
1940
|
|
Rouben Mamoulian (Director)
|
The Mark of Zorro
|
1940
|
|
Travis Banton (Costume Designer)
|
The Mark of Zorro
|
1940
|
|
Raymond Griffith (Producer)
|
The Mark of Zorro
|
1940
|
|
George Barnes (Cinematographer)
|
Maryland
|
1940
|
|
Ray Rennahan (Cinematographer)
|
Maryland
|
1940
|
|
Henry King (Director)
|
Maryland
|
1940
|
|
Gene Markey (Producer)
|
Maryland
|
1940
|
|
Gene Markey (Producer)
|
Public Deb No. 1
|
1940
|
|
Gregory Ratoff (Director)
|
Public Deb No. 1
|
1940
|
|
Travis Banton (Costume Designer)
|
The Return of Frank James
|
1940
|
|
Fritz Lang (Director)
|
The Return of Frank James
|
1940
|
|
George Barnes (Cinematographer)
|
The Return of Frank James
|
1940
|
|
Walter Lang (Director)
|
Star Dust
|
1940
|
|
Leon Shamroy (Cinematographer)
|
The Adventures of Sherlock Holmes
|
1939
|
|
Bernard Herzbrun (Art Director)
|
Barricade
|
1939
|
|
Gregory Ratoff (Director)
|
Barricade
|
1939
|
|
Karl W. Freund (Cinematographer)
|
Barricade
|
1939
|
|
Gregory Ratoff (Director)
|
Day-Time Wife
|
1939
|
|
John Ford (Director)
|
Drums Along the Mohawk
|
1939
|
|
Raymond Griffith (Producer)
|
Drums Along the Mohawk
|
1939
|
|
Ray Rennahan (Cinematographer)
|
Drums Along the Mohawk
|
1939
|
|
Robert Parrish (Editor)
|
Drums Along the Mohawk
|
1939
|
|
Harry Joe Brown (Producer)
|
Everything Happens at Night
|
1939
|
|
Nick Castle (Choreography)
|
Everything Happens at Night
|
1939
|
|
Irving Cummings (Director)
|
Everything Happens at Night
|
1939
|
|
Allan Dwan (Director)
|
The Gorilla
|
1939
|
|
Harry Joe Brown (Producer)
|
The Gorilla
|
1939
|
|
Roy Del Ruth (Director)
|
Here I Am a Stranger
|
1939
|
|
Arthur C. Miller (Cinematographer)
|
Here I Am a Stranger
|
1939
|
|
Harry Joe Brown (Producer)
|
Here I Am a Stranger
|
1939
|
|
Malcolm St. Clair (Director)
|
Hollywood Cavalcade
|
1939
|
|
Irving Cummings (Director)
|
Hollywood Cavalcade
|
1939
|
|
Gregory Ratoff (Director)
|
Hotel for Women
|
1939
|
|
Raymond Griffith (Producer)
|
Hotel for Women
|
1939
|
|
William S. Darling (Art Director)
|
Jesse James
|
1939
|
|
Henry King (Director)
|
Jesse James
|
1939
|
|
George Barnes (Cinematographer)
|
Jesse James
|
1939
|
|
Harry Joe Brown (Producer)
|
The Rains Came
|
1939
|
|
Clarence Brown (Director)
|
The Rains Came
|
1939
|
|
William S. Darling (Art Director)
|
The Rains Came
|
1939
|
|
Arthur C. Miller (Cinematographer)
|
The Rains Came
|
1939
|
|
Gregory Ratoff (Director)
|
Rose of Washington Square
|
1939
|
|
Karl W. Freund (Cinematographer)
|
Rose of Washington Square
|
1939
|
|
Nunnally Johnson (Producer)
|
Rose of Washington Square
|
1939
|
|
Leon Shamroy (Cinematographer)
|
Second Fiddle
|
1939
|
|
Sidney Lanfield (Director)
|
Second Fiddle
|
1939
|
|
Gene Markey (Producer)
|
Second Fiddle
|
1939
|
|
William S. Darling (Art Director)
|
Stanley and Livingstone
|
1939
|
|
George Barnes (Cinematographer)
|
Stanley and Livingstone
|
1939
|
|
Henry King (Director)
|
Stanley and Livingstone
|
1939
|
|
Leon Shamroy (Cinematographer)
|
The Story of Alexander Graham Bell
|
1939
|
|
Irving Cummings (Director)
|
The Story of Alexander Graham Bell
|
1939
|
|
