100

San Francisco Chronicle

Dangerous Liaisons isn't necessarily a work of art, but it's a guilty pleasure for sure.
Full Review
80

Los Angeles Times

By Robert Abele
Visual sumptuousness trumps the coldly erotic dastardliness of previous incarnations, but where this version feasts is on close-ups, with exchanges between pairs of eyes - the predatory versus the hesitant, the manipulatively comforting opposite the blindly vulnerable - that recall the silent era.
Full Review
70

The Hollywood Reporter

An interesting twist on a classic plot, Dangerous Liaisons is essentially a deluxe soap opera. But with its beautiful cast and gorgeous production design, it is still a highly enjoyable way to waste two hours.
Full Review
70

The New York Times

By Manohla Dargis
Schadenfreude carries a delectable tang no matter the language, and as the history of Hollywood shows, stories about pretty people behaving badly remain reliably alluring.
Full Review
65

NPR

By Mark Jenkins
Relocating Dangerous Liaisons, the 18th-century French erotic intrigue, to 1930s Shanghai is a bold move. And yet it's not especially surprising. In Chinese movies, that city in that decade frequently serves as shorthand for decadence.
Full Review
58

The A.V. Club

By Scott Tobias
Hur invests the period setting with an eye-popping opulence that's meant to highlight the elite decadence that came before the fall, but his Dangerous Liaisons isn't particularly sophisticated on a political or historical level.
Full Review
50

Slant Magazine

Despite the abundant surface pleasures the vision of its milieu provides, its lack of insight or engagement makes this adaptation feel, ultimately, like a missed opportunity.
Full Review
50

The Globe and Mail (Toronto)

With its exotic setting and its beautiful cast, this Dangerous Liaisons is lovely rather than wicked.
Full Review
50

Village Voice

By Nick Pinkerton
The least one should hope for from another adaptation of Pierre Choderlos de Laclos's Dangerous Liaisons is savory, salacious trash, but nothing in Hur Jin-ho's tony new version approaches the dizzying depths of Sarah Michelle Gellar spelling out the conditions of her sex bet with Ryan Phillippe ("You can put it anywhere . . .") in 1999's "Cruel Intentions."
Full Review
40

Time Out New York

By David Fear
Revenge may be a dish best served cold, as the novel suggested, but steamy adaptations simply can't be doled out lukewarm.
Full Review
59 out of 100
Mixed or average reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.