|
Robert Swink (Editor)
|
Papillon
|
1973
|
|
Franklin J. Schaffner (Producer)
|
Papillon
|
1973
|
|
Franklin J. Schaffner (Director)
|
Papillon
|
1973
|
|
Donald Sutherland (Producer)
|
F.T.A.
|
1972
|
|
Jane Fonda (Producer)
|
F.T.A.
|
1972
|
|
John Frankenheimer (Director)
|
The Horsemen
|
1970
|
|
James Wong Howe (Cinematographer)
|
The Horsemen
|
1970
|
|
Claude Renoir (Cinematographer)
|
The Horsemen
|
1970
|
|
Harold Kress (Editor)
|
The Horsemen
|
1970
|
|
John Frankenheimer (Director)
|
The Fixer
|
1968
|
|
George Roy Hill (Director)
|
Hawaii
|
1966
|
|
Walter Mirisch (Producer)
|
Hawaii
|
1966
|
|
Edgar G. Ulmer (Producer)
|
The Cavern
|
1965
|
|
Edgar G. Ulmer (Director)
|
The Cavern
|
1965
|
|
Irene Sharaff (Costume Designer)
|
The Sandpiper
|
1965
|
|
George W. Davis (Art Director)
|
The Sandpiper
|
1965
|
|
Vincente Minnelli (Director)
|
The Sandpiper
|
1965
|
|
Kirk Douglas (Producer)
|
Lonely Are the Brave
|
1962
|
|
Robert Aldrich (Director)
|
The Last Sunset
|
1961
|
|
Otto Preminger (Director)
|
Exodus
|
1960
|
|
Otto Preminger (Producer)
|
Exodus
|
1960
|
|
Russell Metty (Cinematographer)
|
Spartacus
|
1960
|
|
Kirk Douglas (Executive Producer)
|
Spartacus
|
1960
|
|
Stanley Kubrick (Director)
|
Spartacus
|
1960
|
|
Warren Low (Editor)
|
Career
|
1959
|
|
Hal B. Wallis (Producer)
|
Career
|
1959
|
|
Edith Head (Costume Designer)
|
Career
|
1959
|
|
Delmer Daves (Director)
|
Cowboy
|
1958
|
|
Charles Lawton (Cinematographer)
|
Cowboy
|
1958
|
|
William Wyler (Director)
|
Roman Holiday
|
1953
|
|
Robert Swink (Editor)
|
Roman Holiday
|
1953
|
|
William Wyler (Producer)
|
Roman Holiday
|
1953
|
|
Edith Head (Costume Designer)
|
Roman Holiday
|
1953
|
|
Henri Alékan (Cinematographer)
|
Roman Holiday
|
1953
|
|
Arthur C. Miller (Cinematographer)
|
The Prowler
|
1951
|
|
Sam Spiegel (Producer)
|
The Prowler
|
1951
|
|
John Huston (Producer)
|
The Prowler
|
1951
|
|
Paul Weatherwax (Editor)
|
The Prowler
|
1951
|
|
Joseph Losey (Director)
|
The Prowler
|
1951
|
|
Edward N. Buzzell (Director)
|
Emergency Wedding
|
1950
|
|
Nat Perrin (Producer)
|
Emergency Wedding
|
1950
|
|
Joseph H. Lewis (Director)
|
Gun Crazy
|
1949
|
|
Gustav Machaty (Director)
|
Jealousy
|
1945
|
|
Gustav Machaty (Producer)
|
Jealousy
|
1945
|
|
Irene (Costume Designer)
|
Our Vines Have Tender Grapes
|
1945
|
|
Roy Rowland (Director)
|
Our Vines Have Tender Grapes
|
1945
|
|
Cedric Gibbons (Art Director)
|
Our Vines Have Tender Grapes
|
1945
|
|
Robert Surtees (Cinematographer)
|
Our Vines Have Tender Grapes
|
1945
|
|
Karl W. Freund (Cinematographer)
|
A Guy Named Joe
|
1944
|
|
Cedric Gibbons (Art Director)
|
A Guy Named Joe
|
1944
|
|
Victor Fleming (Director)
|
A Guy Named Joe
|
1944
|
|
Irene (Costume Designer)
|
A Guy Named Joe
|
1944
|
|
Mervyn LeRoy (Director)
|
Thirty Seconds Over Tokyo
|
1944
|
|
Cedric Gibbons (Art Director)
|
Thirty Seconds Over Tokyo
|
1944
|
|
Harold Hal Rosson (Cinematographer)
|
Thirty Seconds Over Tokyo
|
1944
|
|
Robert Surtees (Cinematographer)