Walter Lang (Director)
|
Susannah of the Mounties
|
1939
|
|
William Seiter (Director)
|
Susannah of the Mounties
|
1939
|
|
Arthur C. Miller (Cinematographer)
|
Susannah of the Mounties
|
1939
|
|
Sidney Lanfield (Director)
|
Swanee River
|
1939
|
|
Nick Castle (Choreography)
|
Swanee River
|
1939
|
|
Roy Del Ruth (Director)
|
Tail Spin
|
1939
|
|
Harry Joe Brown (Producer)
|
Tail Spin
|
1939
|
|
Bernard Herzbrun (Art Director)
|
Tail Spin
|
1939
|
|
Karl W. Freund (Cinematographer)
|
Tail Spin
|
1939
|
|
Gregory Ratoff (Director)
|
Wife, Husband and Friend
|
1939
|
|
Nunnally Johnson (Producer)
|
Wife, Husband and Friend
|
1939
|
|
Arthur C. Miller (Cinematographer)
|
Young Mr. Lincoln
|
1939
|
|
John Ford (Director)
|
Young Mr. Lincoln
|
1939
|
|
Henry King (Director)
|
Alexander's Ragtime Band
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Alexander's Ragtime Band
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Always Goodbye
|
1938
|
|
Sidney Lanfield (Director)
|
Always Goodbye
|
1938
|
|
Arthur C. Miller (Cinematographer)
|
The Baroness and the Butler
|
1938
|
|
Bernard Herzbrun (Art Director)
|
The Baroness and the Butler
|
1938
|
|
Walter Lang (Director)
|
The Baroness and the Butler
|
1938
|
|
Raymond Griffith (Producer)
|
The Baroness and the Butler
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Four Men and a Prayer
|
1938
|
|
John Ford (Director)
|
Four Men and a Prayer
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Gateway
|
1938
|
|
Roy Del Ruth (Director)
|
Happy Landing
|
1938
|
|
George Marshall (Director)
|
Hold That Co-Ed
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Hold That Co-Ed
|
1938
|
|
Nick Castle (Choreography)
|
Hold That Co-Ed
|
1938
|
|
Lucien Andriot (Cinematographer)
|
I'll Give a Million
|
1938
|
|
Bernard Herzbrun (Art Director)
|
I'll Give a Million
|
1938
|
|
Walter Lang (Director)
|
I'll Give a Million
|
1938
|
|
William S. Darling (Art Director)
|
In Old Chicago
|
1938
|
|
Henry King (Director)
|
In Old Chicago
|
1938
|
|
Bernard Herzbrun (Art Director)
|
International Settlement
|
1938
|
|
Lucien Andriot (Cinematographer)
|
International Settlement
|
1938
|
|
Sol Wurtzel (Producer)
|
International Settlement
|
1938
|
|
Irving Cummings (Director)
|
Just Around the Corner
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Just Around the Corner
|
1938
|
|
Arthur C. Miller (Cinematographer)
|
Just Around the Corner
|
1938
|
|
David Butler (Director)
|
Kentucky
|
1938
|
|
Gene Markey (Producer)
|
Kentucky
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Kentucky
|
1938
|
|
Ray Rennahan (Cinematographer)
|
Kentucky
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Kentucky Moonshine
|
1938
|
|
David Butler (Director)
|
Kentucky Moonshine
|
1938
|
|
Gregg Toland (Cinematographer)
|
Kidnapped
|
1938
|
|
Nick Castle (Choreography)
|
Little Miss Broadway
|
1938
|
|
Arthur C. Miller (Cinematographer)
|
Little Miss Broadway
|
1938
|
|
Irving Cummings (Director)
|
Little Miss Broadway
|
1938
|
|
Roy Del Ruth (Director)
|
My Lucky Star
|
1938
|
|
Raymond Griffith (Producer)
|
Rebecca of Sunnybrook Farm
|
