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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
This is the rare American film really about something, and almost all the performances are riveting. Read full review
The stunning, must-see drama Crash is proof that words have not lost the ability to shock in our anesthetized society. Read full review
Haggis writes with such directness and such a good ear for everyday speech that the characters seem real and plausible after only a few words. His cast is uniformly strong; the actors sidestep cliches and make their characters particular. Read full review
The acting is dynamite, notably by Dillon and Newton in their shocking second encounter. Despite its preachy moments, the film is a knockout. Read full review
Flaws are outweighed by Crash's intricate construction and intelligent. Read full review
The tense drama eventually becomes off-putting when it becomes clear almost every scene hinges on an unpleasant or ugly racial interaction. Read full review
Ultimately, Crash succeeds in spite of itself. Its color war starts to feel obvious and schematic. Its coincidences and clichés become like a pileup on the 405 freeway, but there it is -- you find yourself rubbernecking and can't manage to look away. Read full review
In the end, Crash lacks a cumulative impact. It takes audiences to new places, but we've all been to similar places, and we walk out knowing no more than we did walking in. Read full review
So what kind of a movie is Crash? A frustrating movie: full of heart and devoid of life; crudely manipulative when it tries hardest to be subtle; and profoundly complacent in spite of its intention to unsettle and disturb. Read full review
Any glimpse of emotional honesty comes courtesy of the actors, who manage to do a credible job despite the material. Read full review