|
Thirty Seconds Over Tokyo
|
1944
|
|
Sam Zimbalist (Producer)
|
Thirty Seconds Over Tokyo
|
1944
|
|
Edward Dmytryk (Director)
|
Tender Comrade
|
1943
|
|
Russell Metty (Cinematographer)
|
Tender Comrade
|
1943
|
|
Albert S. D'Agostino (Art Director)
|
Tender Comrade
|
1943
|
|
Edith Head (Costume Designer)
|
Tender Comrade
|
1943
|
|
Renie (Costume Designer)
|
Tender Comrade
|
1943
|
|
René Clair (Director)
|
I Married a Witch
|
1942
|
|
Edith Head (Costume Designer)
|
I Married a Witch
|
1942
|
|
Hans Dreier (Art Director)
|
I Married a Witch
|
1942
|
|
Ted Tetzlaff (Cinematographer)
|
I Married a Witch
|
1942
|
|
René Clair (Producer)
|
I Married a Witch
|
1942
|
|
Preston Sturges (Producer)
|
I Married a Witch
|
1942
|
|
Hans Dreier (Art Director)
|
The Remarkable Andrew
|
1942
|
|
Stuart Heisler (Director)
|
The Remarkable Andrew
|
1942
|
|
Edith Head (Costume Designer)
|
The Remarkable Andrew
|
1942
|
|
Charles G. Clarke (Cinematographer)
|
Accent on Love
|
1941
|
|
Wesley Ruggles (Producer)
|
You Belong to Me
|
1941
|
|
Wesley Ruggles (Director)
|
You Belong to Me
|
1941
|
|
Lionel Banks (Art Director)
|
You Belong to Me
|
1941
|
|
Edith Head (Costume Designer)
|
You Belong to Me
|
1941
|
|
Renie (Costume Designer)
|
A Bill of Divorcement
|
1940
|
|
John Farrow (Director)
|
A Bill of Divorcement
|
1940
|
|
Van Nest Polglase (Art Director)
|
A Bill of Divorcement
|
1940
|
|
Russell Metty (Cinematographer)
|
Curtain Call
|
1940
|
|
Renie (Costume Designer)
|
Kitty Foyle
|
1940
|
|
Sam Wood (Director)
|
Kitty Foyle
|
1940
|
|
Van Nest Polglase (Art Director)
|
Kitty Foyle
|
1940
|
|
Lionel Banks (Art Director)
|
The Lone Wolf Strikes
|
1940
|
|
Fred Kohlmar (Producer)
|
The Lone Wolf Strikes
|
1940
|
|
Karl W. Freund (Cinematographer)
|
We Who Are Young
|
1940
|
|
Cedric Gibbons (Art Director)
|
We Who Are Young
|
1940
|
|
John Farrow (Director)
|
Five Came Back
|
1939
|
|
Edward Stevenson (Costume Designer)
|
Five Came Back
|
1939
|
|
Albert S. D'Agostino (Art Director)
|
Five Came Back
|
1939
|
|
Van Nest Polglase (Art Director)
|
Five Came Back
|
1939
|
|
Roy Hunt (Cinematographer)
|
The Flying Irishman
|
1939
|
|
Pandro S. Berman (Producer)
|
The Flying Irishman
|
1939
|
|
Ricardo Cortez (Director)
|
Heaven with a Barbed Wire Fence
|
1939
|
|
Sol Wurtzel (Producer)
|
Heaven with a Barbed Wire Fence
|
1939
|
|
Lewis Seiler (Director)
|
The Kid from Kokomo
|
1939
|
|
John Farrow (Director)
|
Sorority House
|
1939
|
|
Edward Stevenson (Costume Designer)
|
Sorority House
|
1939
|
|
Garson Kanin (Director)
|
A Man to Remember
|
1938
|
|
Roy Hunt (Cinematographer)
|
A Man to Remember
|
1938
|
|
Van Nest Polglase (Art Director)
|
A Man to Remember
|
1938
|
|
Erle C. Kenton (Director)
|
Devil's Playground
|
1937
|
|
Lucien Ballard (Cinematographer)
|
Devil's Playground
|
1937
|
|
Frank McDonald (Director)
|
Love Begins at Twenty
|
1936
|
|
George Barnes (Cinematographer)
|
Love Begins at Twenty
|
1936
|
|
Louis King (Director)
|
Road Gang
|
1936
|