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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 100
    Rolling Stone | Peter Travers

    Taut, tense and enthralling, as smart and surprising as it protagonist. Read full review

  • 100
    Los Angeles Times | Kenneth Turan

    Intense, hypnotic, assured, Croupier mesmerizes from its opening image of a roulette ball on the move. Read full review

  • 91
    Entertainment Weekly | Lisa Schwarzbaum

    So sharp and dryly urbane in its mod-Brit take on the noir, noir, noir, noir world of gambling, dames, and pulp fiction, it makes higher-profile attempts like ''Rounders'' look blah, blah, blah, blah. Read full review

  • 88
    Boston Globe | Jay Carr

    It's brilliantly precise in its detailing, stylishly jagged and sensual by turns, and utterly unpredictable. Read full review

  • 88
    USA Today |

    A tiny treasure: grown-up, tight, sexy, suspenseful and with a mildly ambiguous wrap-up that stimulates the mind rather than confusing it. Read full review

  • 80
    Washington Post | Desson Thomson

    A smoothly executed jab in your solar plexus, a lean, smart film noir that pokes at you with quintessentially English disdain and sarcasm. Read full review

  • 75
    Chicago Sun-Times | Roger Ebert

    The point of the movie is not the plot, but the character and the atmosphere. Read full review

  • 70
    The New York Times | Stephen Holden

    Clive Owen conveys a sharp, cynical intelligence that rolls off the screen in waves whenever he widens his glittering blue eyes. Read full review

  • 60
    Washington Post | Stephen Hunter

    Demonstrates that a movie need not be good to be cool. Read full review

  • 50
    San Francisco Chronicle | Bob Graham

    A very smart noir about gambling, smartly directed by Mike Hodges -- until almost the very end. It craps out in the decisive London casino heist scene. Read full review

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