1938
|
|
Allan Dwan (Director)
|
Rebecca of Sunnybrook Farm
|
1938
|
|
Arthur C. Miller (Cinematographer)
|
Rebecca of Sunnybrook Farm
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Rebecca of Sunnybrook Farm
|
1938
|
|
Nick Castle (Choreography)
|
Rebecca of Sunnybrook Farm
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Sally, Irene and Mary
|
1938
|
|
Nick Castle (Choreography)
|
Sally, Irene and Mary
|
1938
|
|
Gene Markey (Producer)
|
Sally, Irene and Mary
|
1938
|
|
William Seiter (Director)
|
Sally, Irene and Mary
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Straight, Place and Show
|
1938
|
|
Nick Castle (Choreography)
|
Straight, Place and Show
|
1938
|
|
David Butler (Director)
|
Straight, Place and Show
|
1938
|
|
Arthur C. Miller (Cinematographer)
|
Submarine Patrol
|
1938
|
|
William S. Darling (Art Director)
|
Submarine Patrol
|
1938
|
|
John Ford (Director)
|
Submarine Patrol
|
1938
|
|
Gene Markey (Director)
|
Submarine Patrol
|
1938
|
|
Allan Dwan (Director)
|
Suez
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Thanks for Everything
|
1938
|
|
Lucien Andriot (Cinematographer)
|
Thanks for Everything
|
1938
|
|
Harry Joe Brown (Producer)
|
Thanks for Everything
|
1938
|
|
William Seiter (Director)
|
Thanks for Everything
|
1938
|
|
William Seiter (Director)
|
Three Blind Mice
|
1938
|
|
Raymond Griffith (Producer)
|
Three Blind Mice
|
1938
|
|
Bernard Herzbrun (Art Director)
|
Ali Baba Goes to Town
|
1937
|
|
David Butler (Director)
|
Ali Baba Goes to Town
|
1937
|
|
Otto Preminger (Director)
|
Danger: Love at Work
|
1937
|
|
Arthur C. Miller (Cinematographer)
|
Heidi
|
1937
|
|
Allan Dwan (Director)
|
Heidi
|
1937
|
|
Gregory Ratoff (Director)
|
Lancer Spy
|
1937
|
|
Bernard Herzbrun (Art Director)
|
Love and Hisses
|
1937
|
|
Nick Castle (Choreography)
|
Love and Hisses
|
1937
|
|
Sidney Lanfield (Director)
|
Love and Hisses
|
1937
|
|
Roy Del Ruth (Director)
|
On the Avenue
|
1937
|
|
Lucien Andriot (Cinematographer)
|
On the Avenue
|
1937
|
|
William S. Darling (Art Director)
|
On the Avenue
|
1937
|
|
Bernard Herzbrun (Art Director)
|
Second Honeymoon
|
1937
|
|
Raymond Griffith (Producer)
|
Second Honeymoon
|
1937
|
|
Phil Rosen (Director)
|
Second Honeymoon
|
1937
|
|
Walter Lang (Director)
|
Second Honeymoon
|
1937
|
|
William S. Darling (Art Director)
|
The Seventh Heaven
|
1937
|
|
Raymond Griffith (Producer)
|
The Seventh Heaven
|
1937
|
|
Henry King (Director)
|
The Seventh Heaven
|
1937
|
|
Tay Garnett (Director)
|
Slave Ship
|
1937
|
|
Sidney Lanfield (Director)
|
Thin Ice
|
1937
|
|
William Seiter (Director)
|
This is My Affair
|
1937
|
|
Sidney Lanfield (Director)
|
Wake up and Live
|
1937
|
|
Raymond Griffith (Producer)
|
Wife, Doctor and Nurse
|
1937
|
|
Walter Lang (Director)
|
Wife, Doctor and Nurse
|
1937
|
|
Norman Taurog (Director)
|
You Can't Have Everything
|
1937
|
|
Lucien Andriot (Cinematographer)
|
You Can't Have Everything
|
1937
|
|
Nunnally Johnson (Producer)
|
Banjo on My Knee
|
1936
|
|
John Cromwell (Director)
|
Banjo on My Knee
|
1936
|
|
David Butler (Director)
|
Captain January
|
1936
|
|
John F. Seitz (Cinematographer)
|
Captain January
|
1936
|
|
Henry King (Director)
|
The Country Doctor
|
1936
|
|
Nunnally Johnson (Producer)
|
The Country Doctor
|
1936
|
|
John F. Seitz (Cinematographer)
|
The Country Doctor
|
1936
|
|
Nunnally Johnson (Producer)
|
Dimples
|
1936
|
|
Bill "Bojangles" Robinson (Choreography)
|
Dimples
|
1936
|
|
William S. Darling (Art Director)
|
Dimples
|
1936
|
|
William Seiter (Director)
|
Dimples
|
1936
|
|
Sidney Lanfield (Director)
|
Half Angel
|
1936
|
|
Roy Del Ruth (Director)
|
It Had to Happen
|
1936
|
|
Raymond Griffith (Producer)
|
It Had to Happen
|
1936
|
|
Sidney Lanfield (Director)
|
King of Burlesque
|
1936
|
|
Buddy G. DeSylva (Producer)
|
Ladies in Love
|
1936
|
|
Hal Mohr (Cinematographer)
|
Ladies in Love
|
1936
|
|
William S. Darling (Art Director)
|
Ladies in Love
|
1936
|
|
Henry King (Director)
|
Lloyds of London
|
1936
|
|
William S. Darling (Art Director)
|
Lloyds of London
|
1936
|
|
George Marshall (Director)
|
A Message to Garcia
|
1936
|
|
Rudolph Maté (Cinematographer)
|
A Message to Garcia
|
1936
|
|
Sidney Lanfield (Director)
|
One in a Million
|
1936
|
|
David Butler (Director)
|
Pigskin Parade
|
1936
|
|
Arthur C. Miller (Cinematographer)
|
Pigskin Parade
|
1936
|
|
Raymond Griffith (Producer)
|
Poor Little Rich Girl
|
1936
|
|
Irving Cummings (Director)
|
Poor Little Rich Girl
|
1936
|
|
William S. Darling (Art Director)
|
Poor Little Rich Girl
|
1936
|
|
John F. Seitz (Cinematographer)
|
Poor Little Rich Girl
|
1936
|
|
John Ford (Director)
|
The Prisoner of Shark Island
|
1936
|
|
William S. Darling (Art Director)
|
The Prisoner of Shark Island
|
1936
|
|
Roy Del Ruth (Director)
|
Private Number
|
1936
|
|
Raymond Griffith (Producer)
|
Private Number
|
1936
|
|
Rudolph Maté (Cinematographer)
|
Professional Soldier
|
1936
|
|
Raymond Griffith (Producer)
|
Professional Soldier
|
1936
|
|
Tay Garnett (Director)
|
Professional Soldier
|
1936
|
|
Norman Taurog (Director)
|
Reunion
|
1936
|
|
Gregg Toland (Cinematographer)
|
The Road to Glory
|
1936
|
|
Nunnally Johnson (Producer)
|
The Road to Glory
|
1936
|
|
Howard Hawks (Director)
|
The Road to Glory
|
1936
|
|
Sidney Lanfield (Director)
|
Sing, Baby, Sing
|
1936
|
|
Raymond Griffith (Producer)
|
Under Two Flags
|
1936
|
|
Frank Lloyd (Director)
|
Under Two Flags
|
1936
|
|
Arthur C. Miller (Cinematographer)
|
White Fang
|
1936
|
|
David Butler (Director)
|
White Fang
|
1936
|
|
Gene Markey (Producer)
|
White Hunter
|
1936
|
|
Irving Cummings (Director)
|
White Hunter
|
1936
|
|
William Wellman (Director)
|
The Call of the Wild
|
1935
|
|
Charles Rosher Sr. (Cinematographer)
|
The Call of the Wild
|
1935
|
|
Raymond Griffith (Producer)
|
Folies Bergère
|
1935
|
|
William S. Darling (Art Director)
|
Folies Bergère
|
1935
|
|
Roy Del Ruth (Director)
|
Folies Bergère
|
1935
|
|
Rudolph Maté (Cinematographer)
|
Metropolitan
|
1935
|
|
Richard Boleslawski (Director)
|
Metropolitan
|
1935
|
|
Richard Boleslawski (Director)
|
Les Miserables
|
1935
|
|
Gregg Toland (Cinematographer)
|
Les Miserables
|
1935
|
|
Raymond Griffith (Producer)
|
Show Them No Mercy!
|
1935
|
|
George Marshall (Director)
|
Show Them No Mercy!
|
1935
|
|
Roy Del Ruth (Director)
|
Thanks a Million
|
1935
|
|
Joseph M. Schenck (Producer)
|
Bulldog Drummond Strikes Back
|
1934
|
|
Roy Del Ruth (Director)
|
Bulldog Drummond Strikes Back
|
1934
|
|
Ray Enright (Director)
|
Dames
|
1934
|
|
Busby Berkeley (Choreography)
|
Dames
|
1934
|
|
Robert M. Haas (Art Director)
|
Dames
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Dames
|
1934
|
|
George Barnes (Cinematographer)
|
Dames
|
1934
|
|
Sol Polito (Cinematographer)
|
Dames
|
1934
|
|
Gregory La Cava (Director)
|
Gallant Lady
|
1934
|
|
Sidney Lanfield (Director)
|
The Last Gentleman
|
1934
|
|
William Wellman (Director)
|
Looking for Trouble
|
1934
|
|
Walter Lang (Director)
|
The Mighty Barnum
|
1934
|
|
Sidney Lanfield (Director)
|
Moulin Rouge
|
1934
|
|
Charles Rosher Sr. (Cinematographer)
|
Moulin Rouge
|
1934
|
|
Orry-Kelly (Costume Designer)
|
20,000 Years in Sing-Sing
|
1933
|
|
Anton Grot (Art Director)
|
20,000 Years in Sing-Sing
|
1933
|
|
Michael Curtiz (Director)
|
20,000 Years in Sing-Sing
|
1933
|
|
Hal B. Wallis (Producer)
|
42nd Street
|
1933
|
|
Busby Berkeley (Choreography)
|
42nd Street
|
1933
|
|
Sol Polito (Cinematographer)
|
42nd Street
|
1933
|
|
Orry-Kelly (Costume Designer)
|
42nd Street
|
1933
|
|
Lloyd Bacon (Director)
|
42nd Street
|
1933
|
|
Raymond Griffith (Producer)
|
Baby Face
|
1933
|
|
Anton Grot (Art Director)
|
Baby Face
|
1933
|
|
Orry-Kelly (Costume Designer)
|
Baby Face
|
1933
|
|
Raoul Walsh (Director)
|
The Bowery
|
1933
|
|
Robert Florey (Director)
|
Ex-Lady
|
1933
|
|
Orry-Kelly (Costume Designer)
|
Ex-Lady
|
1933
|
|
Raymond Griffith (Producer)
|
Parachute Jumper
|
1933
|
|
Jack L. Warner (Producer)
|
Parachute Jumper
|
1933
|
|
Jack L. Warner (Producer)
|
The Working Man
|
1933
|
|
Orry-Kelly (Costume Designer)
|
The Working Man
|
1933
|
|
Sol Polito (Cinematographer)
|
The Working Man
|
1933
|
|
Orry-Kelly (Costume Designer)
|
The Cabin in the Cotton
|
1932
|
|
Hal B. Wallis (Producer)
|
The Cabin in the Cotton
|
1932
|
|
Jack L. Warner (Producer)
|
The Cabin in the Cotton
|
1932
|
|
Michael Curtiz (Director)
|
The Cabin in the Cotton
|
1932
|
|
Hal B. Wallis (Producer)
|
The Dark Horse
|
1932
|
|
Sol Polito (Cinematographer)
|
The Dark Horse
|
1932
|
|
Orry-Kelly (Costume Designer)
|
The Man Who Played God
|
1932
|
|
Jack L. Warner (Producer)
|
The Man Who Played God
|
1932
|
|
William Holmes (Editor)
|
The Man Who Played God
|
1932
|
|
Ernest Haller (Cinematographer)
|
The Rich Are Always with Us
|
1932
|
|
Orry-Kelly (Costume Designer)
|
The Rich Are Always with Us
|
1932
|
|
Robert M. Haas (Art Director)
|
Three on a Match
|
1932
|
|
Sol Polito (Cinematographer)
|
Three on a Match
|
1932
|
|
Mervyn LeRoy (Director)
|
Three on a Match
|
1932
|
|
William Wellman (Director)
|
The Public Enemy
|
1931
|
|
Edward Stevenson (Costume Designer)
|
The Public Enemy
|
1931
|
|
William Holmes (Editor)
|
The Life of the Party
|
1930
|
|
Roy Del Ruth (Director)
|
The Life of the Party
|
1930
|
|
Roy Del Ruth (Director)
|
Three Faces East
|
1930
|
|
William Holmes (Editor)
|
Three Faces East
|
1930
|
|
Alan Crosland (Director)
|
On with the Show
|
1929
|
|
Anton Grot (Art Director)
|
Noah's Ark
|
1928
|
|
Hal Mohr (Cinematographer)
|
Noah's Ark
|
1928
|
|
Michael Curtiz (Director)
|
Noah's Ark
|
1928
|
|
Ralph Dawson (Editor)
|
Tenderloin
|
1928
|
|
Michael Curtiz (Director)
|
Tenderloin
|
1928
|
|
Hal Mohr (Cinematographer)
|
Tenderloin
|
1928
|
|
Roy Del Ruth (Director)
|
The First Auto
|
1927
|
|
Roy Del Ruth (Director)
|
Ham and Eggs at the Front
|
1927
|
|
Charles G. Clarke (Cinematographer)
|
Ham and Eggs at the Front
|
1927
|
|
Ray Enright (Director)
|
Jaws of Steel
|
1927
|
|
Alan Crosland (Director)
|
Old San Francisco
|
1927
|
|
Hal Mohr (Cinematographer)
|
Old San Francisco
|
1927
|
|
Ray Enright (Director)
|
Tracked by the Police
|
1927
|
|
Byron Haskin (Cinematographer)
|
Wolf's Clothing
|
1927
|
|
Roy Del Ruth (Director)
|
Wolf's Clothing
|
1927
|
|
Roy Del Ruth (Director)
|
Across the Pacific
|
1926
|
|
Byron Haskin (Cinematographer)
|
Across the Pacific
|
1926
|
|
Lewis Milestone (Director)
|
The Caveman
|
1926
|
|
Roy Del Ruth (Director)
|
Footloose Widows
|
1926
|
|
Roy Del Ruth (Director)
|
The Little Irish Girl
|
1926
|
|
William Beaudine (Producer)
|
Broadway Butterfly
|
1925
|
|
William Beaudine (Director)
|
Broadway Butterfly
|
1925
|
|
Roy Del Ruth (Director)
|
Eve's Lover
|
1925
|
|
Roy Del Ruth (Director)
|
Hogan's Alley
|
1925
|
|
Malcolm St. Clair (Director)
|
On Thin Ice
|
1925
|
|
Byron Haskin (Cinematographer)
|
On Thin Ice
|
1925
|
|
Roy Del Ruth (Director)
|
Three Weeks in Paris
|
1925
|
|
Malcolm St. Clair (Director)
|
Find Your Man
|
1924
|
|
Malcolm St. Clair (Director)
|
The Lighthouse by the Sea
|
1924
|